A Choice of Emblemes. Facs. , 1586 PDF Download
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Author: Geoffrey Whitney
Publisher:
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Category :
Languages : en
Pages : 0
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Author: Geoffrey Whitney
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Horden, John
Publisher: Menston, England : Scolar Press
ISBN: 9780854179275
Category : Emblems
Languages : en
Pages : 230
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Book Description
Author: Geffrey Whitney
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 290
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Book Description
In old Enlish
Author: Geffrey Whitney
Publisher:
ISBN:
Category : Emblem books, English
Languages : en
Pages : 243
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Book Description
Author: Geffrey Whitney
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 0
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Book Description
Author: Geffrey Whitney
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 230
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Book Description
Author: Geffrey Whitney
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Geffrey Whitney
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 230
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Author:
Publisher:
ISBN:
Category : Emblems
Languages : en
Pages : 432
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Author: Garrett A. Sullivan
Publisher: Cambridge University Press
ISBN: 1139446347
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.
