4 Mallet Democracy for Marimba PDF Download
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Author: Jack Van Geem
Publisher: Alfred Music
ISBN: 9781457458255
Category : Music
Languages : en
Pages : 56
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Book Description
A collection of studies and etudes for developing four-mallet independence in playing the marimba. It contains single hand studies, interval studies, rotation studies, parallel motion studies, four mallet arpeggio studies, and more. A must for the intermediate student of keyboard percussion.
Author: Jack Van Geem
Publisher: Alfred Music
ISBN: 9781457458255
Category : Music
Languages : en
Pages : 56
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Book Description
A collection of studies and etudes for developing four-mallet independence in playing the marimba. It contains single hand studies, interval studies, rotation studies, parallel motion studies, four mallet arpeggio studies, and more. A must for the intermediate student of keyboard percussion.
Author: Anthony J. Cirone
Publisher: Alfred Music
ISBN: 9781457456312
Category : Music
Languages : en
Pages : 60
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Book Description
Two- and four-mallet technical exercises by eleven leading concert and recording artists.
Author: Anthony J. Cirone
Publisher: Alfred Music
ISBN: 9781457401954
Category : Music
Languages : en
Pages : 40
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Book Description
This collection is the perfect sourcebook for material that meets or exceeds recital and performance requirements. Written by Tony Cirone, the leading educational percussion writer and editor in the field today. These are exciting and challenging contemporary percussion solos for today's student.
Author: Anthony J. Cirone
Publisher: Hal Leonard Corporation
ISBN: 9781574631241
Category : Music
Languages : en
Pages : 244
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Book Description
(Meredith Music Resource). This handy guide features: more than 4,000 foreign musical terms; terms in Italian, French and German; more than 160 musical examples; and comprehensive sections for percussion and strings. (a href="http://youtu.be/dxxhFSh1r04" target="_blank")Click here for a YouTube vide on on Cirone's Pocket Dictionary of Foreign Musical Terms(/a)
Author: Thomas McMillan
Publisher: Alfred Music
ISBN: 9781457490491
Category : Music
Languages : en
Pages : 36
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Book Description
A collection of pieces from the Baroque music period arranged for marimba solo.
Author: Anthony J. Cirone
Publisher: Alfred Music
ISBN: 9781457455575
Category : Music
Languages : en
Pages : 52
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Book Description
The actual daily practice routines used by professional symphonic and jazz drummers. The many variations of basic rudimental patterns make snare drum practicing a joy.
Author: Russ Girsberger
Publisher: Meredith Music Publications
ISBN: 9781574630596
Category : Music
Languages : en
Pages : 106
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Book Description
(Meredith Music Percussion). Confused with the growing list of percussion instruments and terms? This new Meredith publication provides both definitions and an artistic interpretation of how each term is applied to the literature. A great source for conductors, composers, performers and students.
Author: Richard Colwell
Publisher: Routledge
ISBN: 1317350847
Category : Music
Languages : en
Pages : 473
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Book Description
This book introduces music education majors to basic instrumental pedagogy for the instruments and ensembles most commonly found in the elementary and secondary curricula. This text focuses on the core competencies required for teacher certification in instrumental music. The first section of the book focuses on essential issues for a successful instrumental program: objectives, assessment and evaluation, motivation, administrative tasks, and recruiting and scheduling (including block scheduling). The second section devotes a chapter to each wind instrument plus percussion and strings, and includes troubleshooting checklists for each instrument. The third section focuses on rehearsal techniques from the first day through high school.
Author: Anthony J. Cirone
Publisher: Alfred Music Publishing
ISBN:
Category : Music
Languages : en
Pages : 64
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Book Description
One of the classic snare drum books in print today! This publication presents the reader with challenging and stimulating material for the intermediate and advanced percussion student. Contains 50 musical solos and brief performance notes. A Federation Festivals 2020-2024 selection.
Author: Barry Blesser
Publisher: MIT Press
ISBN: 026251317X
Category : Architecture
Languages : en
Pages : 453
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Book Description
How we experience space by listening: the concepts of aural architecture, with examples ranging from Gothic cathedrals to surround sound home theater. We experience spaces not only by seeing but also by listening. We can navigate a room in the dark, and "hear" the emptiness of a house without furniture. Our experience of music in a concert hall depends on whether we sit in the front row or under the balcony. The unique acoustics of religious spaces acquire symbolic meaning. Social relationships are strongly influenced by the way that space changes sound. In Spaces Speak, Are You Listening?, Barry Blesser and Linda-Ruth Salter examine auditory spatial awareness: experiencing space by attentive listening. Every environment has an aural architecture.The audible attributes of physical space have always contributed to the fabric of human culture, as demonstrated by prehistoric multimedia cave paintings, classical Greek open-air theaters, Gothic cathedrals, acoustic geography of French villages, modern music reproduction, and virtual spaces in home theaters. Auditory spatial awareness is a prism that reveals a culture's attitudes toward hearing and space. Some listeners can learn to "see" objects with their ears, but even without training, we can all hear spatial geometry such as an open door or low ceiling. Integrating contributions from a wide range of disciplines—including architecture, music, acoustics, evolution, anthropology, cognitive psychology, audio engineering, and many others—Spaces Speak, Are You Listening? establishes the concepts and language of aural architecture. These concepts provide an interdisciplinary guide for anyone interested in gaining a better understanding of how space enhances our well-being. Aural architecture is not the exclusive domain of specialists. Accidentally or intentionally, we all function as aural architects.
