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Author: Kevin Coleman
Publisher: University of Texas Press
ISBN: 1477308555
Category : History
Languages : en
Pages : 329
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Book Description
In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company’s power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated “banana republics.” In A Camera in the Garden of Eden, Kevin Coleman argues that the “banana republic” was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study.
Author: Kevin Coleman
Publisher: University of Texas Press
ISBN: 1477308555
Category : History
Languages : en
Pages : 329
Get Book Here
Book Description
In the early twentieth century, the Boston-based United Fruit Company controlled the production, distribution, and marketing of bananas, the most widely consumed fresh fruit in North America. So great was the company’s power that it challenged the sovereignty of the Latin American and Caribbean countries in which it operated, giving rise to the notion of company-dominated “banana republics.” In A Camera in the Garden of Eden, Kevin Coleman argues that the “banana republic” was an imperial constellation of images and practices that was checked and contested by ordinary Central Americans. Drawing on a trove of images from four enormous visual archives and a wealth of internal company memos, literary works, immigration records, and declassified US government telegrams, Coleman explores how banana plantation workers, women, and peasants used photography to forge new ways of being while also visually asserting their rights as citizens. He tells a dramatic story of the founding of the Honduran town of El Progreso, where the United Fruit Company had one of its main divisional offices, the rise of the company now known as Chiquita, and a sixty-nine day strike in which banana workers declared their independence from neocolonial domination. In telling this story, Coleman develops a new set of conceptual tools and methods for using images to open up fresh understandings of the past, offering a model that is applicable far beyond this pathfinding study.
Author: Kevin Coleman
Publisher: Verso Books
ISBN: 183976080X
Category : Photography
Languages : en
Pages : 337
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Book Description
A provocative exploration of photography's relationship to capitalism, from leading theorists of visual culture. Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence--and if so, how? Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge. With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.
Author: Tod Papageorge
Publisher:
ISBN: 9783865213747
Category : Central Park (New York, N.Y.)
Languages : en
Pages : 0
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Book Description
"When Tod Papageorge began this work, the newspapers saw Central Park chiefly as a site of danger and outrage, and they were doubtless partly right. But the park shown here seems no more dangerous than life itself, and no less filled with beauty, charming incident, excess, jokes in questionable taste, unintended consequence, and pathos, truly described. One might say that no artist has done so much for this piece of land since Frederick Law Olmstead." --John Szarkowski, The Museum of Modern Art, New York After receiving a Guggenheim Fellowship in 1977, Tod Papageorge began to photograph intensively in Central Park, employing medium-format cameras rather than the 35mm Leicas that he had used since moving to New York in 1965. These pictures, gathered in Passing Through Eden, convey the passion that--as Rosalind Krauss once described it in Papageorge's work--embraces "the sensuous richness of physical reality, that fullness which Baudelaire called intimacy when he meant eroticism." From picture to picture, Papageorge constructs a world that resembles our own, but that also invokes that of the Bible: Passing Through Eden is sequenced to parallel, in its opening pages, the first chapters of Genesis--from the Creation through the (metaphorical) generations that follow on from Cain--before giving over to a virtuosic run of pictures that, as he expresses it in his illuminating afterword to the book, picks up "the threads that tie the Bible to Chaucer, Shakespeare and "Page Six" of the New York Post." This ambitious body of work--incorporating pictures produced over the course of 25 years--displays not only Papageorge's remarkable ability to make photographs that read like condensed narratives, but also his skill at weaving them into sequences that echo profound cultural narratives. It challenges the reader to succumb (or not) to the pleasures of the "fullness" of each individual photograph, while ignoring (or not) the tug of a tale demanding to be told. Like Eden itself, this book sets our desire for beauty against that of knowledge, even as it reminds us of some of the ways that we read, and come to know, books.
Author: Martin Johnson
Publisher: DigiCat
ISBN:
Category : Travel
Languages : en
Pages : 126
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Book Description
"Cannibal-land: Adventures with a camera in the New Hebrides" by Martin Johnson is a thrilling book that has recently celebrated its 100th anniversary since its original publication. Detailing the author's travel adventures, the book gives an interesting insight into parts of the globe that many readers at the time it was released would never have a chance to visit for themselves.
Author: Mary L. Gray
Publisher: NYU Press
ISBN: 1479830771
Category : Social Science
Languages : en
Pages : 404
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Book Description
"This collection of original essays confronts the assumption that queer desires depend upon urban life for meaning. By considering rural queer life, the contributors challenge readers to explore queer experiences in ways that give greater context and texture to modern practices of identity formation. The book's focus on understudied rural spaces throws into relief the overemphasis of urban locations and structures in the current political and theoretical work on queer sexualities and genders. It highlights the need to rethink notions of 'the closet' and 'coming out' and the characterizations of non-urban sexualities and genders as 'isolated' and in need of 'outreach'"--Provided by publisher.
