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Author: Richard Bradley
Publisher: Cambridge University Press
ISBN: 1108887872
Category : Social Science
Languages : en
Pages : 159
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Book Description
The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.
Author: Richard Bradley
Publisher: Cambridge University Press
ISBN: 1108887872
Category : Social Science
Languages : en
Pages : 159
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Book Description
The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.
Author: Mr Richard Bradley
Publisher: Routledge
ISBN: 1134708920
Category : Social Science
Languages : en
Pages : 300
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Book Description
Along the Atlantic seaboard, from Scotland to Spain, are numerous rock carvings made four to five thousand years ago, whose interpretation poses a major challenge to the archaeologist. In the first full-length treatment of the subject, based largely on new fieldwork, Richard Bradley argues that these carvings should be interpreted as a series of symbolic messages that are shared between monuments, artefacts and natural places in the landscape. He discusses the cultural setting of the rock carvings and the ways in which they can be interpreted in relation to ancient land use, the creation of ritual monuments and the burial of the dead. Integrating this fascinating yet little-known material into the mainstream of prehistoric studies, Richard Bradley demonstrates that these carvings played a fundamental role in the organization of the prehistoric landscape.
Author: Primitiva Bueno Ramírez
Publisher: Archaeopress Archaeology
ISBN: 9781784912222
Category : Antiquities, Prehistoric
Languages : en
Pages : 0
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Book Description
The diverse papers in this volume, published in honour of Professor de Balbin, cover a wide variety of the decorated caves which traditionally defined Palaeolithic art, as well as the open-air art of the period, a subject in which he has done pioneering work at Siega Verde and elsewhere.
Author: Theoretical Archaeology Group (England). Conference
Publisher: Cambridge University Press
ISBN: 9780521255264
Category : Social Science
Languages : en
Pages : 176
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Book Description
This book starts from the premise that methodology has always dominated archaeology to the detriment of broader social theory.
Author: Jan Magne Gjerde
Publisher: Equinox Publishing (Indonesia)
ISBN: 9781781795606
Category : Petroglyphs
Languages : en
Pages : 448
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Book Description
Rock art is a global phenomenon with an enormous variation in shapes and figures and the research interest is wide and inclusive. The volume aims to explain differences observed in rock art through time and space, synchronically or diachronically. Differences can for example be in form, content, space (macro and micro), where explanations might relate to a large variety of factors such as political, societal, beliefs and rituals. Issues connected with authenticity and presentation where efforts and choices taken to preserve and present rock art are indeed many sided and complex are discussed. The wide-range papers in this volume are by scholars from across the globe with different perspectives on differences in Rock Art. This volume will be of interest to students, archaeologists and researchers from related disciplines.
Author: Bruno David
Publisher:
ISBN: 0190607351
Category : Art
Languages : en
Pages : 1185
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Book Description
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Author:
Publisher: Springer
ISBN: 9781441904263
Category : Social Science
Languages : en
Pages : 8015
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Book Description
Archaeology – the study of human cultures through the analysis and interpretation of artefacts and material remains – continues to captivate and engage people on a local and global level. Internationally celebrated heritage sites such as the pyramids—both Egyptian and Mayan—Lascaux caves, and the statues of Easter Island provide insights into our ancestors and their actions and motivation. But there is much more to archaeology than famous sites. Ask any archaeologist about their job and they will touch on archaeological theory, chemistry, geology, history, classical studies, museum studies, ethical practice, and survey methods, along with the analysis and interpretation of artefacts and sites. Archaeology is a much broader subject than its public image and branches into many other fields in the social and physical sciences. This multi-volume work provides a comprehensive and systematic coverage of archaeology that is unprecedented, not only in terms of the use of multi-media, but also in terms of content. It encompasses the breadth of the subject along with key aspects that are tapped from other disciplines. It includes all time periods and regions of the world and all stages of human development. Mostly importantly, this encyclopedia includes the knowledge of leading scholars from around the world. The entries in this encyclopedia range from succinct summaries of specific sites and the scientific aspects of archaeological enquiry to detailed discussions of archaeological concepts, theories and methods, and from investigations into the social, ethical and political dimensions of archaeological practice to biographies of leading archaeologists from throughout the world. The different forms of archaeology are explored, along with the techniques used for each and the challenges, concerns and issues that face archaeologists today. The Encyclopedia of Global Archaeology has two outstanding innovations. The first is that scholars were able to submit entries in their own language. Over 300,000 words have been translated from French, Spanish, Portuguese, German, Italian, Japanese, Turkish and Russian. Many of these entries are by scholars who are publishing in English for the first time. This compendium is both a print reference and an online reference work. The encyclopedia’s second major innovation is that it harnesses the capabilities of an online environment, enhancing both the presentation and dissemination of information. Most particularly, the continuous updating allowed by an online environment should ensure that the Encyclopedia of Global Archaeology is a definitive reference work for archaeology and archaeologists.
Author: Andrew J. Lawson
Publisher: Oxford University Press
ISBN: 0199698228
Category : Art
Languages : en
Pages : 490
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Book Description
Written from an archaeological perspective, Painted Caves is a beautifully illustrated introduction to the oldest art of Western Europe: the very ancient paintings found in caves. Lawson offers an up to date overview of the geographical distribution of the sites and their significance within the varied network of Palaeolithic art.
Author: Joakim Goldhahn
Publisher: Oxbow Books Limited
ISBN: 9781842174050
Category : Europe, Northern
Languages : en
Pages : 0
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Book Description
'Changing Pictures' aims to return to traditional interpretative notions regarding the meaning & significance of rock art.
Author: Karina Arifin
Publisher: Unesco
ISBN:
Category : Art, Prehistoric
Languages : en
Pages : 296
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Book Description
This book addresses for the first time four major rock art areas of West Papua: the Berau Gulf, Bitsyari Bay, Triton Bay and the Baliem Valley. Together, they form one of the richest regions of rock art and include many newly discovered sites. These sites, located along the South Coast and in the Baliem Highlands, contain thousands of paintings. This book presents, for the first time, hundreds of original photographs including hand stencils, matutuo, faces, and abstract motifs found in West Papua. It also compiles existing hypotheses on the antiquity and origins of rock art in the region and tries to offer a stimulus for further research
