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Author: John Minton
Publisher: Univ. Press of Mississippi
ISBN: 1604733276
Category : Music
Languages : en
Pages : 304
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Book Description
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.
Author: John Minton
Publisher: Univ. Press of Mississippi
ISBN: 1604733276
Category : Music
Languages : en
Pages : 304
Get Book Here
Book Description
When record men first traveled from Chicago or invited musicians to studios in New York, these entrepreneurs had no conception how their technology would change the dynamics of what constituted a musical performance. 78 Blues: Folksongs and Phonographs in the American South covers a revolution in artist performance and audience perception through close examination of hundreds of key “hillbilly” and “race” records released between the 1920s and World War II. In the postwar period, regional strains recorded on pioneering 78 r.p.m. discs exploded into urban blues and R&B, honky-tonk and western swing, gospel, soul, and rock 'n' roll. These old-time records preserve the work of some of America's greatest musical geniuses such as Jimmie Rodgers, Robert Johnson, Charlie Poole, and Blind Lemon Jefferson. They are also crucial mile markers in the course of American popular music and the growth of the modern recording industry. When these records first circulated, the very notion of recorded music was still a novelty. All music had been created live and tied to particular, intimate occasions. How were listeners to understand an impersonal technology like the phonograph record as a musical event? How could they reconcile firsthand interactions and traditional customs with technological innovations and mass media? The records themselves, several hundred of which are explored fully in this book, offer answers in scores of spoken commentaries and skits, in song lyrics and monologues, or other more subtle means.
Author: Robert Palmer
Publisher: Simon and Schuster
ISBN: 1416599754
Category : Biography & Autobiography
Languages : en
Pages : 482
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Book Description
A collection of previously published articles and criticism by famed music critic Robert Palmer.
Author: Edward Komara
Publisher: Routledge
ISBN: 1135958319
Category : Music
Languages : en
Pages : 1274
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Book Description
The Blues Encyclopedia is the first full-length authoritative Encyclopedia on the Blues as a musical form. While other books have collected biographies of blues performers, none have taken a scholarly approach. A to Z in format, this Encyclopedia covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues, including race and gender issues. Special attention is paid to discographies and bibliographies.
Author: Will Romano
Publisher: Hal Leonard Corporation
ISBN: 9780879308339
Category : Music
Languages : en
Pages : 276
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Book Description
Gennem interviews med Hubert Sumlin og hans nærmeste samarbejdspartnere beskrives den særlige Sumlin-bluesguitarstil, som gennem tiden har inspireret navne som Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan m.fl.
Author: Edward M. Komara
Publisher: Psychology Press
ISBN: 0415926998
Category : Blues
Languages : en
Pages : 1274
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Book Description
This comprehensive two-volume set brings together all aspects of the blues from performers and musical styles to record labels and cultural issues, including regional evolution and history. Organized in an accessible A-to-Z format, the Encyclopedia of the Blues is an essential reference resource for information on this unique American music genre. For a full list of entries, contributors, and more, visit the Encyclopedia of the Blues website.
Author: Paul Oliver
Publisher: Routledge
ISBN: 1135467234
Category : Music
Languages : en
Pages : 236
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Book Description
Broadcasting the Blues: Black Blues in the Segregation Era is based on Paul Oliver's award-winning radio broadcasts from the BBC that were created over several decades. It traces the social history of the blues in America, from its birth in the rural South through the heyday of sound recordings. Noted blues scholar Paul Oliver draws on decades of research and personal interviews with performers--some of whom he "discovered" and recorded for the first time--to draw a picture of how the blues aesthetic developed, giving new insights into the role blues played in American society before racial integration. The book begins by outlining the history of the blues from African music through country stomps, ragtime songs, and field hollers. From the heroic figures of black folksong--including the steel-driving railroad worker John Henry and the destructive Boll Weevil--to the content of the emerging blues, the author discusses the "meaning" behind the often coded words of the blues, evoking topics such as playful sexuality, magic and medicine, the stresses of segregation, and commentary on national events. Finally, the author traces the history of blues documentation, showing how our views of the early blues have been shaped through a complex interplay of social forces, and indicating possible lines for future research.
