Author: Jean-François Bizot
Publisher:
ISBN: 9780500286050
Category : Black power
Languages : en
Pages : 255
Book Description
Packed with words and graphics, this nostalgic tour de force illustrates and celebrates the 60s and 70s heyday of alternative magazine publishing in Europe and America, reproducing images from magazines both seminal and obscure whose influence continues to reverberate through culture, politics and society. It will be a must-buy for retro graphics fans and for anyone interested in 60s counterculture.
200 Trips from the Counterculture
Free Press
Author: Jean-François Bizot
Publisher: Universe Publishing(NY)
ISBN:
Category : History
Languages : en
Pages : 270
Book Description
Taking its collective name from the wartime "underground press" of Europe's anti-Nazi resistance, the publications examined here were all members of the Underground Press Syndicate (later renamed the Alternative Press Syndicate), founded in 1967 so that member papers could freely share and reprint material. This utopian model resulted in an explosion of alternative publications worldwide as every small start-up had access to the work of soon-to-be famous writers, journalists, artists, and graphic designers. Among the notable figures whose work has appeared in these pages are Hunter S. Thompson, T. Coraghessan Boyle, Ken Kesey, R. Crumb, Art Spiegelman—to name only a few. The underground press documented everything from politics and art to film and fashion. Among the publications featured here are The Los Angeles Free Press (persecuted by the Nixon-era FBI for its antiwar views), The East Village Other (the first to adopt a psychedelic layout), Interview (founded by Andy Warhol and the first to feature homoerotic imagery), The Chicago Seed, Oracle, and The Berkeley Barb (famous for one cover showing a young man with a chain around his mind). The ideas unleashed in these now vintage publications continue to reverberate through society and influence public discourse and graphic design in the form of today's 'zines and online blogs.
Publisher: Universe Publishing(NY)
ISBN:
Category : History
Languages : en
Pages : 270
Book Description
Taking its collective name from the wartime "underground press" of Europe's anti-Nazi resistance, the publications examined here were all members of the Underground Press Syndicate (later renamed the Alternative Press Syndicate), founded in 1967 so that member papers could freely share and reprint material. This utopian model resulted in an explosion of alternative publications worldwide as every small start-up had access to the work of soon-to-be famous writers, journalists, artists, and graphic designers. Among the notable figures whose work has appeared in these pages are Hunter S. Thompson, T. Coraghessan Boyle, Ken Kesey, R. Crumb, Art Spiegelman—to name only a few. The underground press documented everything from politics and art to film and fashion. Among the publications featured here are The Los Angeles Free Press (persecuted by the Nixon-era FBI for its antiwar views), The East Village Other (the first to adopt a psychedelic layout), Interview (founded by Andy Warhol and the first to feature homoerotic imagery), The Chicago Seed, Oracle, and The Berkeley Barb (famous for one cover showing a young man with a chain around his mind). The ideas unleashed in these now vintage publications continue to reverberate through society and influence public discourse and graphic design in the form of today's 'zines and online blogs.
R. Crumb
Author: David Stephen Calonne
Publisher: Univ. Press of Mississippi
ISBN: 149683187X
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Robert Crumb (b. 1943) read widely and deeply a long roster of authors including Robert Louis Stevenson, Charles Dickens, J. D. Salinger, Jack Kerouac, William S. Burroughs, and Allen Ginsberg, as well as religious classics including biblical, Buddhist, Hindu, and Gnostic texts. Crumb’s genius, according to author David Stephen Calonne, lies in his ability to absorb a variety of literary, artistic, and spiritual traditions and incorporate them within an original, American mode of discourse that seeks to reveal his personal search for the meaning of life. R. Crumb: Literature, Autobiography, and the Quest for Self contains six chapters that chart Crumb’s intellectual trajectory and explore the recurring philosophical themes that permeate his depictions of literary and biographical works and the ways he responds to them through innovative, dazzling compositional techniques. Calonne explores the ways Crumb develops concepts of solitude, despair, desire, and conflict as aspects of the quest for self in his engagement with the book of Genesis and works by Franz Kafka, Jean-Paul Sartre, the Beats, Charles Bukowski, and Philip K. Dick, as well as Crumb’s illustrations of biographies of musicians Jelly Roll Morton and Charley Patton. Calonne demonstrates how Crumb’s love for literature led him to attempt an extremely faithful rendering of the texts he admired while at the same time highlighting for his readers the particular hidden philosophical meanings he found most significant in his own autobiographical quest for identity and his authentic self.
