A Companion to the Louvre of to Day [sic] PDF Download
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![A Companion to the Louvre of to Day [sic] PDF](https://books.google.com/books/content/images/frontcover/lWoLHQAACAAJ?fife=w150-h200)
Author: Musée du Louvre
Publisher:
ISBN:
Category :
Languages : en
Pages : 155
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![A Companion to the Louvre of to Day [sic] PDF](https://books.google.com/books/content/images/frontcover/lWoLHQAACAAJ?fife=w80-h100)
Author: Musée du Louvre
Publisher:
ISBN:
Category :
Languages : en
Pages : 155
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Author: Marthe-Marie-Marguerite Gagne
Publisher: Éditions de l'Indispensable
ISBN:
Category :
Languages : en
Pages : 165
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Author:
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ISBN:
Category :
Languages : en
Pages :
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Author: Musée du Louvre (Paris)
Publisher:
ISBN:
Category :
Languages : en
Pages : 165
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Author: Musée du Louvre
Publisher:
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Category :
Languages : fr
Pages : 0
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Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
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A Companion to Impressionism Presenting an expansive view of the study of Impressionism, this pioneering volume breaks new thematic ground while also reconsidering questions concerning the definition, chronology, and membership of the impressionist movement. In 34 original essays from established and emerging scholars, this collection offers a diverse range of developing topics and new critical approaches to the interpretation of impressionist art. Focusing on the 1860s to 1890s, A Companion to Impressionism explores artists who are well-represented in impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism’s global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, as well as the movement’s exhibition and reception history. This innovative volume also includes new discussions of modern identity in Impressionism in the contexts of race, nationality, gender, and sexuality and through its explorations of the international reach and influence of Impressionism. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important addition to scholarship in this field stands as the 21st century’s first major and large-scale academic reassessment of Impressionism. Featuring essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina, this is an invaluable text for students and scholars studying Impressionism and late 19th-century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: Ad Graafland
Publisher: 010 Publishers
ISBN: 9789064504921
Category : Architecture
Languages : en
Pages : 166
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Author: Florence S. Boos
Publisher: Routledge
ISBN: 1351859013
Category : Art
Languages : en
Pages : 597
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William Morris (1834–96) was an English poet, decorative artist, translator, romance writer, book designer, preservationist, socialist theorist, and political activist, whose admirers have been drawn to the sheer intensity of his artistic endeavors and efforts to live up to radical ideals of social justice. This Companion draws together historical and critical responses to the impressive range of Morris’s multi-faceted life and activities: his homes, travels, family, business practices, decorative artwork, poetry, fantasy romances, translations, political activism, eco-socialism, and book collecting and design. Each chapter provides valuable historical and literary background information, reviews relevant opinions on its subject from the late-nineteenth century to the present, and offers new approaches to important aspects of its topic. Morris’s eclectic methodology and the perennial relevance of his insights and practice make this an essential handbook for those interested in art history, poetry, translation, literature, book design, environmentalism, political activism, and Victorian and utopian studies.
![The Juvenile companion, and Sunday-school hive [afterw.] The Sunday school hive, and juvenile companion. Vol.4 [sic]; 3 [no.3]-43 PDF](https://books.google.com/books/content/images/frontcover/z1kEAAAAQAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
