A Bibliography of Sources in Christianity and the Arts PDF Download
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Author: Daven Michael Kari
Publisher: Edwin Mellen Press
ISBN:
Category : Reference
Languages : en
Pages : 792
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Book Description
Works have been selected primarily for their utility to those conducting research in the fine arts relating to Christianity and religion. General categories covered include bibliographies of bibliographies, aesthetics, architecture, cinema, dance and mime, drama and rhetoric, electronic communications (radio, TV, and video), fabric arts, literature, music, photography, visual arts (calligraphy to sculpture), wit and humor.
Author: Daven Michael Kari
Publisher: Edwin Mellen Press
ISBN:
Category : Reference
Languages : en
Pages : 792
Get Book Here
Book Description
Works have been selected primarily for their utility to those conducting research in the fine arts relating to Christianity and religion. General categories covered include bibliographies of bibliographies, aesthetics, architecture, cinema, dance and mime, drama and rhetoric, electronic communications (radio, TV, and video), fabric arts, literature, music, photography, visual arts (calligraphy to sculpture), wit and humor.
Author: Diane Peters
Publisher:
ISBN: 9780921821106
Category : Art and religion
Languages : en
Pages : 95
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Book Description
Author: Tom Devonshire Jones
Publisher:
ISBN: 0199680272
Category : Art
Languages : en
Pages : 672
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Book Description
This dictionary is a fascinating guide to the broad range of terms used in the study of the history of Christian art and architecture, including themes, artists, and movements. The long-awaited new edition includes entries by over a dozen expert contributors, and a fully revised online bibliography, bringing it up to date for the 21st century.
Author: Frank Burch Brown
Publisher: Oxford University Press
ISBN: 0190871199
Category : Art
Languages : en
Pages : 565
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Book Description
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
Author: John Dillenberger
Publisher: Wipf and Stock Publishers
ISBN: 1725209101
Category : Religion
Languages : en
Pages : 294
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Book Description
For most of history, argues John Dillenberger, the visual arts were, for better or worse, part of the very fabric of the life and thought of the church. But with the Reformation and the Counter-Reformation a major change took place. Protestant rejection of the visual was matched in Roman Catholicism by the reduction of its formative power. While the visual arts dropped out of the lives of Protestant churches, they became a memory rather than a source of ennoblement or power in the Roman Catholic Church. Thus, in different but allied ways, Protestants and Catholics lost the power of the visual. Part art history, part historical theology, and part theological reflection, this book is both an argument and a program for the recovery of the visual arts in the life of the church, for reclaiming seeing as part of religious perception. It offers a theological understanding of the visual and provides a basis upon which the visual arts may again be incorporated into Protestantism and reinvigorated in Roman Catholicism. The first part is devoted to historical reconstruction, exploring those moments in Western history in which the relation between religion and the arts was in ferment. Part 2 is given to contemporary delineation and analysis: of spiritual perceptions in modern American painting and sculpture, of modern church art and architecture, and of the changing views of contemporary theologians toward the visual arts. Citing David Tracy, Karl Rahner, Langdon Gilkey, and others as examples, Dillenberger argues that contemporary theology is moving away from the modern rationalistic understanding of theological analogy to one far closer to the arts. Part 3 is constructive, developing a theological perspective that demands and includes the visual arts, and suggesting ways in which this can be accomplished in pastoral and theological education. The world of art, says Professor Dillenberger, is more aware of the role of religion in the arts than the world of religion is of art. Thus it is time for the church to resume its historic association with the visual arts, albeit in analogous rather than repristinating ways.
Author: James Luther Adams
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802842671
Category : Art
Languages : en
Pages : 308
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Book Description
The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.
Author: Colum Hourihane
Publisher: Princeton Univ Department of Art &
ISBN: 9780691050379
Category : Art
Languages : en
Pages : 456
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Book Description
The concept of opposing forces of good and evil expressed in a broad range of moral qualities--virtues and vices--is one of the most dominant themes in the history of Christian art. The complex interrelationship of these moral traits received considerable study in the medieval period, resulting in a vast and elaborate system of imagery that has been largely neglected by modern scholarship. Rich resources for the study of this important subject are made available by this volume, which publishes the complete holdings of the more than 230 personifications of Virtues and Vices in the Index of Christian Art's text files. Ranging from Abstinence to Wisdom and from Ambition to Wrath, and covering depictions of the Tree of Virtues, the Tree of Vices, and the Conflict of Virtues and Vices, this is the largest and most comprehensive collection of such personifications in existence. The catalogue documents the occurrence of these Virtues and Vices in well over 1,000 works of art produced between the fifth and the fifteenth centuries. The entries include objects in twelve different media and give detailed information on their current location, date, and subject. This extract from the Index of Christian Art's files, the first to be published, is accompanied by six essays devoted to the theme of virtue and vice. They investigate topics such as the didactic function of the bestiaries and the Physiologus, female personifications in the Psychomachia of Prudentius, the Virtues in the Floreffe Bible frontispiece, and good and evil in the architectural sculpture of German sacramentary houses. The contributors are Ron Baxter, Anne-Marie Bouché, Jesse M. Gellrich, S. Georgia Nugent, Colum Hourihane, and Achim Timmerman.
Author: Mark Roncace
Publisher: Society of Biblical Lit
ISBN: 1589836758
Category : Education
Languages : en
Pages : 404
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Book Description
This resource enables biblical studies instructors to facilitate engaging classroom experiences by drawing on the arts and popular culture. It offers brief overviews of hundreds of easily accessible examples of art, film, literature, music, and other media and outlines strategies for incorporating them effectively and concisely in the classroom. Although designed primarily for college and seminary courses on the Bible, the ideas can easily be adapted for classes such as “Theology and Literature” or “Religion and Art” as well as for nonacademic settings. This compilation is an invaluable resource for anyone who teaches the Bible.
Author: Colum Hourihane
Publisher:
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: C.A. Tsakiridou
Publisher: Routledge
ISBN: 1351187252
Category : Art
Languages : en
Pages : 321
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Book Description
Tradition and Transformation in Christian Art approaches tradition and transculturality in religious art from an Orthodox perspective that defines tradition as a dynamic field of exchanges and synergies between iconographic types and their variants. Relying on a new ontology of iconographic types, it explores one of the most significant ascetical and eschatological Christian images, the King of Glory (Man of Sorrows). This icon of the dead-living Christ originated in Byzantium, migrated west, and was promoted in the New World by Franciscan and Dominican missions. Themes include tensions between Byzantine and Latin spiritualities of penance and salvation, the participation of the body and gender in deification, and the theological plasticity of the Christian imaginary. Primitivist tendencies in Christian eschatology and modernism place avant-garde interest in New Mexican santos and Greek icons in tradition.
