Author: Sir George Scharf
Publisher: Bungay, Eng. : J. Childs
ISBN:
Category :
Languages : en
Pages : 78
Book Description
A Catalogue of the Pictures Belonging to the Society of Antiquaries, Somerset House, London
Author: Sir George Scharf
Publisher: Bungay, Eng. : J. Childs
ISBN:
Category :
Languages : en
Pages : 78
Book Description
Publisher: Bungay, Eng. : J. Childs
ISBN:
Category :
Languages : en
Pages : 78
Book Description
A Catalogue of the Pictures Belonging to the Society of Antiquaries, Somerset House, London
Author: Society of Antiquaries of London
Publisher: Legare Street Press
ISBN: 9781020281952
Category :
Languages : en
Pages : 0
Book Description
This catalogue provides a comprehensive list of the pictures, portraits, and engravings owned by the Society of Antiquaries of London. The collection includes works by famous artists such as Holbein, Van Dyck, and Hogarth, as well as many lesser-known pieces. This is a valuable resource for art historians and enthusiasts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Legare Street Press
ISBN: 9781020281952
Category :
Languages : en
Pages : 0
Book Description
This catalogue provides a comprehensive list of the pictures, portraits, and engravings owned by the Society of Antiquaries of London. The collection includes works by famous artists such as Holbein, Van Dyck, and Hogarth, as well as many lesser-known pieces. This is a valuable resource for art historians and enthusiasts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Catalogue of ...
Author: Bertram Dobell
Publisher:
ISBN:
Category : Privately printed books
Languages : en
Pages : 74
Book Description
Publisher:
ISBN:
Category : Privately printed books
Languages : en
Pages : 74
Book Description
Old London
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Old London
Author: Royal Archaeological Institute of Great Britain and Ireland
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 430
Book Description
Old London; Papers Read at the London Congress, July 1866
Author: Archaeological, afterwards Royal Archaeological Institute (Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
Book Description
Proceedings of the Society of Antiquaries of London
Author: Society of Antiquaries of London
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 792
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 792
Book Description
Proceedings of the Society of Antiquaries of London
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 404
Book Description
Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 912
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 912
Book Description
A Catalogue of the Pictures Belonging to the Society of Antiquaries
Author: George Scharf
Publisher: Forgotten Books
ISBN: 9781333792206
Category : Art
Languages : en
Pages : 72
Book Description
Excerpt from A Catalogue of the Pictures Belonging to the Society of Antiquaries: Somerset House, London VIII. The compartment immediately below the preceding, contains three kneeling figures, each under a separate arcade, with groined roof, in a small apartment with two windows; the one facing the spectator, and the other seen sideways, and in very tolerably drawn perspective. In the right-hand arch (and next to where the altar must have stood) kneels, or rather bends, with great reverence, St George, the patron saint of England. He turns his head right round over his shoulder towards the King, and stretches out his left hand, touching the King's arm, and with his right hand points upwards. His back, with the great cross on it, is turned to the spectator. His arm and hand pass behind the pier of the arches dividing his compartment from the King's. King Edward III. Appears in the next division of the arcade, with both hands raised in prayer, kneeling with both knees upon a richly tiled floor. No cushion is introduced on the ground, and the lower part of the figures of the Queen and her daughters, who knelt correspondingly on the south side of the altar, is too much obliterated to judge whether this luxury was afforded to them. Behind the King, and quite alone, is Edward the Black Prince, with youthful face, and with his body more fully turned towards the spectator. Part however of his figure, and all the lower part of the brother following him, have been destroyed by the insertion of a square shelf or projecting block of stone. Dimensions, 2 ft 2 in. By 1 ft 6 in. IX. The four remaining sons of Edward III. Are all equally cased in armour, and kneeling on a rich pavement. The third son does not fold his hands in prayer, but raises his palms openly as adopted in the earlier modes of Christian adoration. The youngest son, being but an infant, and nevertheless in full armour, is raised on a pedestal and placed apart in a smaller niche, which comes immediately below the boy holding the white horse for one of the kings. The extremities of these two subjects were, in fact, painted on the northern wall of the chapel at an angle with the rest of the series. Dimensions, 2 ft 2 in. By 1 ft 5 in. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781333792206
Category : Art
Languages : en
Pages : 72
Book Description
Excerpt from A Catalogue of the Pictures Belonging to the Society of Antiquaries: Somerset House, London VIII. The compartment immediately below the preceding, contains three kneeling figures, each under a separate arcade, with groined roof, in a small apartment with two windows; the one facing the spectator, and the other seen sideways, and in very tolerably drawn perspective. In the right-hand arch (and next to where the altar must have stood) kneels, or rather bends, with great reverence, St George, the patron saint of England. He turns his head right round over his shoulder towards the King, and stretches out his left hand, touching the King's arm, and with his right hand points upwards. His back, with the great cross on it, is turned to the spectator. His arm and hand pass behind the pier of the arches dividing his compartment from the King's. King Edward III. Appears in the next division of the arcade, with both hands raised in prayer, kneeling with both knees upon a richly tiled floor. No cushion is introduced on the ground, and the lower part of the figures of the Queen and her daughters, who knelt correspondingly on the south side of the altar, is too much obliterated to judge whether this luxury was afforded to them. Behind the King, and quite alone, is Edward the Black Prince, with youthful face, and with his body more fully turned towards the spectator. Part however of his figure, and all the lower part of the brother following him, have been destroyed by the insertion of a square shelf or projecting block of stone. Dimensions, 2 ft 2 in. By 1 ft 6 in. IX. The four remaining sons of Edward III. Are all equally cased in armour, and kneeling on a rich pavement. The third son does not fold his hands in prayer, but raises his palms openly as adopted in the earlier modes of Christian adoration. The youngest son, being but an infant, and nevertheless in full armour, is raised on a pedestal and placed apart in a smaller niche, which comes immediately below the boy holding the white horse for one of the kings. The extremities of these two subjects were, in fact, painted on the northern wall of the chapel at an angle with the rest of the series. Dimensions, 2 ft 2 in. By 1 ft 5 in. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.