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Author: Timothy Day
Publisher: Yale University Press
ISBN: 9780300094015
Category : Music
Languages : en
Pages : 340
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Book Description
Looks at the history of recording technology and its effect on music, including artistic performance, listening habits, and audience participation.
Author: Timothy Day
Publisher: Yale University Press
ISBN: 9780300094015
Category : Music
Languages : en
Pages : 340
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Book Description
Looks at the history of recording technology and its effect on music, including artistic performance, listening habits, and audience participation.
Author: Makis Solomos
Publisher: Routledge
ISBN: 0429575017
Category : Music
Languages : en
Pages : 224
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Book Description
From Music to Sound is an examination of the six musical histories whose convergence produces the emergence of sound, offering a plural, original history of new music and showing how music had begun a change of paradigm, moving from a culture centred on the note to a culture of sound. Each chapter follows a chronological progression and is illustrated with numerous musical examples. The chapters are composed of six parallel histories: timbre, which became a central category for musical composition; noise and the exploration of its musical potential; listening, the awareness of which opens to the generality of sound; deeper and deeper immersion in sound; the substitution of composing the sound for composing with sounds; and space, which is progressively viewed as composable. The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts. Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts. Supporting musical examples can be accessed via the online Routledge Music Research Portal.
Author: Joseph Phillip Illidge
Publisher: Humanoids, Inc.
ISBN: 1643377043
Category : Comics & Graphic Novels
Languages : en
Pages : 130
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Book Description
The ultimate love letter to the funky pop-rock sound that made the artist formerly known as Prince a legend.
Author: Karin Bijsterveld
Publisher: MIT Press
ISBN: 0262026392
Category : Machinery
Languages : en
Pages : 363
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Book Description
Tracing efforts to control unwanted sound--the noise of industry, city traffic, gramophones and radios, and aircraft--from the late nineteenth to the late twentieth century.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: RICK CHACE FOUNDATION.
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Edward J. Gillin
Publisher: University of Chicago Press
ISBN: 022678777X
Category : History
Languages : en
Pages : 319
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Book Description
"In Sound Authorities, Edward J. Gillin shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain. Where other studies have focused on vision in Victorian England, Gillin focuses on hearing and aurality, making the claim that the development of the natural sciences in Britain in this era cannot be understood without attending to how the study of sound and music contributed to the fashioning of new scientific knowledge. Gillin's book is about how scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to not only musical sound but also the phenomenon of sound in non-musical contexts, specifically, the cacophony of British industrialization, and he analyzes the debates between figures from disparate fields over the proper account of musical experience. Gillin's story begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, and spectacles, as well as workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious order, as well as the convergence of aesthetic and scientific approaches to pitch standardization. In closing, Gillin delves into the era's religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tension between religious/spiritualist understandings of sound and scientific/materialist ones"--
Author: Emily Wilbourne
Publisher: University of Chicago Press
ISBN: 022640157X
Category : History
Languages : en
Pages : 240
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Book Description
In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell’arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi’s lost L’Arianna, as well as his Il Ritorno d’Ulisse and L’incoronazione di Poppea; Mazzochi and Marazzoli’s L’Egisto, ovvero Chi soffre speri; and Cavalli’s L’Ormindo and L’Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell’arte theater—specifically, the use of dialect and verbal play—produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.
Author: Fabien Maman
Publisher:
ISBN: 9780979552557
Category :
Languages : en
Pages : 295
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Book Description
In 1981, French musician/composer and acupuncturist Fabien Maman conducted a revolutionary sound/cellular experiment, documenting for the first time under a microscope, the impacts of acoustic sound on human cells. This research changed the landscape of vibrational sound healing as we know it today. Websters' Dictionary (English), sites Maman as the founding father of vibrational sound therapy. His colleagues call him a visionary before his time. 2011 marks the 30th anniversary of Maman's sound/cellular experiment. In commemoration of this anniversary, Fabien Maman has now written The Tao of Sound: Acoustic Sound Healing for the 21st Century. This book is an encyclopedia of Maman's more than 30 years of research and practical application, creating more than 30 techniques to heal the body, mind and spirit using acoustic sound, color and chi movement®. Fabien Maman is the man who created the now famous technique of using tuning forks and color lights on the acupuncture meridians to heal the body, mind and spirit. Each evolutionary technique is grounded in sound and cellular research, as well as the Classical traditions of music theory, mathematics, Chinese medicine, aikido, Kototama and astrology. The Tao of Sound will become the quintessential Encyclopedia for Sound Healing. It is everything you ever wanted to know about Fabien Maman's sound research and sound protocols from Star to Cell - linking the human body, organs, meridians, chakras and subtle energy fields with the 5 elements of nature, 8 directions of the Bagwa, the Kaballa and the stars and beyond. And it is backed by his 100 brilliant color photographs of human cells under the influence of acoustic sound! It is also a manifesto for acoustic sound - challenging all who enter the world of vibrational sound healing, to do so softly... with no electronic nor electric sounds... but returning, once again, to the healing power of pure overtones and harmonics that can only be found in the five elements and the nature....
Author: David Brackett
Publisher: Univ of California Press
ISBN: 0520965310
Category : Music
Languages : en
Pages : 385
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Book Description
Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.
