Author:
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 140

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Author: Salima Hashmi
Publisher: Actionaid Pakistan
ISBN:
Category : Art
Languages : en
Pages : 222

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Author: Yale Factor
Publisher: Dorrance Publishing
ISBN:
Category : Art
Languages : en
Pages : 209

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The paintings in this book represents over 45 years of paintings. The scenes depicted are locations visited by the artist, photographed and then transformed and enhanced into paintings, executed either in oil paints on canvas or watercolors on paper. Yale Factor's style is to expand on what is normally seen by the naked eye and to bring out details only seen by close examination. Viewers are instantly drawn into the space he creates, and then drawn deeper into the composition where the smallest details are painstakingly depicted. About the Author Yale Factor was born in Chicago, received his degrees in painting and drawing from SIU. in Carbondale, Texas A&M, and studied printmaking at Cal State, Hayward. After sharing a studio with his great aunt in Paris, he returned to the USA and became a scientific illustrator at the Field Museum of Natural History, in Chicago. He left this position to become a professor at Northern Illinois University, in DeKalb, Illinois. Prior to being granted the status of Professor Emeritus upon retiring, he was the Director of Graduate Studies for the School of Art. He taught art for 32 years and has been exhibiting in galleries and museums nationally for over 45 years.

Author: Scott Allan
Publisher: Getty Publications
ISBN: 1606064770
Category : Art
Languages : en
Pages : 228

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Théodore Rousseau (1812–1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of “unruly nature,” a Romantic naturalism that confounded his contemporaries with its “bizarre” compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Édouard Kopp alternately examine Rousseau’s diverse techniques and working procedures as a painter and as a draftsman, as well as his art’s mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen’s essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek’s collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.

Author: Walter Jule
Publisher: University of Alberta
ISBN: 9780888643070
Category : Art
Languages : en
Pages : 340

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Sightlines is an architectural term meaning what you can see from where you stand - it's a question of perspective. This collection of images and words, gathered in conjunction with the international Sightlines symposium in Edmonton, Canada, in 1997, reveals the printmaker and the print from many angles. Including more than 250 color images representing more than 120 artists and a text by more than a dozen contributors, Sightlines opens up a rare view of contemporary printmaking around the world.

Author: Kelvingrove Art Gallery and Museum
Publisher: Yale University Press
ISBN: 0300097808
Category : Art
Languages : en
Pages : 234

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The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.

Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386

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Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.

Author: Seymour Slive
Publisher: Yale University Press
ISBN: 0300089724
Category : Art
Languages : en
Pages : 797

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If you know the 26 letters of the alphabet and can count to 99 -- or are just learning -- you'll love Tana Hoban's brilliant creation. This innovative concept book is two books in one!

Author: Helene Barbara Weinberg
Publisher: Metropolitan Museum of Art
ISBN: 1588393364
Category : Exhibitions
Languages : en
Pages : 242

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They also consider the artists' responses to foreign prototypes, travel and training, changing exhibition venues, and audience expectations. The persistence of certain themes--childhood, marriage, the family, and the community; the attainment and reinforcement of citizenship; attitudes toward race; the frontier as reality and myth; and the process and meaning of making art--underscores evolving styles and standards of storytelling. Divided into four chronological sections, the book begins with the years surrounding the American Revolution and the birth of the new republic, when painters such as Copley, Peale, and Samuel F. B. Morse incorporated stories within the expressive bounds of portraiture. During the Jacksonian and pre-Civil War decades from about 1830 to 1860, Mount, Bingham, Lilly Martin Spencer, and others painted genre scenes featuring lighthearted narratives that growing audiences for art could easily read and understand.

Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344

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