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Author: Christine Cornea
Publisher: Edinburgh University Press
ISBN: 0748628703
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.
Author: Christine Cornea
Publisher: Edinburgh University Press
ISBN: 0748628703
Category : Performing Arts
Languages : en
Pages : 320
Get Book Here
Book Description
This major new study offers a broad historical and theoretical reassessment of the science fiction film genre. The book explores the development of science fiction in cinema from its beginnings in early film through to recent examples of the genre. Each chapter sets analyses of chosen films within a wider historical/cultural context, while concentrating on a specific thematic issue. The book therefore presents vital and unique perspectives in its approach to the genre, which include discussion of the relevance of psychedelic imagery, the 'new woman of science', generic performance and the prevalence of 'techno-orientalism' in recent films. While American films will be one of the principle areas covered, the author also engages with a range of pertinent examples from other nations, as well as discussing the centrality of science fiction as a transnational film genre. Films discussed include The Day the Earth Stood Still, The Body Snatchers, Forbidden Planet, The Quatermass Experiment, 2001: A Space Odyssey, Demon Seed, Star Trek: The Motion Picture, Star Wars, Altered States, Alien, Blade Runner, The Brother from Another Planet, Back to the Future, The Terminator, Predator, The One, Dark City, The Matrix, Fifth Element and eXistenZ. Key Features*Thematically organised for use as a course text.*Introduces current and past theories and practices, and provides an overview of the main themes, approaches and areas of study.*Covers new and burgeoning approaches such as generic performance and aspects of postmodern identity.*Includes new interviews with some of the main practitioners in the field: Roland Emmerich, Paul Verhoeven, Ken Russell, Stan Winston, William Gibson, Brian Aldiss, Joe Morton, Dean Norris and Billy Gray.
Author: Mark Wilshin
Publisher: Heinemann-Raintree Library
ISBN: 9781410920119
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
Describes the history of science fiction and fantasy films and their technological effects through the decades.
Author: Mark Wilshin
Publisher: Raintree Publishers
ISBN: 9781844211838
Category : Fantasy films
Languages : en
Pages : 32
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Book Description
Ranging from the first moving picture show of 1895 through to the Imax movies, this series tells the story of cinematic genres. It details the progress of movie technology and shows how it has changed the world in which we live. It also features a range of text types, including illustrated text boxes on directors, actors and authors.
Author: Eli Park Sorensen
Publisher: EUP
ISBN: 9781474481847
Category : Performing Arts
Languages : en
Pages : 168
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Book Description
By presenting a new political framework, the book looks at the sci-fi film genre's important critical role in a post-political world, deepening and elucidating our understanding of the post-political present and hence reopening the political imagination to possible future trajectories beyond the horizon of the present. Opening a debate about the political dimension of science fiction films, this book uses Carl Schmitt's thought to provide a new theoretical approach to American cinematic sci-fi since the late 1970s. Drawing on Schmitt's notion of the state of exception and its basis in the unpredictability of tomorrow, it looks at the political ramifications when the moment of the future finally arrives. With analysis of films such as Alien, Blade Runner and Minority Report, Eli Park Sorensen explores how power reconfigures itself to ensure the survival of the state, what 'society' means, who 'we, the people' are, and whether it will still be possible to retain a sphere of liberal, individual rights after the transformative event of the future.
Author: Bruce Hershenson
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 88
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Book Description
This is a sequel to Horror Movie Posters. Because the earlier volume focused solely on the horror genre, this volume has a greater emphasis on fantasy and science fiction. Because the classic films of the 1930s and 1940s were extensively covered in the previous volume, this volume focuses more on the years after 1950. The posters are in chronological order to better show the evolution of the genres, with the exception of the Star Wars and Star Trek films, which are grouped together within each series.
Author: Justin Lee
Publisher: Penguin
ISBN: 0143132709
Category : Self-Help
Languages : en
Pages : 273
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Book Description
A guide to learning how to communicate with people who have diametrically opposed opinions from you, how to empathize with them, and how to (possibly) change their minds America is more polarized than ever. Whether the issue is Donald Trump, healthcare, abortion, gun control, breastfeeding, or even DC vs Marvel, it feels like you can't voice an opinion without ruffling someone's feathers. In today's digital age, it's easier than ever to build walls around yourself. You fill up your Twitter feed with voices that are angry about the same issues and believe as you believe. Before long, you're isolated in your own personalized echo chamber. And if you ever encounter someone outside of your bubble, you don't understand how the arguments that resonate so well with your peers can't get through to anyone else. In a time when every conversation quickly becomes a battlefield, it's up to us to learn how to talk to each other again. In Talking Across the Divide, social justice activist Justin Lee explains how to break through the five key barriers that make people resist differing opinions. With a combination of psychological research, pop-culture references, and anecdotes from Justin's many years of experience mediating contentious conversations, this book will help you understand people on the other side of the argument and give you the tools you need to change their minds--even if they've fallen for "fake news."
Author: J P. Telotte
Publisher: University of Illinois Press
ISBN: 0252033272
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science-fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardbook is unjacketed.
Author: Adilifu Nama
Publisher: University of Texas Press
ISBN: 0292778767
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
Winner, Rollins Book Award, Southwest Texas Popular Culture Association/American Culture Association, 2008 Science fiction film offers its viewers many pleasures, not least of which is the possibility of imagining other worlds in which very different forms of society exist. Not surprisingly, however, these alternative worlds often become spaces in which filmmakers and film audiences can explore issues of concern in our own society. Through an analysis of over thirty canonic science fiction (SF) films, including Logan's Run, Star Wars, Blade Runner, Back to the Future, Gattaca, and Minority Report, Black Space offers a thorough-going investigation of how SF film since the 1950s has dealt with the issue of race and specifically with the representation of blackness. Setting his study against the backdrop of America's ongoing racial struggles and complex socioeconomic histories, Adilifu Nama pursues a number of themes in Black Space. They include the structured absence/token presence of blacks in SF film; racial contamination and racial paranoia; the traumatized black body as the ultimate signifier of difference, alienness, and "otherness"; the use of class and economic issues to subsume race as an issue; the racially subversive pleasures and allegories encoded in some mainstream SF films; and the ways in which independent and extra-filmic productions are subverting the SF genre of Hollywood filmmaking. The first book-length study of African American representation in science fiction film, Black Space demonstrates that SF cinema has become an important field of racial analysis, a site where definitions of race can be contested and post-civil rights race relations (re)imagined.
Author: Gary Null
Publisher:
ISBN: 9780806502632
Category :
Languages : en
Pages :
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Book Description
Author: Vincent Piturro
Publisher: McFarland
ISBN: 1476683301
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
Science fiction films present hypothetical futures, featuring imagined technological advancements--not yet realized but perhaps (more or less) plausible. Yet how much of what audiences see is within the bounds of possibility? Can we really envision what a black hole looks like? Can dinosaurs really be genetically re-engineered? Originating from an annual Science Fiction Film Series in Denver, Colorado, this volume of essays examines 10 films, with a focus on discerning the possible, the unlikely, and the purely science fictional. With essays by scientists in relevant fields, chapters provide analyses of the movies themselves, along with examination of the actual science (or lack thereof) in each film.
