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Author: Robert E. Kapsis
Publisher: University of Chicago Press
ISBN: 0226824659
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
From the beginning of his career, Alfred Hitchcock wanted to be considered an artist. Although his thrillers were immensely popular, and Hitchcock himself courted reviewers, he was, for many years, regarded as no more than a master craftsman. By the 1960s, though, critics began calling him an artist of unique vision and gifts. What happened to make Hitchcock's reputation as a true innovator and singular talent? Through a close examination of Hitchcock's personal papers, scripts, production notes, publicity files, correspondence, and hundreds of British and American reviews, Robert Kapsis here traces Hitchcock's changing critical fortunes. Vertigo, for instance, was considered a flawed film when first released; today it is viewed by many as the signal achievement of a great director. According to Kapsis, this dramatic change occurred because the making of the Hitchcock legend was not solely dependent on the quality of his films. Rather, his elevation to artist was caused by a successful blending of self-promotion, sponsorship by prominent members of the film community, and, most important, changes in critical theory which for the first time allowed for the idea of director as auteur. Kapsis also examines the careers of several other filmmakers who, like Hitchcock, have managed to cross the line that separates craftsman from artist, and shows how Hitchcock's legacy and reputation shed light on the way contemporary reputations are made. In a chapter about Brian De Palma, the most reknowned thriller director since Hitchcock, Kapsis explores how Hitchcock's legacy has affected contemporary work in—and criticism of—the thriller genre. Filled with fascinating anecdotes and intriguing excerpts, and augmented by interviews with Hitchcock's associates, this thoroughly documented and engagingly written book will appeal to scholars and film enthusiasts alike. "Required reading for Hitchcock scholars...scrupulously researched, invaluable material for those who continue to ask: what made the master tick?"—Anthony Perkins
Author: Ken Russell
Publisher: Southbank Publishing
ISBN: 9781904915324
Category : Motion picture producers and directors
Languages : en
Pages : 0
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Book Description
With a foreword by Melvyn Bragg. The updated autobiography of Britain's most controversial film director. Moving with astonishing assurance through time and space, Russell recreates his life in a series of interconnected episodes: his 30s childhood in Southampton, his first sexual experience (watching Disney's Pinocchio), his schooldays at the Nautical College, Pangbourne and early careers in the Merchant Marines and the Royal Air Force. Full of marvellously funny anecdotes and fascinating insights, this is a remarkable autobiography.
Author: Robert E. Kapsis
Publisher: University of Chicago Press
ISBN: 0226824659
Category : Performing Arts
Languages : en
Pages : 370
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Book Description
From the beginning of his career, Alfred Hitchcock wanted to be considered an artist. Although his thrillers were immensely popular, and Hitchcock himself courted reviewers, he was, for many years, regarded as no more than a master craftsman. By the 1960s, though, critics began calling him an artist of unique vision and gifts. What happened to make Hitchcock's reputation as a true innovator and singular talent? Through a close examination of Hitchcock's personal papers, scripts, production notes, publicity files, correspondence, and hundreds of British and American reviews, Robert Kapsis here traces Hitchcock's changing critical fortunes. Vertigo, for instance, was considered a flawed film when first released; today it is viewed by many as the signal achievement of a great director. According to Kapsis, this dramatic change occurred because the making of the Hitchcock legend was not solely dependent on the quality of his films. Rather, his elevation to artist was caused by a successful blending of self-promotion, sponsorship by prominent members of the film community, and, most important, changes in critical theory which for the first time allowed for the idea of director as auteur. Kapsis also examines the careers of several other filmmakers who, like Hitchcock, have managed to cross the line that separates craftsman from artist, and shows how Hitchcock's legacy and reputation shed light on the way contemporary reputations are made. In a chapter about Brian De Palma, the most reknowned thriller director since Hitchcock, Kapsis explores how Hitchcock's legacy has affected contemporary work in—and criticism of—the thriller genre. Filled with fascinating anecdotes and intriguing excerpts, and augmented by interviews with Hitchcock's associates, this thoroughly documented and engagingly written book will appeal to scholars and film enthusiasts alike. "Required reading for Hitchcock scholars...scrupulously researched, invaluable material for those who continue to ask: what made the master tick?"—Anthony Perkins
Author: R. Scully
Publisher: Springer
ISBN: 1137283467
Category : History
Languages : en
Pages : 398
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Book Description
British Images of Germany is the first full-length cultural history of Britain's relationship with Germany in the key period leading up to the First World War. Richard Scully reassesses what is imagined to be a fraught relationship, illuminating the sense of kinship Britons felt for Germany even in times of diplomatic tension.
