A Companion to the New Harp of Columbia PDF Download
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Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532
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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532
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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 774
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Book Description
Author: Carl P. Jr. Daw
Publisher: Westminster John Knox Press
ISBN: 1611646529
Category : Music
Languages : en
Pages : 1394
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Book Description
This informative resource provides a brief history of each hymn in the popular hymnal Glory to God. Written by one of the foremost hymn scholars today, the Companion explains when and why each hymn was written and provides biographical information about the hymn writers. Church leaders will benefit from this book when choosing hymn texts for every worship occasion. Several indexes will be included, making this a valuable reference tool for pastors, worship planners, scholars, and students, as well as an interesting and engaging resource for music lovers.
Author: David Warren Steel
Publisher: University of Illinois Press
ISBN: 0252053958
Category : Music
Languages : en
Pages : 354
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Book Description
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.
Author: David W. Music
Publisher: A-R Editions, Inc.
ISBN: 0895795752
Category : Music
Languages : en
Pages : 154
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Book Description
xiv + 172 pp., includes facsimile pages
Author: David W. Music
Publisher: Mercer University Press
ISBN: 9780865549487
Category : Music
Languages : en
Pages : 664
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Book Description
Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.
Author: Peter Mercer-Taylor
Publisher: Oxford University Press
ISBN: 0190842814
Category : Music
Languages : en
Pages : 336
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Book Description
In the decades leading up to the Civil War, most Americans probably encountered European classical music primarily through hymn tunes. Hymnody was the most popular and commercially successful genre of the antebellum period in the United States, and the unquenchable thirst for new tunes to sing led to a phenomenon largely forgotten today: in their search for fresh material, editors lifted hundreds of tunes from the works of major classical composers to use as settings of psalms and hymns. The few that remain popular today millions have sung "Joyful, Joyful We Adore Thee" to Beethoven and "Hark, The Herald Angels Sing" to Mendelssohn are vestiges of one of the most distinctive trends in antebellum music-making. Gems of Exquisite Beauty is the first in-depth study of the historical rise and fall of this adaptation practice, its artistic achievements, and its place in nineteenth-century American musical life. It traces the contributions of pioneering figures like Arthur Clifton and the impact of bestsellers like the Handel and Haydn Society Collection, which helped turn Lowell Mason into America's most influential musician. By telling the tales of these hymns and those who brought them into the world, author Peter Mercer-Taylor reveals a central part of the history of how the American public first came to meet and creatively engage with Europe's rich musical practices.
Author: W. K. McNeil
Publisher: Routledge
ISBN: 1135377073
Category : Music
Languages : en
Pages : 520
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Book Description
The Encyclopedia of American Gospel Music is the first comprehensive reference to cover this important American musical form. Coverage includes all aspects of both African-American and white gospel from history and performers to recording techniques and styles as well as the influence of gospel on different musical genres and cultural trends.
Author: Nicholas Temperley
Publisher: University of Illinois Press
ISBN: 0252077679
Category : Biography & Autobiography
Languages : en
Pages : 298
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Book Description
"This book originated in a conference, Music, Cultural History and the Wesleys, hosted by CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and held at the University of Bristol in July 2007"--Pref.
Author: M. L. Swan
Publisher:
ISBN: 9781572331280
Category : Music
Languages : en
Pages : 287
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Book Description
In the small towns and rural areas of early America, church-sponsored “singing schools” proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch—a method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition. The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this “restored edition” of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date. Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymns—a total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: “[The book is] a worthwhile addition to any church musician's library, especially those interested in the development of American sacred music over the past two centuries.” This publication marks a significant new step in preserving an important musical tradition.
