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Author: David Worrall
Publisher: Oxford University Press, USA
ISBN: 0199276757
Category : Drama
Languages : en
Pages : 416
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Book Description
This book uncovers the role of stage censorship during the Romantic period, an era otherwise associated with freedom of expression. Theatric Revolution examines this censorship and those who struggled against it.
Author: David Worrall
Publisher: Oxford University Press, USA
ISBN: 0199276757
Category : Drama
Languages : en
Pages : 416
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Book Description
This book uncovers the role of stage censorship during the Romantic period, an era otherwise associated with freedom of expression. Theatric Revolution examines this censorship and those who struggled against it.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 640
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Book Description
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 390
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Book Description
Author: John Taylor
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Dulau & Co., ltd., Booksellers, London
Publisher:
ISBN:
Category :
Languages : en
Pages : 420
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Book Description
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 574
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Book Description
Author: British Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 936
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Book Description
Author: Tracy C. Davis
Publisher: Cambridge University Press
ISBN: 9780521659826
Category : Drama
Languages : en
Pages : 324
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Book Description
This collection of essays recovers the names and careers of nineteenth-century women playwrights.
Author: British Museum. Department of Printed Books
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 936
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Book Description
Author: Derek Miller
Publisher: Cambridge University Press
ISBN: 1108584179
Category : Drama
Languages : en
Pages : 293
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Book Description
In the nineteenth century, copyright law expanded to include performances of theatrical and musical works. These laws transformed how people made and consumed performances. Exploring precedent-setting litigation on both sides of the Atlantic, this book traces how courts developed definitions of theater and music to suit new performance rights laws. From Gilbert and Sullivan battling to protect The Mikado to Augustin Daly petitioning to control his spectacular 'railroad scene', artists worked with courts to refine vague legal language into clear, functional theories of drama, music, and performance. Through cases that ensnared figures including Lord Byron, Laura Keene, and Dion Boucicault, this book discovers how the law theorized central aspects of performance including embodiment, affect, audience response, and the relationship between scripts and performances. This history reveals how the advent of performance rights reshaped how we value performance both as an artistic medium and as property.
