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Author: Carlos Augusto Dauzacker Brandão
Publisher: Autografia
ISBN: 6559434060
Category : Photography
Languages : en
Pages : 457
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Book Description
Every January, from 1996 to 2016, while I was suffering with summer in Rio I received snowy news from the Sundance Festival through Carlos Brandão and his partner Myrna. In those 20 years, Carlos and Myrna were my main source of information about independent world cinema. It is a great joy to see all this material gathered in a book. Carlos was a passionate researcher and, along with Myrna, an experienced reporter. Their interviews and reports on films and directors that have passed through Sundance have the mark of someone who saw everything up close. And knew how to tell it. Carlos Alberto Mattos – Film Critic When Robert Redford founded the nonprofit Sundance Institute in 1981, the intense creativity of American independent cinema in the 70’s was too distant. The Festival came to redefine the characteristics of a cinema that was becoming more conservative and less daring, as a reflection of the Reagan years. Betting on risk and dissonant and plural voices, Sundance knew how to reveal innovative directors and organize “Script Development Programs” in different parts of the world, starting with Brazil. The geopolitics of independent cinema would never be the same. Sundance marked the resumption of Brazilian Cinema after the disastrous government of President Collor. It was one of the first international festival to embrace our cinematography at that time and few critics and journalists followed this movement as closely as Carlos Augusto Brandão. With his inseparable Myrna, Carlos foresaw what was still under construction. He covered the Festival from the start, collecting precious interviews from young new-comers. I cannot remember Sundance without thinking about Carlos, his remarks and always relevant and sensitive questions, publishing stories that dimensioned the revival of Brazilian Cinema. These testimonies comprise this precious "20 Years of Independent Cinema". The interviews gathered here tell not only the story of the renaissance of independent cinema in different latitudes, but also speak of the intense passion that Carlos had for cinema. His texts make him both a witness and co-author of a cinema in transformation. Walter Salles – Film-Maker
Author: Carlos Augusto Dauzacker Brandão
Publisher: Autografia
ISBN: 6559434060
Category : Photography
Languages : en
Pages : 457
Get Book Here
Book Description
Every January, from 1996 to 2016, while I was suffering with summer in Rio I received snowy news from the Sundance Festival through Carlos Brandão and his partner Myrna. In those 20 years, Carlos and Myrna were my main source of information about independent world cinema. It is a great joy to see all this material gathered in a book. Carlos was a passionate researcher and, along with Myrna, an experienced reporter. Their interviews and reports on films and directors that have passed through Sundance have the mark of someone who saw everything up close. And knew how to tell it. Carlos Alberto Mattos – Film Critic When Robert Redford founded the nonprofit Sundance Institute in 1981, the intense creativity of American independent cinema in the 70’s was too distant. The Festival came to redefine the characteristics of a cinema that was becoming more conservative and less daring, as a reflection of the Reagan years. Betting on risk and dissonant and plural voices, Sundance knew how to reveal innovative directors and organize “Script Development Programs” in different parts of the world, starting with Brazil. The geopolitics of independent cinema would never be the same. Sundance marked the resumption of Brazilian Cinema after the disastrous government of President Collor. It was one of the first international festival to embrace our cinematography at that time and few critics and journalists followed this movement as closely as Carlos Augusto Brandão. With his inseparable Myrna, Carlos foresaw what was still under construction. He covered the Festival from the start, collecting precious interviews from young new-comers. I cannot remember Sundance without thinking about Carlos, his remarks and always relevant and sensitive questions, publishing stories that dimensioned the revival of Brazilian Cinema. These testimonies comprise this precious "20 Years of Independent Cinema". The interviews gathered here tell not only the story of the renaissance of independent cinema in different latitudes, but also speak of the intense passion that Carlos had for cinema. His texts make him both a witness and co-author of a cinema in transformation. Walter Salles – Film-Maker
Author: Phil Hall
Publisher: Bearmanor Media
ISBN: 9781593933357
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
From the flickering silent images of the nickelodeon to the roaring vibrancy of today's digital video productions, independent cinema has always challenged the way films are created, released and viewed. The History of Independent Cinema presents an extraordinary journey that revisits the innovative men and women who stood up to the status quo and brought revolutionary new ideas and technologies to the motion picture world. The History of Independent Cinema celebrates the pioneers who introduced color, sound, widescreen projection and videography to the filmmaking process. You will meet the brave individuals who tore down racial and gender barriers behind the camera, challenged censorship taboos imposed on film production, formulated new strategies for film distribution, and created many of the greatest movies ever made. Spanning the full spectrum of the U.S. film experience, The History of Independent Cinema is a tribute to the legendary filmmakers and landmark films that reshaped - and continue to reshape - American popular culture.
