20 Exciting Plays for Medieval History Classes PDF Download
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Author: Dean R. Bowman
Publisher: Walch Publishing
ISBN: 9780825121647
Category : History
Languages : en
Pages : 182
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Book Description
"Plays designed to involve as many student readers as possible. Over half the plays have a Greek-style chorus ... designed to fill in historical details" --p.v.
Author: Dean R. Bowman
Publisher: Walch Publishing
ISBN: 9780825121647
Category : History
Languages : en
Pages : 182
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Book Description
"Plays designed to involve as many student readers as possible. Over half the plays have a Greek-style chorus ... designed to fill in historical details" --p.v.
Author: Gary Lare
Publisher: Scarecrow Press
ISBN: 9780810853713
Category : Education
Languages : en
Pages : 212
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Book Description
An annotated listing of activities books for use with social studies curriculums, focusing on elementary and middle school grades, arranged by curriculum area, topic, and grade level. Includes contact information for publishers and distributors of appropriate books, and an index.
Author:
Publisher:
ISBN: 9780835242721
Category : Education
Languages : en
Pages : 1528
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Book Description
Author:
Publisher:
ISBN: 9780835246804
Category : Education
Languages : en
Pages :
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Book Description
Author: Mimi Pockross
Publisher: Rowman & Littlefield
ISBN: 1538131692
Category : Performing Arts
Languages : en
Pages : 195
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Book Description
Talk about working from home. . . . Pulling Harvey Out of Her Hat chronicles the story of how Mary Chase—a housewife with three children from a working-class Irish community in Denver, Colorado—became a Pulitzer Prize–winning playwright for Harvey, a Broadway comedy about a gentle soul and his invisible six-foot-and-one-half-inch-tall rabbit friend. This entertaining and inspiring account traces how Chase achieved her dream of becoming a famous playwright while remaining in Denver—where she worked for the Rocky Mountain News, married an editor, and raised a family. Pulling Harvey Out of Her Hat includes many vignettes and unforgettable stories about the theater industry. It brings to life the history of Franklin Roosevelt’s Federal Theatre Project; provides readers with an insider’s view of the Broadway scene in the 1940s; and highlights the importance of theater personalities, including Brock Pemberton (Harvey’s producer), Antoinette Perry (Harvey’s director and namesake for the Tony Awards), and Frank Fay and Jimmy Stewart (actors who played Elwood Dowd, the amiable, slightly tipsy gentleman lead character). The author of fourteen plays, three screenplays, and two award-winning children’s books, Mary Chase created Harvey to counter sadness during the height of World War II. It would win the 1945 Pulitzer Prize (beating out Tennessee Williams’s The Glass Menagerie) and remain to this day one of the most beloved and underappreciated works of the twentieth century.
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Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 528
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Book Description
Author: Charles Hubbard Sergei
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 280
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Book Description
Author:
Publisher: princeton alumni weekly
ISBN:
Category :
Languages : en
Pages : 1238
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 554
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Book Description
Author: Fiona Macintosh
Publisher: Oxford University Press
ISBN: 0192526251
Category : Literary Criticism
Languages : en
Pages : 600
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Book Description
Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' Tales from Ovid for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and opera from Europe to Asia and the Americas. What emerges most clearly is how anxieties about the ability to write epic in the early modern world, together with the ancient precedent of Greek tragedy's reworking of epic material, explain its migration to the theatre. This move, though, was not without problems, as epic encountered the barriers imposed by neo-classicists, who sought to restrict serious theatre to a narrowly defined reality that precluded its broad sweeps across time and place. In many instances in recent years, the fact that the Homeric epics were composed orally has rendered reinvention not only legitimate, but also deeply appropriate, opening up a range of forms and traditions within which epic themes and structures may be explored. Drawing on the expertise of specialists from the fields of classical studies, English and comparative literature, modern languages, music, dance, and theatre and performance studies, as well as from practitioners within the creative industries, the volume is able to offer an unprecedented modern and dynamic study of 'epic' content and form across myriad diverse performance arenas.
