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Author: Lynne Conner
Publisher: University of Pittsburgh Pre
ISBN: 9780822943303
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
The first comprehensive history of theater in Pittsburgh is offered in this volume that relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change.
Author: Lynne Conner
Publisher: University of Pittsburgh Pre
ISBN: 9780822943303
Category : Performing Arts
Languages : en
Pages : 312
Get Book Here
Book Description
The first comprehensive history of theater in Pittsburgh is offered in this volume that relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change.
Author: United States. Coast Guard
Publisher:
ISBN:
Category :
Languages : en
Pages : 1436
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Book Description
Author:
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Category : Mines and mineral resources
Languages : en
Pages : 832
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Book Description
Author: United States. Bureau of Labor Statistics
Publisher:
ISBN:
Category :
Languages : en
Pages : 478
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Book Description
Author:
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Category : Merchant marine
Languages : en
Pages : 2152
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Book Description
Author: National Library of Medicine (U.S.)
Publisher:
ISBN:
Category : Medicine
Languages : en
Pages : 508
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Book Description
Author: United States. Patent Office
Publisher:
ISBN:
Category : Trademarks
Languages : en
Pages : 292
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Book Description
Author:
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Category : Nuclear energy
Languages : en
Pages : 596
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Book Description
Author:
Publisher:
ISBN:
Category : Labor
Languages : en
Pages : 460
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Book Description
Author: Delia Solomons
Publisher: Penn State Press
ISBN: 0271094087
Category : Art
Languages : en
Pages : 245
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Book Description
In 1959, the very year the Cuban Revolution amplified Cold War tensions in the Americas, museumgoers in the United States witnessed a sudden surge in major exhibitions of Latin American art. Surveying the 1960s boom of such exhibits, this book documents how art produced in regions considered susceptible to communist influence was staged on U.S. soil for U.S. audiences. Held in high-profile venues such as the Guggenheim Museum, the Walker Art Center, MoMA, and the Art Institute of Chicago, the exhibitions of the 1960s Latin American art boom did not define a single stylistic trend or the art of a single nation but rather attempted to frame Latin America as a unified whole for U.S. audiences. Delia Solomons calls attention to disruptive artworks that rebelled against the curatorial frames purporting to hold them and reveals these exhibitions to be complex contact zones in which competing voices collided. Ultimately, through multiple means—including choosing to exclude artworks with readily decipherable political messages and evading references to contemporary inter-American frictions—the U.S. curators who organized these shows crafted projections of Pan-American partnership and harmony, with the United States as leader, interpreter, and good neighbor, during an era of brutal U.S. interference across the Americas. Theoretically sophisticated and highly original, this survey of Cold War–era Latin American art exhibits sheds light on the midcentury history of major U.S. art museums and makes an important contribution to the fields of museum studies, art history, and Latin American modernist art.
