A Comparison of Robert Schumann's and Hugo Wolf's Settings of Goethe's Mignon Lieder PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Comparison of Robert Schumann's and Hugo Wolf's Settings of Goethe's Mignon Lieder PDF full book. Access full book title A Comparison of Robert Schumann's and Hugo Wolf's Settings of Goethe's Mignon Lieder by Carrie R. Rivera. Download full books in PDF and EPUB format.
Author: Carrie R. Rivera
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
Get Book Here
Book Description
Author: Carrie R. Rivera
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
Get Book Here
Book Description
Author: Debra Phillips Wilkie
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 128
Get Book Here
Book Description
Author: Jane Marie Key
Publisher:
ISBN:
Category : Style, Musical
Languages : en
Pages : 102
Get Book Here
Book Description
Author: Patricia Sam Crenshaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
Get Book Here
Book Description
Author: Robert Edward Gerken
Publisher:
ISBN:
Category :
Languages : de
Pages : 216
Get Book Here
Book Description
Author: Debra Phillips 1967 Wilkie
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Get Book Here
Book Description
Author: Barbara Ellen Carlsen
Publisher:
ISBN:
Category : Mignon's Lied
Languages : en
Pages : 80
Get Book Here
Book Description
Author: Danko Drusko
Publisher: GRIN Verlag
ISBN: 3656074399
Category : Music
Languages : en
Pages : 19
Get Book Here
Book Description
Seminar paper from the year 2011 in the subject Musicology - Miscellaneous, grade: 1, University of Rochester, Eastman School of Music, language: English, abstract: To precede my comparison of Schumann's "Mondnacht" and Brahms's setting of the same poem I would like to begin with a brief introduction of the two composers. Their personal histories will be taken into account in order to show if any conclusions can be drawn on how their approaches to the compositions may have been influenced. I will also concentrate particularly on both composers’ roles in the context of the Lied of the 19th century. Within this context I will provide a short introduction to the poem Mondnacht and address its various different settings. In this approach will be considered both musical, as well as textual content. By the end of the paper I hope to provide a clearer understanding of how each of them composed their work and illuminate several differences and similarities. In order to not translate each quote taken from German sources and due to my German background I will be using the original quotes.
Author: Angela Clare Harkenrider
Publisher:
ISBN:
Category :
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Gerald Moore
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 280
Get Book Here
Book Description
"Following his Schubert's Song Cycles, published in 1975, Gerald Moore, doyen of the world's accompanists, writes with penetration, feeling and wit on the singing and playing of the songs of Robert Schumann. For over half a century he has played them with the greatest artists of our time, and in this book he discusses questions of ensemble, balance, colour, rhythm and, above all, poetic understanding and sensitivity. In the hierarchy of song Schumann was a descendant of Franz Schubert and inherited that master's genius. The book naturally embraces 'Poet's Love', one of the most sublime cycles ever written, 'Woman's Love and Life' and other cycles. But also included are a hundred miscellaneous songs, some famous and others much less well known. In Dr Moore's opinion there are many which are unjustifiably neglected and he makes an eloquent plea on their behalf. He asks, for instance, who has ever heard Schumann's version of Goethe's Wanderers Nachtlied ('Wanderer's Nightsong') performed. It has been set unforgettably by Schubert, but Schumann's realisation is also of a rare beauty. Then there is the statuesque 'Melancholy', Purcell-like in nobility, and the blood-curdling ballads which Schumann sometimes liked to avoid but thrillingly conceived in 'The Hostile Brothers' and 'The Glove'. His delightful humour is shown in 'Hey ho, the Wind and the Rain' under the title Schusslied der Narren. These essays, with musical examples, are inspired by love of the songs, but the author is no euphemist. Sensing what may appear to him as an occasional weakness, he suggests how singer and pianist may seek to disguise it. The aim of the author is to help the performer and give added enjoyment to the listener. The text includes over 200 musical examples." --Dust jacket.
