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Author: NA NA
Publisher: Springer
ISBN: 1349036501
Category : Literary Criticism
Languages : en
Pages : 1555
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Book Description
Author: NA NA
Publisher: Springer
ISBN: 1349036501
Category : Literary Criticism
Languages : en
Pages : 1555
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Book Description
Author: William Heyen
Publisher: Indianapolis : Bobbs-Merrill
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 528
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Book Description
Author: Miranda H. Ferrara
Publisher: Saint James Press
ISBN: 9781558623286
Category : Language Arts & Disciplines
Languages : en
Pages : 1856
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Book Description
Information on more than 17,500 living authors from English speaking countries.
Author: Harriet Monroe
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 84
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Book Description
Author: Natalie Ferris
Publisher: Oxford University Press
ISBN: 0192594125
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
In a catalogue note for the 1965 exhibition 'Between Poetry and Painting' at the Institute of Contemporary Arts, the poet Edwin Morgan probed the relationship between abstraction and literature: 'Abstract painting can often satisfy, but "abstract poetry" can only exist in inverted commas'. Language may be fragmented, rearranged, or distorted, abstract in so far as it is withdrawn from a particular system of knowledge, but Morgan was of the mind that to be wholly 'disruptive' was to deprive a poem of its 'point' as an 'object of contemplation'. Whilst abstract art may have come to fulfil or or fortify an impression of post-war taste, abstraction in literature continued to be treated with suspicion. But how does this speak to the extent to which Britain's literary culture was responsive to progress compared to its artistic culture? Abstraction in Post-War British Literature 1945-1980 traces a line of literary experimentation in post-war British literature that was prompted by the aesthetic, philosophical and theoretical demands of abstraction. Spanning the period 1945 to 1980, it observes the ways in which certain aesthetic advancements initiated new forms of literary expression to posit a new genealogy of interdisciplinary practice in Britain. At a time in which Britain became conscious of its evolving identity within an increasingly globalised context, this study accounts for the range of Continental and Transatlantic influences in order to more accurately locate the networks at play. Exploring the contributions made by individuals, such as Herbert Read, Ian Hamilton Finlay and Christine Brooke- Rose, as well as by groups of practitioners. It brings a wide range of previously unexplored archival material into the public domain and offers a comprehensive account of the evolving status of abstraction across cultural, institutional, and literary contexts.
Author:
Publisher:
ISBN: 9780900997143
Category : Biography
Languages : en
Pages : 1610
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Book Description
Author:
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 1272
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Book Description
Author: Kirby Congdon
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Reference
Languages : en
Pages : 248
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Book Description
Author: William A. Katz
Publisher: Columbia University Press
ISBN: 9780231101042
Category : Literary Criticism
Languages : en
Pages : 488
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Book Description
Reference guide to poetry anthologies with descriptions and evaluations of each anthology.
Author: David Owen
Publisher: Cambridge Scholars Publishing
ISBN: 1527565033
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
It is a commonplace belief that history is written by the victorious. However, less recognised but equally common is the idea that the defeated also write history, even if their particular account is rather different. This collection looks at these matters from a novel and distinct perspective. It essentially presents the idea that victors often perceive themselves as defeated, by examining the ways in which the idea of defeat comes to dominate the victors’ own sense of superiority and achievement, thereby undermining the certainties that victory is conventionally thought to create. The contributions here discuss fiction (mostly UK and US) published since the First World War. Through the frameworks of experience, memory and post-memory, they examine this subliminal defeat, basically as seen in conflict itself, in the societies that it affects, and in the individual lives of those who it destroys. The result is an innovative literary account of the victorious-yet-somehow-defeated.
