A Comparative Study of Gabriel Fauré's and Claude Debussy's Settings of Selected Paul Verlaine Poetry PDF Download
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Author: Douglas Barley
Publisher:
ISBN:
Category : Songs, French
Languages : en
Pages : 162
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Book Description
Author: Douglas Barley
Publisher:
ISBN:
Category : Songs, French
Languages : en
Pages : 162
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Book Description
Author: Jo Ann D. Poston
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Author: DiAnn Foster Krivchenia
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Author: Fumei Huang
Publisher:
ISBN:
Category :
Languages : en
Pages : 256
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Author: Emily Eyestone
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 101
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Book Description
This thesis examines the expression of subjectivity in poetry and music, through a comparison of nineteenth century French poet Paul Verlaine's poems in his collection Romances sans paroles with the musical settings of these poems by the composer, Claude Debussy. Using artistic subjectivity as the point of departure, I attempt to account for the ways in which these art forms may approximate or suggest similar ideas, despite their materially-different modes of expression. Each of the four chapters in this analysis focus on a comparison between one of Verlaine's and its accompanying musical transcription by Debussy. I engage in a close reading of the poem initially, with attention paid to linguistic communication of meaning and then turn to the musical score, and through an analysis of musical theory practices in Debussy's pieces, attempt to show potential sites of expressive correspondence between music and poetry. I use a discursive model of relationship, rather than equivalency. Such an approach places poem and composition in a sort of dialog that is itself productive of meaning that is emergent from their association. The discursive method of analysis acknowledges and respects formal differences between language and music in a way that allows for an informed yet fruitful comparison.
Author: Kathryn Ferguson
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Author: Peggy Joyce Cooper
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Author: Arthur Wenk
Publisher: Univ of California Press
ISBN: 9780520028272
Category : Music
Languages : en
Pages : 358
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Book Description
Paul Dukas wrote about Debussy that the strongest influence he experienced was that of the poets, not that of the musicians. This book undertakes to demonstrate that thesis by studying Debussy's settings of songs by Banville, Verlaine, Baudelaire, Mallarmé, Louÿs, and Debussy himself. A particular insight may be gained in the comparison of six poems by Verlaine set to music by both Fauré and Debussy. The book includes a poetic/musical analysis of Debussy's Prelude to the Afternoon of a Faun, based on the poem by Mallarmé.
Author: Katherine Bergeron
Publisher: Oxford University Press
ISBN: 0199887543
Category : Music
Languages : en
Pages : 627
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Book Description
Language, education, politics, and music come together in Katherine Bergeron's Voice Lessons, a study of the French m?lodie in the Belle Epoque. Close readings of songs by Faur?, Debussy, and Ravel, along with poems, sound recordings, and other historical documents, seek to uncovers the cultural meanings of this art: why it emerged, why it mattered, and why it eventually disappeared.
Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489
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Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