Publisher: Univ. Press of Mississippi
ISBN: 149683187X
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
Robert Crumb (b. 1943) read widely and deeply a long roster of authors including Robert Louis Stevenson, Charles Dickens, J. D. Salinger, Jack Kerouac, William S. Burroughs, and Allen Ginsberg, as well as religious classics including biblical, Buddhist, Hindu, and Gnostic texts. Crumb’s genius, according to author David Stephen Calonne, lies in his ability to absorb a variety of literary, artistic, and spiritual traditions and incorporate them within an original, American mode of discourse that seeks to reveal his personal search for the meaning of life. R. Crumb: Literature, Autobiography, and the Quest for Self contains six chapters that chart Crumb’s intellectual trajectory and explore the recurring philosophical themes that permeate his depictions of literary and biographical works and the ways he responds to them through innovative, dazzling compositional techniques. Calonne explores the ways Crumb develops concepts of solitude, despair, desire, and conflict as aspects of the quest for self in his engagement with the book of Genesis and works by Franz Kafka, Jean-Paul Sartre, the Beats, Charles Bukowski, and Philip K. Dick, as well as Crumb’s illustrations of biographies of musicians Jelly Roll Morton and Charley Patton. Calonne demonstrates how Crumb’s love for literature led him to attempt an extremely faithful rendering of the texts he admired while at the same time highlighting for his readers the particular hidden philosophical meanings he found most significant in his own autobiographical quest for identity and his authentic self.
We Are As Gods
Author: Kate Daloz
Publisher: PublicAffairs
ISBN: 1610392264
Category : History
Languages : en
Pages : 386
Book Description
At the dawn of the 1970s, waves of hopeful idealists abandoned the city and headed for the country, convinced that a better life awaited. They were full of dreams, mostly lacking in practical skills, and soon utterly out of money. But they knew paradise when they saw it. When Loraine, Craig, Pancake, Hershe, and a dozen of their friends came into possession of 116 acres in Vermont, they had big plans: to grow their own food, build their own shelter, and create an enlightened community. They had little idea that at the same moment, all over the country, a million other young people were making the same move -- back to the land. We Are As Gods follows the Myrtle Hill commune as its members enjoy a euphoric Free Love summer. Nearby, a fledgling organic farm sets to work with horses, and a couple -- the author's parents -- attempts to build a geodesic dome. Yet Myrtle Hill's summer ends in panic as they rush to build shelter while they struggle to reconcile their ideals with the somber realities of physical hardship and shifting priorities -- especially when one member goes dangerously rogue. Kate Daloz has written a meticulously researched testament to the dreams of a generation disillusioned by their parents' lifestyles, scarred by the Vietnam War, and yearning for rural peace. Shaping everything from our eating habits to the Internet, the 1970s Back-to-the-Land movement is one of the most influential yet least understood periods in recent history. We Are As Gods sheds light on one generation's determination to change their own lives and, in the process, to change the world.
Publisher: PublicAffairs
ISBN: 1610392264
Category : History
Languages : en
Pages : 386
Book Description
At the dawn of the 1970s, waves of hopeful idealists abandoned the city and headed for the country, convinced that a better life awaited. They were full of dreams, mostly lacking in practical skills, and soon utterly out of money. But they knew paradise when they saw it. When Loraine, Craig, Pancake, Hershe, and a dozen of their friends came into possession of 116 acres in Vermont, they had big plans: to grow their own food, build their own shelter, and create an enlightened community. They had little idea that at the same moment, all over the country, a million other young people were making the same move -- back to the land. We Are As Gods follows the Myrtle Hill commune as its members enjoy a euphoric Free Love summer. Nearby, a fledgling organic farm sets to work with horses, and a couple -- the author's parents -- attempts to build a geodesic dome. Yet Myrtle Hill's summer ends in panic as they rush to build shelter while they struggle to reconcile their ideals with the somber realities of physical hardship and shifting priorities -- especially when one member goes dangerously rogue. Kate Daloz has written a meticulously researched testament to the dreams of a generation disillusioned by their parents' lifestyles, scarred by the Vietnam War, and yearning for rural peace. Shaping everything from our eating habits to the Internet, the 1970s Back-to-the-Land movement is one of the most influential yet least understood periods in recent history. We Are As Gods sheds light on one generation's determination to change their own lives and, in the process, to change the world.