Author: Edward M. Komara
Publisher: Taylor & Francis US
ISBN: 9780415927017
Category : Biography & Autobiography
Languages : en
Pages : 746
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Book Description
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Edward Komara
Publisher: Rowman & Littlefield
ISBN: 0810889226
Category : Music
Languages : en
Pages : 319
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Book Description
Search the Internet for the 100 best songs or best albums. Dozens of lists will appear from aficionados to major music personalities. But what if you not only love listening to the blues or country music or jazz or rock, you love reading about it, too. How do you separate what matters from what doesn’t among the hundreds—sometimes thousands—of books on the music you so love? In the Best Music Books series, readers finally have a quick-and-ready list of the most important works published on modern major music genres by leading experts. In 100 Books Every Blues Fan Should Own, Edward Komara, former Blues Archivist of the University of Mississippi, and his successor Greg Johnson select those histories, biographies, surveys, transcriptions and studies from the many hundreds of works that have been published about this vital American musical genre. Komara and Johnson provide a short description of the contents and the achievement of each title selected for their “Blues 100.” Entries include full bibliographic citations, prices of copies in print, and even descriptions of specific editions for book collectors. 100 Books Every Blues Fan Should Own also includes suggested blues recordings to accompany each recommended work, as well as a concluding section on key reference titles—or as Komara and Johnson phrase it: “The Books behind the Blues 100.” 100 Books Every Blues Fan Should Own serves as a guide for any blues fan looking for a road map through the history of—and even history of the scholarship on—the blues. Here Komara and Johnson answer the question of not only what is a “blues” book, but which ones are worth owning.
Author: Ray Allen
Publisher: University of Illinois Press
ISBN: 0252099621
Category : Music
Languages : en
Pages : 330
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Book Description
Gone to the Country chronicles the life and music of the New Lost City Ramblers, a trio of city-bred musicians who helped pioneer the resurgence of southern roots music during the folk revival of the late 1950s and 1960s. Formed in 1958 by Mike Seeger, John Cohen, and Tom Paley, the Ramblers introduced the regional styles of southern ballads, blues, string bands, and bluegrass to northerners yearning for a sound and an experience not found in mainstream music. Ray Allen interweaves biography, history, and music criticism to follow the band from its New York roots to their involvement with the commercial folk music boom. Allen details their struggle to establish themselves amid critical debates about traditionalism brought on by their brand of folk revivalism. He explores how the Ramblers ascribed notions of cultural authenticity to certain musical practices and performers and how the trio served as a link between southern folk music and northern urban audiences who had little previous exposure to rural roots styles. Highlighting the role of tradition in the social upheaval of mid-century America, Gone to the Country draws on extensive interviews and personal correspondence with band members and digs deep into the Ramblers' rich trove of recordings.
Author: Mark Winborn
Publisher: Fisher King Press
ISBN: 1926715527
Category : Music
Languages : en
Pages : 140
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Book Description
Deep Blues explores the archetypal journey of the human psyche through an examination of the blues as a musical genre. The genesis, history, and thematic patterns of the blues are examined from an archetypal perspective and various analytic theories. Mythological and shamanistic parallels are used to provide a deeper understanding of the role of the bluesman, the blues performance, and the innate healing potential of the blues. Universal aspects of human experience and transcendence are revealed through the creative medium of the blues. The atmosphere of Deep Blues is enhanced by the black and white photographs of Tom Smith which capture striking blues performances in the Maxwell Street section of Chicago. Jungian analysts, therapists and psychoanalytic practitioners with an interest in the interaction between creative expression and human experience should find Deep Blues satisfying. Deep Blues should also appeal to enthusiasts of music, ethnomusicology, and the blues.
