Author: National Gallery of Canada
Publisher: National Gallery of Canada/Musee Des Beaux-Arts Du Canada
ISBN:
Category : Art
Languages : en
Pages : 190
Book Description
19th-century British Photographs is gloriously illustrated olume that showcases the depth and variety of photographs from the National Gallery of Canada's permanent collection, and places them in their social and historical context. Featuring a number of iconic works from some of the medium's earliest practitioners - inc. Julia Margaret Cameron, William Henry Fox Talbot, Frederick H. Evans, Roger Fenton and Henry Peach Robinson - and an insightful analysis of the various photographic processes in use at the time, such as salted paper prints, daguerreotypes, albumen silver prints, collotypes and carbon prints, 19th-Century British hotographs provides readers with a complete overview of the crucial period in the development of photography.
19th-century British Photographs from the National Gallery of Canada
Author: National Gallery of Canada
Publisher: National Gallery of Canada/Musee Des Beaux-Arts Du Canada
ISBN:
Category : Art
Languages : en
Pages : 190
Book Description
19th-century British Photographs is gloriously illustrated olume that showcases the depth and variety of photographs from the National Gallery of Canada's permanent collection, and places them in their social and historical context. Featuring a number of iconic works from some of the medium's earliest practitioners - inc. Julia Margaret Cameron, William Henry Fox Talbot, Frederick H. Evans, Roger Fenton and Henry Peach Robinson - and an insightful analysis of the various photographic processes in use at the time, such as salted paper prints, daguerreotypes, albumen silver prints, collotypes and carbon prints, 19th-Century British hotographs provides readers with a complete overview of the crucial period in the development of photography.
Publisher: National Gallery of Canada/Musee Des Beaux-Arts Du Canada
ISBN:
Category : Art
Languages : en
Pages : 190
Book Description
19th-century British Photographs is gloriously illustrated olume that showcases the depth and variety of photographs from the National Gallery of Canada's permanent collection, and places them in their social and historical context. Featuring a number of iconic works from some of the medium's earliest practitioners - inc. Julia Margaret Cameron, William Henry Fox Talbot, Frederick H. Evans, Roger Fenton and Henry Peach Robinson - and an insightful analysis of the various photographic processes in use at the time, such as salted paper prints, daguerreotypes, albumen silver prints, collotypes and carbon prints, 19th-Century British hotographs provides readers with a complete overview of the crucial period in the development of photography.
Encyclopedia of Nineteenth-Century Photography
Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630
Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Nineteenth-Century Photographs and Architecture
Author: Micheline Nilsen
Publisher: Routledge
ISBN: 1351556274
Category : Art
Languages : en
Pages : 293
Book Description
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism. Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early processes. During its formative decades photography responded to evolutionary cultural forces of market and artistic production. Photographs of architecture reflected a specific political or social context modulated through individual points of view. For this reason, the examination of each photographic image as a primary visual document and an aesthetic object rather than a technical milestone on a chronological trajectory affords a richer multi-faceted approach to the extensive and complex corpus of photographs taken by photographers all over the world. This project acknowledges the importance of technique in the early decades of photography but focuses on the thematic content of the material. It places the photography of architecture in an international context under the contemporary critical lens sharpened by theoretical and cultural examinations of the topic.
Publisher: Routledge
ISBN: 1351556274
Category : Art
Languages : en
Pages : 293
Book Description
Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism. Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early processes. During its formative decades photography responded to evolutionary cultural forces of market and artistic production. Photographs of architecture reflected a specific political or social context modulated through individual points of view. For this reason, the examination of each photographic image as a primary visual document and an aesthetic object rather than a technical milestone on a chronological trajectory affords a richer multi-faceted approach to the extensive and complex corpus of photographs taken by photographers all over the world. This project acknowledges the importance of technique in the early decades of photography but focuses on the thematic content of the material. It places the photography of architecture in an international context under the contemporary critical lens sharpened by theoretical and cultural examinations of the topic.
Beauty's Awakening
Author: National Gallery of Canada
Publisher:
ISBN: 9780888849328
Category : Dessin
Languages : en
Pages : 0
Book Description
Encompassing the entire Victorian era, this exhibition charts the broad evolution of British draftsmanship and illustrates the new appreciation developed for the art of drawing during the reign of Queen Victoria, from 1837 to 1901. While inviting contemplation of artists operating within the Aesthetic Movement and the Arts and Crafts Movement, the exhibition highlights the work of Pre-Raphaelite geniuses, Edward Burne-Jones, John Everett Millais, William Holman Hunt and Dante Gabriel Rossetti, as well as that of Academic champions Edward Poynter and Frederic Leighton. Through its range of subject matter, techniques and functions - from preparatory sketches to highly finished drawings intended as works of art in and of themselves - Beauty's Awakening expresses the richness, diversity and flair of Victorian draftsmanship as seen through the eyes of a discerning collector. --http://www.gallery.ca.