Author: Annemette Fogh
Publisher:
ISBN: 9781870673822
Category : Gardens, English
Languages : en
Pages : 176
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Book Description
Writer Annemette Fogh stumbled across the abandoned Garden of Eden on the Venetian island of La Giudecca by accident. Intrigued by its locked wrought iron gate, and curious about this lost paradise, she set about discovering its magical past. The nine-
Author: Ángeles Donoso Macaya
Publisher: University Press of Florida
ISBN: 1683403673
Category : History
Languages : en
Pages : 243
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Book Description
Latin American Studies Association Visual Culture Section Best Book Prize Latin American Studies Association Historia Reciente y Memoria Section Best Book Prize The role of documentary photography in exposing and protesting the crimes of a dictatorship After Augusto Pinochet rose to power in Chile in 1973, his government abducted, abused, and executed thousands of his political opponents. The Insubordination of Photography is the first book to analyze how various collectives, organizations, and independent media used photography to expose and protest the crimes of Pinochet’s authoritarian regime. Ángeles Donoso Macaya discusses the ways human rights groups such as the Vicariate of Solidarity used portraits of missing persons in order to make forced disappearances visible. She also calls attention to forensic photographs that served as incriminating evidence of government killings in the landmark Lonquén case. Donoso Macaya argues that the field of documentary photography in Chile was challenged and shaped by the precariousness of the nation’s politics and economics and shows how photojournalists found creative ways to challenge limitations imposed on the freedom of the press. In a culture saturated by disinformation and cover-ups and restricted by repression and censorship, photography became an essential tool to bring the truth to light. Featuring never-before-seen photographs and other archival material, this book reflects on the integral role of images in public memory and issues of reparation and justice. A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.
Author: Dan Dagget
Publisher: University of Nevada Press
ISBN: 1943859361
Category : Nature
Languages : en
Pages : 336
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Book Description
Dan Dagget believes that humanity can have a positive effect on the land. He demonstrates case after case of positive human engagement in the environment and of managed ecosystems and restored areas that are richer, more diverse, and healthier than unmanaged ones. Much of pre-Columbian America, he contends, was not a pristine wilderness but an ancient garden managed over millennia by native peoples who shaped the plant and animal communities around them to the mutual benefit of all. Dagget recommends a new kind of environmentalism based on management, science, evolution, and holism, and served by humans who enrich the environment even as they benefit from it. His new environmentalism offers hopeful solutions to the current ecological crisis and a new purpose for our human energies and ideals. This book is essential reading for anyone concerned with the earth and anyone seeking a viable way for our burgeoning human population to continue to live upon it.
Author: Carolina Sá Carvalho
Publisher: Northwestern University Press
ISBN: 081014543X
Category : Literary Criticism
Languages : en
Pages : 387
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Book Description
A richly illustrated examination of photography as a technology for documenting, creating, and understanding the processes of modernization in turn-of-the-century Brazil and the Amazon Photography at the turn of the twentieth century was not only a product of modernity but also an increasingly available medium to chronicle the processes of modernization. Traces of the Unseen: Photography, Violence, and Modernization in Early Twentieth-Century Latin America situates photography’s role in documenting the destruction wrought by infrastructure development and extractive capitalist expansion in the Amazon and outside the Brazilian metropole. Combining formal analysis of individual photographs with their inclusion in larger multimedia assemblages, Carolina Sá Carvalho explores how this visual evidence of violence was framed, captioned, cropped, and circulated. As she explains, this photographic creation and circulation generated a pedagogy of the gaze with which increasingly connected urban audiences were taught what and how to see: viewers learned to interpret the traces of violence captured in these images within the larger context of modernization. Traces of the Unseen draws on works by Flavio de Barros, Euclides da Cunha, Roger Casement, Claude Lévi-Strauss, and Mario de Andrade to situate an unruly photographic body at the center of modernity, in all its disputed meanings. Moreover, Sá Carvalho locates historically specific practices of seeing within the geopolitical peripheries of capitalism. What emerges is a consideration of photography as a technology through which modern aspirations, moral inclinations, imagined futures, and lost pasts were represented, critiqued, and mourned.
Author: Robert B Mackay, Phd
Publisher: National Geographic Books
ISBN: 0393733211
Category : Architecture
Languages : en
Pages : 0
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Book Description
Historical profiles of the major planned communities of early twentieth-century Long Island. Edited by SPLIA’s former director, Dr. Robert B. MacKay, Gardens of Eden is an exploration of a distinct type of suburban development that proliferated across the region before zoning regulations were developed to manage land use in New York City and its environs. While the onset of suburbia on Long Island is often believed to be a post-World War II phenomena, it actually began a half century earlier when greater affluence, improved railroad service, and new methods of financing made the dream of country living a greater reality for a growing urban middle class. Luminaries such as Grosvenor Atterbury, Charles W. Leavitt Jr., and Frederick Law Olmsted designed dozens of high-end, carefully conceived communities on New York’s Long Island. Touted as an antidote to the complexities of urban living, these “residential parks” were characterized by significant investment in landscaping and infrastructure and employed concepts introduced by the Garden City movement in England. Gardens of Eden covers the history and development of more than twenty of these remarkable communities and the colorful, at times unscrupulous personalities behind them—like Plandome, designed “for teachers only,” and the Metropolitan Museum’s Munsey Park, where all the streets were named for artists—with writings from their most knowledgeable historians. Other featured communities include: Garden City, Forest Hills Gardens, Long Beach, Great Neck Estates, Brightwaters, Montauk Beach, Prospect Park South in Brooklyn, and many more. About the Society for the Preservation of Long Island Antiquities SPLIA is a not-for-profit organization dedicated to understanding, celebrating, and preserving Long Island’s cultural heritage. Founded in 1948, SPLIA engages its mission through a variety of activities that include interpreting historic houses, creating exhibitions and educational programs, providing preservation advisory services, and publishing works that explore the history of architecture and design on Long Island.
