2000-2010 Best Rock Guitar Songs PDF Download
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Publisher: Hal Leonard Publishing Corporation
ISBN: 9780739075739
Category : Rock music
Languages : en
Pages : 0
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Book Description
(Easy Guitar). Thirty-one of the decade's best. Songs include: All Summer Long (Kid Rock) * Almost Lover (A Fine Frenzy) * American Idiot (Green Day) * Believe (Staind) * Bodysnatchers (Radiohead) * Boulevard of Broken Dreams (Green Day) * Broken (Seether) * Complicated (Avril Lavigne) * Crazy (Gnarls Barkley) * Gotta Be Somebody (Nickelback) * Heaven (Brett Dennen) * Here It Goes Again (OK Go) * Hey There Delilah (Plain White T's) * Higher (Creed) * How Long (Eagles) * I Don't Want to Be (Gavin DeGraw) * I Kissed a Girl (Katy Perry) * I Knew I Loved You (Savage Garden) * Know Your Enemy (Green Day) * Misery Business (Paramore) * Paralyzer (Finger Eleven) * Rain (Creed) * The Reason (Hoobastank) * Rockstar (Nickelback) * Smooth (Santana) * Smooth Criminal (Alien Ant Farm) * Sorry (Buckcherry) * Supermassive Black Hole (Muse) * Uprising (Muse) * With Arms Wide Open (Creed) * You and Me (Lifehouse).
Author:
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780739075739
Category : Rock music
Languages : en
Pages : 0
Get Book Here
Book Description
(Easy Guitar). Thirty-one of the decade's best. Songs include: All Summer Long (Kid Rock) * Almost Lover (A Fine Frenzy) * American Idiot (Green Day) * Believe (Staind) * Bodysnatchers (Radiohead) * Boulevard of Broken Dreams (Green Day) * Broken (Seether) * Complicated (Avril Lavigne) * Crazy (Gnarls Barkley) * Gotta Be Somebody (Nickelback) * Heaven (Brett Dennen) * Here It Goes Again (OK Go) * Hey There Delilah (Plain White T's) * Higher (Creed) * How Long (Eagles) * I Don't Want to Be (Gavin DeGraw) * I Kissed a Girl (Katy Perry) * I Knew I Loved You (Savage Garden) * Know Your Enemy (Green Day) * Misery Business (Paramore) * Paralyzer (Finger Eleven) * Rain (Creed) * The Reason (Hoobastank) * Rockstar (Nickelback) * Smooth (Santana) * Smooth Criminal (Alien Ant Farm) * Sorry (Buckcherry) * Supermassive Black Hole (Muse) * Uprising (Muse) * With Arms Wide Open (Creed) * You and Me (Lifehouse).
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 1458441768
Category : Music
Languages : en
Pages : 96
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Book Description
(Easy Guitar). 14 favorite themes from the movie arranged for easy guitar, including: The Black Pearl * Davy Jones * He's a Pirate * I've Got My Eye on You * The Medallion Calls * Moonlight Serenade * One Day * Two Hornpipes (Fisher's Hornpipe) * Up Is Down * and more.
Author: Richard A. Hall
Publisher: Bloomsbury Publishing USA
ISBN: 1440868131
Category : Social Science
Languages : en
Pages : 302
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Book Description
Pop Goes the Decade: The 2000s comprehensively examines popular culture in the 2000s, placing the culture of the decade in historical context and showing how it not only reflected but also influenced its times. Pop Goes the Decade: The 2000s starts with a timeline of major historical pop culture events of the 2000s, followed by an introduction describing what the U.S. was like at the beginning of the new millennium and how it would change throughout the decade. Next come chapters broken down by medium: television, sports, music, movies, literature, technology, media, and fashion and art. A chapter on controversies in popular culture is followed by a chapter on game-changers, featuring 20 individuals who made a major impact on the U.S. in the 2000s. Finally, a conclusion shows the impact that pop culture in the 2000s has had on the U.S. in the years since. This volume serves as a comprehensive resource for high school and college students studying popular culture in the 2000s. It provides a summary of total impact, plus specific insights into each individual topic. It also includes a wide swath of the scholarship produced on the subject to date.
Author: Steve Sullivan
Publisher: Rowman & Littlefield
ISBN: 1442254491
Category : Music
Languages : en
Pages : 830
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Book Description
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
Author: Mark Spicer
Publisher: Routledge
ISBN: 1351550683
Category : Music
Languages : en
Pages : 518
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Book Description
This volume gathers together twenty articles from among the best scholarly writing on rock music published in academic journals over the past two decades. These diverse essays reflect the wide range of approaches that scholars in various disciplines have applied to the study of rock, from those that address mainly the historical, sociological, cultural and technological factors that gave rise to this music, to those that focus primarily on analysis of the music itself. This collection of articles, some of which are now out of print or otherwise difficult to access, provides an overview of the current state of research in the field of rock music, and includes an introduction which contributes to the ongoing debate over the distinction (or lack thereof) between ?rock? and ?pop?.
Author: Wikipedia contributors
Publisher: e-artnow sro
ISBN:
Category :
Languages : en
Pages : 961
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Book Description
Author: Lizzy Goodman
Publisher: HarperCollins
ISBN: 0062233122
Category : Music
Languages : en
Pages : 368
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Book Description
Named a Best Book of 2017 by NPR and GQ Joining the ranks of the classics Please Kill Me, Our Band Could Be Your Life, and Can’t Stop Won’t Stop, an intriguing oral history of the post-9/11 decline of the old-guard music industry and rebirth of the New York rock scene, led by a group of iconoclastic rock bands. In the second half of the twentieth-century New York was the source of new sounds, including the Greenwich Village folk scene, punk and new wave, and hip-hop. But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem. Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.
Author: Kiri Miller
Publisher: OUP USA
ISBN: 0199753466
Category : Computers
Languages : en
Pages : 274
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Book Description
Playing Along shows how video games and social media are bridging virtual and visceral experience, transforming our understanding of musicality, creativity, play, and participation.
Author: Jack Hamilton
Publisher: Harvard University Press
ISBN: 0674416597
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
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Book Description
