Author: Martin Bookspan
Publisher: Main Street Books
ISBN:
Category : Music
Languages : en
Pages : 490
Book Description
101 Masterpieces of Music and Their Composers
Author: Martin Bookspan
Publisher: Main Street Books
ISBN:
Category : Music
Languages : en
Pages : 490
Book Description
Publisher: Main Street Books
ISBN:
Category : Music
Languages : en
Pages : 490
Book Description
Lives of the Musicians
Author: Kathleen Krull
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152480103
Category : Biography & Autobiography
Languages : en
Pages : 108
Book Description
What are musicians really like?
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152480103
Category : Biography & Autobiography
Languages : en
Pages : 108
Book Description
What are musicians really like?
Opera 101
Author: Fred Plotkin
Publisher: Hachette UK
ISBN: 1401306004
Category : Music
Languages : en
Pages : 512
Book Description
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
Publisher: Hachette UK
ISBN: 1401306004
Category : Music
Languages : en
Pages : 512
Book Description
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
Performing Arts Books, 1876-1981
Author:
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728
Book Description
Publisher: New York : R.R. Bowker Company
ISBN:
Category : Performing Arts
Languages : en
Pages : 1728
Book Description
Catalog of Copyright Entries
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 902
Book Description
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 902
Book Description
The Lives of the Great Composers
Author: Harold C. Schonberg
Publisher: W. W. Norton
ISBN: 9780393013023
Category : Composers
Languages : en
Pages : 653
Book Description
Biographies of the important composers from Monteverdi and Bach to Bartok and Webern are designed to show the history of music.
Publisher: W. W. Norton
ISBN: 9780393013023
Category : Composers
Languages : en
Pages : 653
Book Description
Biographies of the important composers from Monteverdi and Bach to Bartok and Webern are designed to show the history of music.
The Indispensable Composers
Author: Anthony Tommasini
Publisher:
ISBN: 1594205930
Category : Biography & Autobiography
Languages : en
Pages : 498
Book Description
The chief classical music critic of "The New York Times" explores the concept of greatness in relation to composers, considering elements of biography, influence, and shifting attitudes toward a composer's work over time.
Publisher:
ISBN: 1594205930
Category : Biography & Autobiography
Languages : en
Pages : 498
Book Description
The chief classical music critic of "The New York Times" explores the concept of greatness in relation to composers, considering elements of biography, influence, and shifting attitudes toward a composer's work over time.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1862
Book Description
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1862
Book Description
American Book Publishing Record
Author:
Publisher: R. R. Bowker
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1448
Book Description
Here's quick access to more than 490,000 titles published from 1970 to 1984 arranged in Dewey sequence with sections for Adult and Juvenile Fiction. Author and Title indexes are included, and a Subject Guide correlates primary subjects with Dewey and LC classification numbers. These cumulative records are available in three separate sets.
Publisher: R. R. Bowker
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 1448
Book Description
Here's quick access to more than 490,000 titles published from 1970 to 1984 arranged in Dewey sequence with sections for Adult and Juvenile Fiction. Author and Title indexes are included, and a Subject Guide correlates primary subjects with Dewey and LC classification numbers. These cumulative records are available in three separate sets.
Ten Masterpieces of Music
Author: Harvey Sachs
Publisher: National Geographic Books
ISBN: 1631495186
Category : Music
Languages : en
Pages : 0
Book Description
Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.
Publisher: National Geographic Books
ISBN: 1631495186
Category : Music
Languages : en
Pages : 0
Book Description
Some pieces of music survive. Most fall into oblivion. What gives the ten masterpieces selected for this book their exceptional vitality? In this penetrating volume, Harvey Sachs, acclaimed biographer and historian of classical music, takes readers into the hearts of ten extraordinary works of classical music in ten different genres, showing both the curious novice and the seasoned listener how to recognize, appreciate, and engage with these masterpieces on a historical and compositional level. Far from what is often thought, classical music is neither dead nor dying. As a genre, it is constantly evolving, its pieces passing through countless permutations and combinations yet always retaining that essential élan vital, or life force. The works collected here, composed in the years between 1784 and 1966, are a testament to this fact. As Sachs skillfully demonstrates, they have endured not because they were exceptionally well-made or interesting but because they were created by composers—Mozart and Beethoven; Schubert, Schumann, Berlioz, Verdi, and Brahms; Sibelius, Prokofiev, and Stravinsky—who had a particular genius for drawing music out of their deepest wellsprings. “Through music,” Sachs writes, “they universalized the intimate.” In describing how music actually sounds, Ten Masterpieces of Music seems to do the impossible, animating the process of composing as well as the coming together of disparate scales and melodies, trills and harmonies. It tells us, too, how particular compositions came to be, often revealing that the pieces we now consider “classic” were never intended to be so. In poignant, exquisite prose, Sachs shows how Mozart, a former child prodigy under constant pressure to produce new music, hastily penned Piano Concerto No. 17 in G major, one of his finest piano concertos, for a teenage student, and likewise demonstrates how Goethe’s Faust, Part One, became a springboard for the musical imagination of the French composer Berlioz. As Sachs explains, these pieces are not presented as candidates for a new “Top Ten.” They represent neither the most well-known nor the most often-performed works of each composer. Instead, they were chosen precisely because he had something profound to say about them, about their composers, about how each piece fits into its composer’s life, and about how each of these lives can be contextualized by time and place. In fact, Sachs encourages readers to form their own favorites, and teaches them how to discern special characteristics that will enhance their own listening experiences. With Ten Masterpieces of Music, it becomes evident that Sachs has lived with these pieces for a veritable lifetime. His often-soaring descriptions of the works and the dramatic lives of the men who composed them bring a heightened dimension to the musical perceptions of all listeners, communicating both the sheer improbability of a work becoming a classic and why certain pieces—these ten among them—survive the perilous test of time.