The Graphic Art of the Underground
Author: Ian Lowey
Publisher: A&C Black
ISBN: 1472573552
Category : Art
Languages : en
Pages : 256
Book Description
The Graphic Art of the Underground: A Countercultural History takes the reader on a dazzling journey through the visual art and design of alternative and youth cultures from the 1950s to the present day. Ian Lowey and Suzy Prince ’s compelling account draws upon the work of an array of artistic figures – many of whose lives have proved as colourful as their work– such as Ed ‘Big Daddy’ Roth, Kenny ‘Von Dutch’ Howard, Robert Williams, Robert Crumb, Martin Sharp, Jamie Reid, Linder Sterling, Gee Vaucher, Winston Smith, Barney Bubbles, Mark Ryden, Shag, Camille Rose Garcia, Marion Peck and Pete Fowler among numerous others.
Publisher: A&C Black
ISBN: 1472573552
Category : Art
Languages : en
Pages : 256
Book Description
The Graphic Art of the Underground: A Countercultural History takes the reader on a dazzling journey through the visual art and design of alternative and youth cultures from the 1950s to the present day. Ian Lowey and Suzy Prince ’s compelling account draws upon the work of an array of artistic figures – many of whose lives have proved as colourful as their work– such as Ed ‘Big Daddy’ Roth, Kenny ‘Von Dutch’ Howard, Robert Williams, Robert Crumb, Martin Sharp, Jamie Reid, Linder Sterling, Gee Vaucher, Winston Smith, Barney Bubbles, Mark Ryden, Shag, Camille Rose Garcia, Marion Peck and Pete Fowler among numerous others.
Diane di Prima
Author: David Stephen Calonne
Publisher: Bloomsbury Publishing USA
ISBN: 1501342924
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
Diane di Prima: Visionary Poetics and the Hidden Religions reveals how central di Prima was in the discovery, articulation and dissemination of the major themes of the Beat and hippie countercultures from the fifties to the present. Di Prima (1934--) was at the center of literary, artistic, and musical culture in New York City. She also was at the energetic fulcrum of the Beat movement and, with Leroi Jones (Amiri Baraka), edited The Floating Bear (1961-69), a central publication of the period to which William S. Burroughs, Jack Kerouac, Allen Ginsberg, Charles Olson, and Frank O'Hara contributed. Di Prima was also a pioneer in her challenges to conventional assumptions regarding love, sexuality, marriage, and the role of women. David Stephen Calonne charts the life work of di Prima through close readings of her poetry, prose, and autobiographical writings, exploring her thorough immersion in world spiritual traditions and how these studies informed both the form and content of her oeuvre. Di Prima's engagement in what she would call “the hidden religions” can be divided into several phases: her years at Swarthmore College and in New York; her move to San Francisco and immersion in Zen; her researches into the I Ching, Paracelsus, John Dee, Heinrich Cornelius Agrippa, alchemy, Tarot, and Kabbalah of the mid-sixties; and her later interest in Tibetan Buddhism. Diane di Prima: Visionary Poetics and the Hidden Religions is the first monograph devoted to a writer of genius whose prolific work is notable for its stylistic variety, wit and humor, struggle for social justice, and philosophical depth.
Publisher: Bloomsbury Publishing USA
ISBN: 1501342924
Category : Literary Criticism
Languages : en
Pages : 346
Book Description
Diane di Prima: Visionary Poetics and the Hidden Religions reveals how central di Prima was in the discovery, articulation and dissemination of the major themes of the Beat and hippie countercultures from the fifties to the present. Di Prima (1934--) was at the center of literary, artistic, and musical culture in New York City. She also was at the energetic fulcrum of the Beat movement and, with Leroi Jones (Amiri Baraka), edited The Floating Bear (1961-69), a central publication of the period to which William S. Burroughs, Jack Kerouac, Allen Ginsberg, Charles Olson, and Frank O'Hara contributed. Di Prima was also a pioneer in her challenges to conventional assumptions regarding love, sexuality, marriage, and the role of women. David Stephen Calonne charts the life work of di Prima through close readings of her poetry, prose, and autobiographical writings, exploring her thorough immersion in world spiritual traditions and how these studies informed both the form and content of her oeuvre. Di Prima's engagement in what she would call “the hidden religions” can be divided into several phases: her years at Swarthmore College and in New York; her move to San Francisco and immersion in Zen; her researches into the I Ching, Paracelsus, John Dee, Heinrich Cornelius Agrippa, alchemy, Tarot, and Kabbalah of the mid-sixties; and her later interest in Tibetan Buddhism. Diane di Prima: Visionary Poetics and the Hidden Religions is the first monograph devoted to a writer of genius whose prolific work is notable for its stylistic variety, wit and humor, struggle for social justice, and philosophical depth.