Author: Suzanne Lyons
Publisher: Taylor & Francis
ISBN: 024081763X
Category : Performing Arts
Languages : en
Pages : 261
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Book Description
First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Geoff King
Publisher: Bloomsbury Publishing
ISBN: 0857737333
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Author: Chris Holmlund
Publisher: Psychology Press
ISBN: 0415254868
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades.
Author: Shane Stanley
Publisher:
ISBN: 9781976986468
Category :
Languages : en
Pages : 199
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Book Description
Your Complete Guide To (Independent) Filmmaking. An in-depth, no holds barred look at making movies from 'concept to delivery' in today's ever-evolving climate while breaking down the dos and don'ts of (independent) filmmaking. Learn invaluable industry secrets from top to bottom and discover the truth about independent film distribution as the lid is torn off the many myths surrounding sales agents and today's release platforms that are certain to open reader's eyes - and ruffle a few feathers!
Author: Michael Winterbottom
Publisher: Bloomsbury Publishing
ISBN: 1839023406
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
A Sight & Sound Book of the Year "Eye-opening and addictively readable." Total Film Who and what decides if a film gets funded? How do those who control the purse strings also determine a film's content and even its message? Writing as the director of award-winning feature films including Welcome to Sarajevo, 24 Hour Party People and The Road to Guantanamo as well as the hugely popular The Trip series, Michael Winterbottom provides an insider's view of the workings of international film funding and distribution, revealing how the studios that fund film production and control distribution networks also work against a sustainable independent film culture and limit innovation in filmmaking style and content. In addition to reflecting upon his own filmmaking career, featuring critical and commercial successes alongside a 'very long list' of films that didn't get made, Winterbottom also interviews leading contemporary filmmakers including Lynne Ramsay, Mike Leigh, Ken Loach, Asif Kapadia and Joanna Hogg about their filmmaking practice. The book closes with a vision of how the contemporary filmmaking landscape could be reformed for the better with fairer funding and payment practices allowing for a more innovative and sustainable 21st century industry.
Author: Emanuel Levy
Publisher: NYU Press
ISBN: 0814751237
Category : Business & Economics
Languages : en
Pages : 648
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Book Description
The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood's safe and innocuous entertainment. Indeed, while Hollywood studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.
Author: John Pierson
Publisher: University of Texas Press
ISBN: 0292757689
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution.
Author: Annette Kuhn
Publisher: OUP Oxford
ISBN: 0191034657
Category : Performing Arts
Languages : en
Pages : 530
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Book Description
Written by experts in the field, this dictionary covers all aspects of film studies, including terms, concepts, debates, and movements in film theory and criticism, national, international and transnational cinemas, film history, film movements and genres, film industry organizations and practices, and key technical terms and concepts in 500 detailed entries. Most entries also feature recommendations for further reading and a large number also have web links. The web links are listed and regularly updated on a companion website that complements the printed book. The dictionary is international in its approach, covering national cinemas, genres, and film movements from around the world such as the Nouvelle Vague, Latin American cinema, the Latsploitation film, Bollywood, Yiddish cinema, the spaghetti western, and World cinema. The most up-to-date dictionary of its kind available, this is a must-have for all students of film studies and ancillary subjects, as well as an informative read for cinephiles and for anyone with an interest in films and film criticism.