Publisher:
ISBN: 9780888849328
Category : Dessin
Languages : en
Pages : 0
Book Description
Encompassing the entire Victorian era, this exhibition charts the broad evolution of British draftsmanship and illustrates the new appreciation developed for the art of drawing during the reign of Queen Victoria, from 1837 to 1901. While inviting contemplation of artists operating within the Aesthetic Movement and the Arts and Crafts Movement, the exhibition highlights the work of Pre-Raphaelite geniuses, Edward Burne-Jones, John Everett Millais, William Holman Hunt and Dante Gabriel Rossetti, as well as that of Academic champions Edward Poynter and Frederic Leighton. Through its range of subject matter, techniques and functions - from preparatory sketches to highly finished drawings intended as works of art in and of themselves - Beauty's Awakening expresses the richness, diversity and flair of Victorian draftsmanship as seen through the eyes of a discerning collector. --http://www.gallery.ca.
Panoramas and Compilations in Nineteenth-Century Britain
Author: Helen Kingstone
Publisher: Springer Nature
ISBN: 3031156846
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making them crucial lenses through which to view a broad range of genre and forms. It brings together interdisciplinary research materials belonging to different period silos to create new understandings of how nineteenth-century audiences dealt with information overload. It argues for a new politics of distance: one that recognizes the value of immersing oneself in a situation, event or phenomenon, but which also does not chastise us for trying to see the big picture. This book is essential reading for students and scholars of nineteenth-century literature, history, visual culture and information studies.
Publisher: Springer Nature
ISBN: 3031156846
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
This book shows how in nineteenth-century Britain, confronted with the newly industrialized and urbanized modern world, writers, artists, journalists and impresarios tried to gain an overview of contemporary history. They drew on two successive but competing conceptual models of overview: the panorama and the compilation. Both models claimed to offer a holistic picture of the present moment, but took very different approaches. This book shows that panoramas (360° views previously associated with the Romantic period) and compilations (big data projects previously associated with the Victorian fin de siècle) are intertwined, relevant across the entire century, and often remediated, making them crucial lenses through which to view a broad range of genre and forms. It brings together interdisciplinary research materials belonging to different period silos to create new understandings of how nineteenth-century audiences dealt with information overload. It argues for a new politics of distance: one that recognizes the value of immersing oneself in a situation, event or phenomenon, but which also does not chastise us for trying to see the big picture. This book is essential reading for students and scholars of nineteenth-century literature, history, visual culture and information studies.
Real / Ideal
Author: Karen Hellman
Publisher: Getty Publications
ISBN: 1606065106
Category : Photography
Languages : en
Pages : 244
Book Description
In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography’s status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.
Publisher: Getty Publications
ISBN: 1606065106
Category : Photography
Languages : en
Pages : 244
Book Description
In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography’s status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.
Coal Cultures
Author: Derrick Price
Publisher: Routledge
ISBN: 1000211630
Category : Photography
Languages : en
Pages : 211
Book Description
Coal is the commodity that powered the technologies that made the modern world. It also brought about unique communities marked by a high degree of social solidarity and self-help. Mining was central to working class life, drawing rural populations into industrial labour, but it often took place in picturesque landscapes, so that its black spoil heaps became a central symbol of the degradation of pastoral life by the demands of an extractive industry. Throughout Europe and the USA photographers have pictured the characteristic landscapes of the industry, and continue to do so as strip mining devastates huge areas of land. Not only landscape photography but also documentary, portraiture, photojournalism and art photography have been used in order to portray mines and miners. This book presents three interlinked strands of investigation. The first is the way in which the production of coal created paradigmatic communities grounded in particular landscapes. The second concerns the role of photography in exploring, delineating and critiquing mining communities. This in turn involves an examination of the aesthetic and social characteristics of a number of genres of photography. Lastly, it considers the growth and decline of these sites, the geographic shift of the industry to other places, and the re-presentation of traditional localities through the lens of the heritage industry and industrial tourism.
