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Author: Adele Nelson
Publisher: Univ of California Press
ISBN: 0520379845
Category : Art
Languages : en
Pages : 389
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Book Description
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Author: Adele Nelson
Publisher: Univ of California Press
ISBN: 0520379845
Category : Art
Languages : en
Pages : 389
Get Book Here
Book Description
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Author: Alfons Hug
Publisher:
ISBN:
Category : Art
Languages : pt
Pages : 276
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Book Description
Author: James N. Green
Publisher: Duke University Press
ISBN: 0822391783
Category : History
Languages : en
Pages : 470
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Book Description
In 1964, Brazil’s democratically elected, left-wing government was ousted in a coup and replaced by a military junta. The Johnson administration quickly recognized the new government. The U.S. press and members of Congress were nearly unanimous in their support of the “revolution” and the coup leaders’ anticommunist agenda. Few Americans were aware of the human rights abuses perpetrated by Brazil’s new regime. By 1969, a small group of academics, clergy, Brazilian exiles, and political activists had begun to educate the American public about the violent repression in Brazil and mobilize opposition to the dictatorship. By 1974, most informed political activists in the United States associated the Brazilian government with its torture chambers. In We Cannot Remain Silent, James N. Green analyzes the U.S. grassroots activities against torture in Brazil, and the ways those efforts helped to create a new discourse about human-rights violations in Latin America. He explains how the campaign against Brazil’s dictatorship laid the groundwork for subsequent U.S. movements against human rights abuses in Chile, Uruguay, Argentina, and Central America. Green interviewed many of the activists who educated journalists, government officials, and the public about the abuses taking place under the Brazilian dictatorship. Drawing on those interviews and archival research from Brazil and the United States, he describes the creation of a network of activists with international connections, the documentation of systematic torture and repression, and the cultivation of Congressional allies and the press. Those efforts helped to expose the terror of the dictatorship and undermine U.S. support for the regime. Against the background of the political and social changes of the 1960s and 1970s, Green tells the story of a decentralized, international grassroots movement that effectively challenged U.S. foreign policy.
Author: Museum of Modern Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 598
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Book Description
Author: Anthony Gardner
Publisher: John Wiley & Sons
ISBN: 1444336649
Category : Business & Economics
Languages : en
Pages : 304
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Book Description
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
Author: Mari Rodríguez Binnie
Publisher: University of Texas Press
ISBN: 1477329862
Category : Art
Languages : en
Pages : 249
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Book Description
"Throughout the 1970s and into the 1980s, in the wake of the installation of Brazil's military dictatorship, artists and art collectives in Brazil used their work to critique the government and its sanitized images of Brazil, its use of torture, and its targeted persecutions. Mari Rodríguez Binnie's The São Paulo Neo-Avant Garde studies this art and its engagement with politics and mainstream institutions and traditions. During this period São Paulo was home to a growing number of high-rise office buildings, and many of the artists studied here held day jobs that gave them after-hours access to new technologies of mass production that became foundational to their work. As the author writes, "By appropriating processes such as photocopy, offset lithography, and thermal and heliographic printing, these artists simultaneously challenged the hidebound institutions of São Paulo's art world, as well as the regime's own manipulation of mass media through censorship and propaganda. The artists did so through works that, in their radical content and form, hinged on establishing alternative networks of communication both at the local and international levels." The study moves forward chronologically and thematically, with each chapter examining a particular set of works in their broader contexts"--
Author: Hudson River Museum
Publisher: Hudson River Museum
ISBN:
Category :
Languages : en
Pages : 92
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Book Description
Author: Eva Meyer-Hermann
Publisher: Yale University Press
ISBN: 0300244673
Category : Art
Languages : en
Pages : 457
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Book Description
Belgian painter Luc Tuymans (b. 1958) has, over the course of his remarkable career, created a distinctive vernacular, and is widely credited with having contributed to the revival of painting in the 1990s. This second volume in a planned three-volume catalogue raisonné of Tuymans’s paintings surveys nearly two hundred works, featuring some of his most iconic canvases, including from his seminal exhibition Mwana Kitoko: Beautiful White Man (2000), derived from the fraught history of Belgian colonial rule of the Democratic Republic of the Congo, and The Secretary of State (2005), a portrayal of Condoleeza Rice which conjures the history of racial and sexual prejudice in the United States. Brilliant color reproductions of each painting from this period are accompanied by an illustrated chronology with archival images and installation views of the works in the volume. This catalogue raisonné is a testament to Tuymans’s persistent assertion of the relevance and importance of painting—a conviction that he maintains even in today’s digital world.
Author: León Ferrari
Publisher: The Museum of Modern Art
ISBN: 9780870707506
Category : Art
Languages : en
Pages : 208
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Book Description
This exhibition presents new insights into these artists' visual deconstructions of language and examines the connections and collisions among visual art, the word and the social world.
Author: Michele Greet
Publisher: Routledge
ISBN: 1351777904
Category : Art
Languages : en
Pages : 333
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Book Description
Since the late nineteenth century, art museums have played crucial social, political, and economic roles throughout Latin America because of the ways that they structure representation. By means of their architecture, collections, exhibitions, and curatorial practices, Latin American art museums have crafted representations of communities, including nation states, and promoted particular group ideologies. This collection of essays, arranged in thematic sections, will examine the varying and complex functions of art museums in Latin America: as nation-building institutions and instruments of state cultural politics; as foci for the promotion of Latin American modernities and modernisms; as sites of mediation between local and international, private and public interests; as organizations that negotiate cultural construction within the Latin American diaspora and shape constructs of Latin America and its nations; and as venues for the contestation of elitist and Eurocentric notions of culture and the realization of cultural diversity rooted in multiethnic environments.
