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Author: Ian Ledsham
Publisher: Routledge
ISBN: 042984221X
Category : Performing Arts
Languages : en
Pages : 482
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Book Description
In this compilation, first published in 1999, Ian Ledsham compiles an extensive catalogue of the Shaw-Hellier Collection, complete with diagrams regarding how we use text.
Author: Ian Ledsham
Publisher: Routledge
ISBN: 042984221X
Category : Performing Arts
Languages : en
Pages : 482
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Book Description
In this compilation, first published in 1999, Ian Ledsham compiles an extensive catalogue of the Shaw-Hellier Collection, complete with diagrams regarding how we use text.
Author:
Publisher: Ashgate Publishing
ISBN:
Category : Music
Languages : en
Pages : 424
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Book Description
This volume catalogues the 860 items which comprise the Shaw-Hellier music collection now housed in the Music Library of the Barber Institute of Fine Arts at the University of Birmingham. A foreword by Percy Young outlines the musical activities of the Worcestershire landowner, Samuel Hellier who began the collection in the middle of the 18th century. The collection includes sonatas by Corelli and Geminiani, and dances by Arnes and Bach, as well as less commonly found works such as the Chinzer symphonies and the complete published works of William Felton.
Author: Simon Heighes
Publisher: Routledge
ISBN: 1135618178
Category : Music
Languages : en
Pages : 406
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Book Description
First Published in 1996. William and Philip Hayes, father and son, between them occupied the Heather Chair of Music at the University of Oxford for over half a century (1741-97). Although they lived and worked largely outside the mainstream of London's cosmopolitan musical life, their outlook was surprisingly broad. The present study reveals them to have been two of the most important provincial musicians of their age, who as composers contributed to all the main genres of the time except opera.
Author: Paul F. Rice
Publisher: Cambridge Scholars Publishing
ISBN: 1527545059
Category : Music
Languages : en
Pages : 259
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Book Description
This study examines Thomas Arne’s solo cantatas and Italian odes from musical, literary and social perspectives. Arne composed these works between 1740 and 1774. As such, they provide a means of evaluating the evolving aspects of his musical style throughout his compositional career. The Italian odes have been little-studied, but provide an important gloss on Charles Burney’s comments on Arne’s inability to set the Italian language. Study of the cantata texts that Arne set reveals that they are often pastiches which make use of the words of William Congreve, Alexander Pope, Christopher Smart and others. The resulting process of adaptation and recombination re-contextualizes the borrowed material, resulting in differing emphases and changed meanings. Arne was restricted in his career opportunities because of his Catholic faith. The cantata genre provided Arne with an important creative outlet in the hedonistic atmosphere of the concerts of London’s pleasure gardens.
Author: Susan Wollenberg
Publisher: Routledge
ISBN: 1351571206
Category : Music
Languages : en
Pages : 319
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Book Description
In recent years there has been a considerable revival of interest in music in eighteenth-century Britain. This interest has now expanded beyond the consideration of composers and their music to include the performing institutions of the period and their relationship to the wider social scene. The collection of essays presented here offers a portrayal of concert life in Britain that contributes greatly to the wider understanding of social and cultural life in the eighteenth century. Music was not merely a pastime but was irrevocably linked with its social, political and literary contexts. The perspectives of performers, organisers, patrons, audiences, publishers, copyists and consumers are considered here in relation to the concert experience. All of the essays taken together construct an understanding of musical communities and the origins of the modern concert system. This is achieved by focusing on the development of music societies; the promotion of musical events; the mobility and advancement of musicians; systems of patronage; the social status of musicians; the repertoire performed and published; the role of women pianists and the 'topography' of concerts. In this way, the book will not only appeal to music specialists, but also to social and cultural historians.
Author: Colin Timms
Publisher: Taylor & Francis
ISBN: 1003860079
Category : Music
Languages : en
Pages : 117
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Book Description
This book establishes the cultural background to the productions of Milton’s Comus that were staged in the 1740s by Baptist Noel, 4th Earl of Gainsborough, at Exton Hall, his country seat in the East Midlands of England. The author reveals that Handel’s visit in 1745 occurred in a richer and fuller context of cultural interests among the Noel family. Most of the music at Exton was selected from existing works by Handel, but the four movements of the finale were new, written by the composer specifically for the occasion. The study is based on receipted bills and other documents in an archival collection of Noel family papers that provide evidence of the Earl’s purchase of books and music and of the musical and theatrical activities undertaken on his Exton estate. The author discusses the Earl’s interests in music, books and theatre, indicating a belief in performance as a valuable and enjoyable experience and as a vehicle for the education of the young. In addition to creating a context for Comus, this book sheds light on cultural life in a mid-eighteenth-century English country house and how the Earl’s productions made a significant contribution to the cultural life of the East Midlands. The book will be of great value to cultural musicologists, historians and Handelians, as the documentation sheds a huge amount of light on a variety of cultural practices in eighteenth-century England.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 328
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Book Description
Author: Peter Holman
Publisher: Boydell & Brewer
ISBN: 1843835746
Category : Music
Languages : en
Pages : 434
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Book Description
New research throws light on the history of the viol after Purcell, including its revival in the late eighteenth century through Charles Frederick Abel.
Author: Michael Burden
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 148
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Book Description
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 896
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Book Description