Publisher: Routledge
ISBN: 1000211630
Category : Photography
Languages : en
Pages : 211
Book Description
Coal is the commodity that powered the technologies that made the modern world. It also brought about unique communities marked by a high degree of social solidarity and self-help. Mining was central to working class life, drawing rural populations into industrial labour, but it often took place in picturesque landscapes, so that its black spoil heaps became a central symbol of the degradation of pastoral life by the demands of an extractive industry. Throughout Europe and the USA photographers have pictured the characteristic landscapes of the industry, and continue to do so as strip mining devastates huge areas of land. Not only landscape photography but also documentary, portraiture, photojournalism and art photography have been used in order to portray mines and miners. This book presents three interlinked strands of investigation. The first is the way in which the production of coal created paradigmatic communities grounded in particular landscapes. The second concerns the role of photography in exploring, delineating and critiquing mining communities. This in turn involves an examination of the aesthetic and social characteristics of a number of genres of photography. Lastly, it considers the growth and decline of these sites, the geographic shift of the industry to other places, and the re-presentation of traditional localities through the lens of the heritage industry and industrial tourism.
Impressed by Light
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
DK Europe
Author: DK Travel
Publisher: Penguin
ISBN: 0744085578
Category : Travel
Languages : en
Pages : 1249
Book Description
Discover Europe's diverse culture and beautiful landscapes. Whether you want to spend culture-filled days in world-class museums, enjoy lively nights in buzzing bars, take a lazy seaside break or embark on an epic rural adventure, your DK Eyewitness travel guide makes sure you experience all that Europe has to offer. From the modern galleries of Berlin to the ancient ruins of Rome, Europe's capitals host a seemingly endless array of attractions. Venture outside the cities and you'll discover a diverse landscape ranging from snow-capped mountains to balmy beaches. And all across the continent, a plethora of tantalizing cuisine tempts the taste buds. Our updated guide brings Europe to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the continent's iconic buildings and neighbourhoods. Our updated 2023 travel guide brings Europe to life. DK Eyewitness Europe is your ticket to the trip of a lifetime. Inside DK Eyewitness Europe you will find: - A fully-illustrated top experiences guide: our expert pick of Europe's must-sees and hidden gems. - Accessible itineraries to make the most out of each and every day. - Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money. - Color-coded chapters to every part of Europe, from France to Italy, Sweden to Poland. - Practical tips: the best places to eat, drink, shop and stay. - Detailed maps and walks to help you navigate the region country easily and confidently. - Covers: Great Britain, Ireland, France, Belgium and Luxembourg, The Netherlands, Spain, Portugal, Italy, Greece, Germany, Austria, Switzerland, Sweden, Norway, Denmark, Finland, Side Trip to St Petersburg, Czech Republic, Hungary, Poland. Sticking to one country? Look out for our DK Eyewitness guides to Great Britain, France, Italy, Germany and many more. About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.
Publisher: Penguin
ISBN: 0744085578
Category : Travel
Languages : en
Pages : 1249
Book Description
Discover Europe's diverse culture and beautiful landscapes. Whether you want to spend culture-filled days in world-class museums, enjoy lively nights in buzzing bars, take a lazy seaside break or embark on an epic rural adventure, your DK Eyewitness travel guide makes sure you experience all that Europe has to offer. From the modern galleries of Berlin to the ancient ruins of Rome, Europe's capitals host a seemingly endless array of attractions. Venture outside the cities and you'll discover a diverse landscape ranging from snow-capped mountains to balmy beaches. And all across the continent, a plethora of tantalizing cuisine tempts the taste buds. Our updated guide brings Europe to life, transporting you there like no other travel guide does with expert-led insights, trusted travel advice, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations which place you inside the continent's iconic buildings and neighbourhoods. Our updated 2023 travel guide brings Europe to life. DK Eyewitness Europe is your ticket to the trip of a lifetime. Inside DK Eyewitness Europe you will find: - A fully-illustrated top experiences guide: our expert pick of Europe's must-sees and hidden gems. - Accessible itineraries to make the most out of each and every day. - Expert advice: honest recommendations for getting around safely, when to visit each sight, what to do before you visit, and how to save time and money. - Color-coded chapters to every part of Europe, from France to Italy, Sweden to Poland. - Practical tips: the best places to eat, drink, shop and stay. - Detailed maps and walks to help you navigate the region country easily and confidently. - Covers: Great Britain, Ireland, France, Belgium and Luxembourg, The Netherlands, Spain, Portugal, Italy, Greece, Germany, Austria, Switzerland, Sweden, Norway, Denmark, Finland, Side Trip to St Petersburg, Czech Republic, Hungary, Poland. Sticking to one country? Look out for our DK Eyewitness guides to Great Britain, France, Italy, Germany and many more. About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.
Art Et Architecture Au Canada
Author: Loren Ruth Lerner
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Publisher: University of Toronto Press
ISBN: 9780802058560
Category : Architecture
Languages : en
Pages : 1646
Book Description
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.