Pigs Might Fly
Author: Mark Blake
Publisher: Aurum
ISBN: 1845137485
Category : Music
Languages : en
Pages : 478
Book Description
Interest in Pink Floyd remains as intense as ever even 40 years after the release of Dark Side of the Moon, with lavish box-sets collecting demos and out-takes, and Roger Waters’ world tours of The Wall playing to packed stadiums. Now, Mark Blake’s superbly comprehensive and engrossing history of the group, rightly acclaimed as the definitive book on the band, has been fully revised and extended with new interviews to bring the story up to date with the recent appearances of David Gilmour and Nick Mason with Roger Waters at a London date on his The Wall tour.
Publisher: Aurum
ISBN: 1845137485
Category : Music
Languages : en
Pages : 478
Book Description
Interest in Pink Floyd remains as intense as ever even 40 years after the release of Dark Side of the Moon, with lavish box-sets collecting demos and out-takes, and Roger Waters’ world tours of The Wall playing to packed stadiums. Now, Mark Blake’s superbly comprehensive and engrossing history of the group, rightly acclaimed as the definitive book on the band, has been fully revised and extended with new interviews to bring the story up to date with the recent appearances of David Gilmour and Nick Mason with Roger Waters at a London date on his The Wall tour.
Power to the People
Author: Geoff Kaplan
Publisher: University of Chicago Press
ISBN: 0226424375
Category : Art
Languages : en
Pages : 265
Book Description
Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.
Publisher: University of Chicago Press
ISBN: 0226424375
Category : Art
Languages : en
Pages : 265
Book Description
Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago. From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation. No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.
Abstraction in Post-War British Literature 1945-1980
Author: Natalie Ferris
Publisher: Oxford University Press
ISBN: 019885269X
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature.
Publisher: Oxford University Press
ISBN: 019885269X
Category : Literary Criticism
Languages : en
Pages : 239
Book Description
Abstraction in Post-War British Literature explores the ways in which writers and thinkers responded to non-representational art in the decades following the Second World War. By offering a chronological overview of the period in Britain, it questions how abstraction came to be discovered, absorbed and reimagined in literature.
Comfortably Numb
Author: Mark Blake
Publisher: Da Capo Press
ISBN: 078672708X
Category : Music
Languages : en
Pages : 426
Book Description
The acclaimed, definitive biography of Pink Floyd, from their iconic beginnings in psychedelic, Swinging London to their historic reunion at the Live8 concert ("The most complete, insightful, and current account of Pink Floyd...nearly as essential as the music itself."--Austin Chronicle) Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of Piper at the Gates of Dawn, the band's painstaking and Byzantine recording sessions at Abbey Road, and the fractious negotiations to bring about their fragile, tantalizing reunion in Hyde Park. Meticulous, exacting, and ambitious as any Pink Floyd album, Comfortably Numb is the definitive account of this most adventurous--and most English--rock band.
Publisher: Da Capo Press
ISBN: 078672708X
Category : Music
Languages : en
Pages : 426
Book Description
The acclaimed, definitive biography of Pink Floyd, from their iconic beginnings in psychedelic, Swinging London to their historic reunion at the Live8 concert ("The most complete, insightful, and current account of Pink Floyd...nearly as essential as the music itself."--Austin Chronicle) Mark Blake draws on his own interviews with band members as well as the group's friends, road crew, musical contemporaries, former housemates, and university colleagues to produce a riveting history of one of the biggest rock bands of all time. We follow Pink Floyd from the early psychedelic nights at UFO, to the stadium-rock and concept-album zenith of the seventies, to the acrimonious schisms of the late '80s and '90s. Along the way there are fascinating new revelations about Syd Barrett's chaotic life at the time of Piper at the Gates of Dawn, the band's painstaking and Byzantine recording sessions at Abbey Road, and the fractious negotiations to bring about their fragile, tantalizing reunion in Hyde Park. Meticulous, exacting, and ambitious as any Pink Floyd album, Comfortably Numb is the definitive account of this most adventurous--and most English--rock band.