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Author: Jean Maillet
Publisher:
ISBN: 9782360755103
Category :
Languages : fr
Pages : 799
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Book Description
Jean Maillet connaît ses classiques ! Cet ethnologue de la langue française, chercheur obstiné, est parti sur les traces de nos expressions françaises les plus populaires et les plus charmantes. Leur histoire étonnante et leur étymologie mystérieuse n'auront plus aucun secret pour vous, elles se dévoilent ici avec simplicité, humour et malice... Au fil des pages, vous croiserez "la huitième merveille du monde", vous pourrez "reprendre du poil de la bête" ou bien préférer "vous reposer sur vos lauriers". Chiffres en tout genre, animaux bigarrés, références mythologiques ou simples métaphores, Jean Maillet mène l'enquête pour nous révéler l'origine (parfois méconnue) de chacune de ces 500 expressions qui font le charme de notre belle langue française.
Author: Jean Maillet
Publisher:
ISBN: 9782360755103
Category :
Languages : fr
Pages : 799
Get Book Here
Book Description
Jean Maillet connaît ses classiques ! Cet ethnologue de la langue française, chercheur obstiné, est parti sur les traces de nos expressions françaises les plus populaires et les plus charmantes. Leur histoire étonnante et leur étymologie mystérieuse n'auront plus aucun secret pour vous, elles se dévoilent ici avec simplicité, humour et malice... Au fil des pages, vous croiserez "la huitième merveille du monde", vous pourrez "reprendre du poil de la bête" ou bien préférer "vous reposer sur vos lauriers". Chiffres en tout genre, animaux bigarrés, références mythologiques ou simples métaphores, Jean Maillet mène l'enquête pour nous révéler l'origine (parfois méconnue) de chacune de ces 500 expressions qui font le charme de notre belle langue française.
Author: Jean Maillet
Publisher:
ISBN: 9782360757480
Category :
Languages : fr
Pages : 797
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Book Description
Author: Georges Planelles
Publisher:
ISBN: 9782894559024
Category : French language
Languages : fr
Pages : 609
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Book Description
Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 366
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Book Description
Presents a revision of the late Columbia University art historian's lectures given at Indiana University in 1961.
Author: Dorling Kindersley Publishing, Inc
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 408
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Book Description
A vocabulary guide that presents color photos of everyday objects and tasks with labels in English, French, German, Spanish, and Italian, grouping words and phrases in fifteen categories, including health, food, and leisure.
Author: Lara McCormick
Publisher: Rockport Publishers
ISBN: 1610587928
Category : Design
Languages : en
Pages : 193
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Book Description
Playing with Type is a hands-on, playful approach to learning type application and principles. This engagingguide begins with an introduction to the philosophy of learning through the process of play. Along with a series of experimental design projects with an emphasis on type, the author provides designers with a “toolkit� of ideas and skills developed through the process of play. The awareness and sensitivity to type styles, forms, and type choices gained through these visual experiments will increase the designer’s confidence in their personal and professional work. This book can be used in the classroom or independently, and readers can go directly to exercises that appeal to them.
Author: Meyer Schapiro
Publisher: National Geographic Books
ISBN: 0807613576
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
This fourth volume of Professor Meyer Schapiro's Selected Papers contains his most important writings - some well-known and others previously unpublished - on the theory and philosophy of art. Schapiro's highly lucid arguments, graceful prose, and extraordinary erudition guide readers through a rich variety of fields and issues: the roles in society of the artist and art, of the critic and criticism; the relationships between patron and artist, psychoanalysis and art, and philosophy and art. Adapting critical methods from such wide-ranging fields as anthropology, linguistics, philosophy, biology, and other sciences, Schapiro appraises fundamental semantic terms such as "organic style, " "pictorial style," "field and vehicle, " and "form and content"; he elucidates eclipsed intent in a well-known text by Freud on Leonardo da Vinci, in another by Heidegger on Vincent van Gogh. He reflects on the critical methodology of Bernard Berenson, and on the social philosophy of art in the writings of both Diderot and the nineteenth century French artist/historian Eugene Fromentin. Throughout all of his writings, Meyer Schapiro provides us with a means of ordering our past that is reasoned and passionate, methodical and inventive. In so doing, he revitalizes our faith in the unsurpassed importance of both critical thinking and creative independence.
Author: John Ruskin
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 472
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Book Description
Author: George Berkeley
Publisher:
ISBN:
Category : Idealism
Languages : en
Pages : 162
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Book Description
Author: Richard Neer
Publisher: Oxford University Press, USA
ISBN: 0198845561
Category : Art
Languages : en
Pages : 167
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Book Description
We often assume that works of visual art are meant to be seen. Yet that assumption may be a modern prejudice. The ancient world - from China to Greece, Rome to Mexico - provides many examples of statues, paintings, and other images that were not intended to be visible. Instead of being displayed, they were hidden, buried, or otherwise obscured. In this third volume in the Visual Conversations in Art & Archaeology series, leading scholars working at the intersection of archaeology and the history of art address the fundamental question of art's visibility. What conditions must be met, what has to be in place, for a work of art to be seen at all? The answer is both historical and methodological; it concerns ancient societies and modern disciplines, and encompasses material circumstances, perceptual capacities, technologies of visualization, protocols of classification, and a great deal more. The emerging field of archaeological art history is uniquely suited to address such questions. Intrinsically comparative, this approach cuts across traditional ethnic, religious, and chronological categories to confront the academic present with the historical past. The goal is to produce a new art history that is at once cosmopolitan in method and global in scope, and in doing so establish new ways of seeing - new conditions of visibility - for shared objects of study.