Author: Timothy Clark
Publisher:
ISBN: 9780714124896
Category : Art
Languages : en
Pages : 176
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Book Description
This beautifully produced book draws on the latest research, illustrating the complete set of drawings, published for the first time.
Author: Murray Pittock
Publisher: Manchester University Press
ISBN: 9780719058264
Category : History
Languages : en
Pages : 196
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Book Description
Celtic Identity and the British Image explores the idea of the Celt and definition of the so-called ''Celtic Fringe'' over the last 300 years. It is the only in-depth study of the literary and cultural representation of Ireland, Scotland, and Wales over this period, and is based on an extremely wide-ranging grasp of issues of national identity and state formation. The idea of the Celt and Celticism is once again highly fashionable.
Author: David Olusoga
Publisher: Pan Macmillan
ISBN: 1529052963
Category : Juvenile Nonfiction
Languages : en
Pages : 80
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Book Description
This beautiful hardback gift book is a stunning visual journey through Black British history for younger readers by award-winning historian and broadcaster David Olusoga and illustrated by Jake Alexander and Melleny Taylor. The essential starting place for anyone who wants to learn about Black British History. David Olusoga’s thought provoking text charts the forgotten histories of Black people in Britain from Roman times right through to the present day. From Roman Africans guarding Hadrian’s Wall, to an African trumpeter in the court of Henry the Eighth, Black Georgians fighting for the abolition of slavery, Black soldiers fighting for Britain in the First World War, Windrush and right up today. These are the stories that brought us all together in this country. When did Africans first come to Britain? Who are the well-dressed black children in Georgian paintings? Why did the American Civil War disrupt the Industrial Revolution? These and many other questions are answered in this essential introduction to 1800 years of the Black British history. This children's edition of the bestseller Black and British: A Forgotten History is beautifully illustrated in full-colour with maps, portrait galleries, timelines, photos and portraits.
Author: Ingrid Deweweire
Publisher: BoD – Books on Demand
ISBN: 3757819640
Category : Social Science
Languages : en
Pages : 566
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Book Description
The invasion of Kuwait by Iraqi troops on 2 August 1990 triggered a large-scale military operation conducted by Washington as well as a huge media campaign. This study seeks to compare the American press with the British press during the Gulf Crisis and War. The main objective is to examine the journalistic discourse of opinion as developed by newspapers belonging to the so-called quality press and deconstruct the ways in which this discourse was developed. This raises questions about the language adopted by editorialists and journalists and in particular about the way in which the Other - enemy and allies - and the Self - the USA and the UK - were described by the American daily papers, the New York Times and the Washington Post and the British daily papers, the Times and the Guardian and the Sunday newspapers, the Sunday Times and the Observer during the crisis and the war. The study is based on a comparative analysis of editorials, opinion articles and letters to the editor published in the selected newspapers in order to highlight subjects and themes in connection with the image of the Other and the Self and show the differences and similarities in the processing of information in both the American and British press.
Author: United States. Bureau of Foreign and Domestic Commerce
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 1010
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Book Description
Author:
Publisher:
ISBN:
Category : Consular reports
Languages : en
Pages : 928
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 658
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