A Catalogue of the Library of the London Institution: The general library. Additions from 1843-1852. An index of subjects. An index of authors and books PDF Download
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Author: London Institution. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 642
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Book Description
Author: London Institution. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 642
Get Book Here
Book Description
![A catalogue of the library of the London institution [by W. Upcott, R. Thomson and E.W. Brayley]. PDF](https://books.google.com/books/content/images/frontcover/AaLFulWzEV0C?fife=w80-h100)
Author: William Upcott
Publisher:
ISBN:
Category :
Languages : en
Pages : 606
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Book Description
![A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts). PDF](https://books.google.com/books/content/images/frontcover/Ug8IAAAAQAAJ?fife=w80-h100)
Author: Henry Richard Tedder
Publisher:
ISBN:
Category :
Languages : en
Pages : 334
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Book Description
Author: Royal Academy of Arts (Great Britain). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 330
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Book Description
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385540755
Category :
Languages : en
Pages : 326
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Book Description
Author: sir John Charles Robinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Book Description
Author: Edwin Beresford Chancellor
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 588
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Book Description
Author: Catherine Roach
Publisher: Routledge
ISBN: 1351554190
Category : Art
Languages : en
Pages : 290
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Book Description
Repainting the work of another into one?s own canvas is a deliberate and often highly fraught act of reuse. This book examines the creation, display, and reception of such images. Artists working in nineteenth-century London were in a peculiar position: based in an imperial metropole, yet undervalued by their competitors in continental Europe. Many claimed that Britain had yet to produce a viable national school of art. Using pictures-within-pictures, British painters challenged these claims and asserted their role in an ongoing visual tradition. By transforming pre-existing works of art, they also asserted their own painterly abilities. Recognizing these statements provided viewers with pleasure, in the form of a witty visual puzzle solved, and with prestige, in the form of cultural knowledge demonstrated. At stake for both artist and audience in such exchanges was status: the status of the painter relative to other artists, and the status of the viewer relative to other audience members. By considering these issues, this book demonstrates a new approach to images of historic displays. Through examinations of works by J.M.W. Turner, John Everett Millais, John Scarlett Davis, Emma Brownlow King, and William Powell Frith, this book reveals how these small passages of paint conveyed both personal and national meanings.
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 548
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Book Description
Author: Judy Egerton
Publisher: Yale University Press
ISBN: 9780300125092
Category : Art
Languages : en
Pages : 684
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Book Description
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
