A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800 PDF Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809311309
Category : Biography & Autobiography
Languages : en
Pages : 444

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Book Description
Those featured in Volume 10 include Margaret Martyr, a singer, actress, and dancer whose "conjugal virtues were often impeached," according to the July 1792Thespian Magazine. The Diction­ary describes this least constant of lovers as "of middling height, with a figure well-proportioned for breeches parts. [Her] black-haired, black-eyed beauty and clear soprano made her an immedi­ate popular success in merry maids and tuneful minxes, the piquant and the pert, for a quarter century."

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers & Other Stage Personnel in London, 1660-1800 PDF Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809311309
Category : Biography & Autobiography
Languages : en
Pages : 444

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Book Description
Those featured in Volume 10 include Margaret Martyr, a singer, actress, and dancer whose "conjugal virtues were often impeached," according to the July 1792Thespian Magazine. The Diction­ary describes this least constant of lovers as "of middling height, with a figure well-proportioned for breeches parts. [Her] black-haired, black-eyed beauty and clear soprano made her an immedi­ate popular success in merry maids and tuneful minxes, the piquant and the pert, for a quarter century."

A Historical Dictionary of British Women

A Historical Dictionary of British Women PDF Author: Cathy Hartley
Publisher: Psychology Press
ISBN: 9781857432282
Category : Biography & Autobiography
Languages : en
Pages : 522

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Book Description
This reference work brings together biographies of over 1000 notable British women from Boudicca to Barbara Castle, offering an engaging record of female achievement spanning 2000 years of British life.

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800 PDF Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809305186
Category : London (England)
Languages : en
Pages : 504

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Book Description


A Biographical Dictionary of Actors, Volume 4, Corye to Dynion

A Biographical Dictionary of Actors, Volume 4, Corye to Dynion PDF Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809306930
Category : Biography & Autobiography
Languages : en
Pages : 584

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Book Description
Volumes three and four of this monumen­tal work include full entries for all such illustrious names as those of the Cibbers--Colley, Theophilus, and Susanna Maria--Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres. As in the previous volumes in this dis­tinguished series, the accompanying illus­trations include at least one picture of each subject for whom a portrait exists.

A Biographical Dictionary of Actors, Volume 3, Cabanel to Cory

A Biographical Dictionary of Actors, Volume 3, Cabanel to Cory PDF Author: Philip H. Highfill
Publisher: SIU Press
ISBN: 9780809306923
Category : Biography & Autobiography
Languages : en
Pages : 552

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Book Description
Volumes three and four of this monumen­tal work include full entries for all such illustrious names as those of the Cibbers--Colley, Theophilus, and Susanna Maria--Kitty Clive, and Charlotte Charke, George Colman, the Elder, and the Younger, William Davenant, and De Loutherboug. But here also are full entries for dozens of important secondary figures and of minor ones whose stories have never been told, as well as a census (and at least a few recoverable facts) for even the most inconsiderable performers and servants of the theatres. As in the previous volumes in this dis­tinguished series, the accompanying illus­trations include at least one picture of each subject for whom a portrait exists.

The Ancient English Morris Dance

The Ancient English Morris Dance PDF Author: Michael Heaney
Publisher: Archaeopress Publishing Ltd
ISBN: 1803273879
Category : Performing Arts
Languages : en
Pages : 536

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Book Description
This book traces the history of morris dancing in England, from its introduction in the 15th century, through the contention of the Reformation and Civil War, when morris dancing and maypoles became potent symbols of the older ways of living, to its re-invention as an emblem of Victorian concepts of Merrie England in the 19th century.

Dance, Spectacle, and the Body Politick, 1250-1750

Dance, Spectacle, and the Body Politick, 1250-1750 PDF Author: Jennifer Nevile
Publisher: Indiana University Press
ISBN: 0253351537
Category : History
Languages : en
Pages : 392

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Book Description
An engaging overview of dance from the Medieval era through the Baroque

Strolling Players of Empire

Strolling Players of Empire PDF Author: Kathleen Wilson
Publisher: Cambridge University Press
ISBN: 1108479782
Category : History
Languages : en
Pages : 497

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Book Description
Explores the politics of theatrical and social performance in the establishment of eighteenth-century British imperial rule.

The Public’s Open to Us All

The Public’s Open to Us All PDF Author: Laura Engel
Publisher: Cambridge Scholars Publishing
ISBN: 1527561364
Category : Performing Arts
Languages : en
Pages : 345

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Book Description
“The Public’s Open to Us All”: Essays on Women and Performance in Eighteenth-Century England considers the relationship between British women and various modes of performance in the long eighteenth century. From the moment Charles II was restored to the English throne in 1660, the question of women’s status in the public world became the focus of cultural attention both on and off the stage. In addition to the appearance of the first actresses during this period female playwrights, novelists, poets, essayists, journalists, theatrical managers and entrepreneurs emerged as skillful and often demanding professionals. In this variety of new roles, eighteenth-century women redefined shifting notions of femininity by challenging traditional representations of female subjectivity and contributing to the shaping of eighteenth-century society’s attitudes, tastes, and cultural imagination. Recent scholarship in eighteenth-century studies reflects a heightened interest in fame, the rise of celebrity culture, and new ways of understanding women’s participation as both private individuals and public professionals. What is unique to the body of essays presented here is the authors’ focus on performance as a means of thinking about the ways in which women occupied, negotiated, re-imagined, and challenged the world outside of the traditional domestic realm. The authors employ a range of historical, literary, and theoretical approaches to the connections among women and performance, and in doing so make significant contributions to the fields of eighteenth-century literary and cultural studies, theatre history, gender studies, and performance studies.

Music and Theatre in Handel's World

Music and Theatre in Handel's World PDF Author: Donald Burrows
Publisher: Oxford University Press, USA
ISBN: 9780198166542
Category : Music
Languages : en
Pages : 1268

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Book Description
James Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.