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Author: Master of Mary of Burgundy
Publisher: New York, G. Braziller [1970]
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 204
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Book Description
"The happiest, sweetest, and liveliest little book imaginable."--John Canaday.
Author: Master of Mary of Burgundy
Publisher: New York, G. Braziller [1970]
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 204
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Book Description
"The happiest, sweetest, and liveliest little book imaginable."--John Canaday.
Author: Master of Mary of Burgundy
Publisher: New York, G. Braziller [1970]
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 204
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Book Description
"The happiest, sweetest, and liveliest little book imaginable."--John Canaday.
Author:
Publisher: George Braziller
ISBN: 9780807613320
Category : Books of hours
Languages : en
Pages : 0
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Book Description
Near the end of the fifteenth century, a Flemish artist known only as the Master of Mary of Burgundy painted one of the last great illuminated manuscripts for Engelbert of Nassau, a member of the courts of rulers of the Netherlands from Charles the Bold to Philip the Fair. We have reproduced this magnificent book, now in the Bodlein Library, Oxford, as closely as possible to the original, including its gold leaf. The margins of this extraordinary book of hours (the most common kind of devotional book for the laity during the Middle Ages) contain still lives of brilliant objects--such as glass vessels and jewels--while the center pages show biblical scenes. For its human scale, sparkling borders, and delicate landscapes, this book of hours is a lasting treasure.
Author: Maître de Marie de Bourgogne
Publisher:
ISBN:
Category :
Languages : en
Pages : 193
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Book Description
Author: Meister der Maria von Burgund
Publisher:
ISBN:
Category :
Languages : en
Pages : 190
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Book Description
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
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Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Author: Església Catòlica
Publisher:
ISBN:
Category : Books of hours
Languages : en
Pages : 0
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Book Description
Author: Jonathan James Graham Alexander
Publisher: Yale University Press
ISBN: 9780300060737
Category : Art
Languages : en
Pages : 230
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Book Description
Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.
Author: Andrea Pearson
Publisher: BRILL
ISBN: 9004393102
Category : Art
Languages : en
Pages : 378
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Book Description
In Gardens of Love and the Limits of Morality in Early Netherlandish Art, Andrea Pearson demonstrates how garden imagery defined bodily desire as a fundamental problem of human salvation, in which artists, patrons, and viewers alike had an interpretive stake.
Author: John Plummer
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
