1 lettre de Marie Tournal Offenbach à Charles Nuitter, 6 décembre 1887 PDF Download
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Author: Charles Nuitter
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Charles Nuitter
Publisher:
ISBN:
Category :
Languages : fr
Pages : 4
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Book Description
Author: Ian Hacking
Publisher: Cambridge University Press
ISBN: 9780521388849
Category : History
Languages : en
Pages : 282
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Book Description
This book combines detailed scientific historical research with characteristic philosophic breadth and verve.
Author: Laurence Senelick
Publisher: Cambridge University Press
ISBN: 0521871808
Category : Biography & Autobiography
Languages : en
Pages : 371
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Book Description
Provides a fresh and global perspective on the works and influence of a nineteenth-century musical and theatrical phenomenon.
Author: John Denison Champlin
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 508
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Book Description
Author: John Denison Champlin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
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Book Description
Author: Steven Huebner
Publisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552
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Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
Author:
Publisher:
ISBN:
Category : Christian saints
Languages : en
Pages : 300
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Book Description
Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297654
Category : Music
Languages : en
Pages : 444
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Book Description
With Richard Wagner, opera reached the apex of German Romanticism. Originally published in 1851, when Wagner was in political exile, Opera and Drama outlines a new, revolutionary type of musical stage work, which would finally materialize as The Ring of the Nibelung. Wagner's music drama, as he called it, aimed at a union of poetry, drama, music, and stagecraft. ø In a rare book-length study, the composer discusses the enhancement of dramas by operatic treatment and the subjects that make the best dramas. The expected Wagnerian voltage is here: in his thinking about myths such as Oedipus, his theories about operatic goals and musical possibilities, his contempt for musical politics, his exaltation of feeling and fantasy, his reflections about genius, and his recasting of Schopenhauer. ø This edition includes the full text of volume 2 of William Ashton Ellis's 1893 translation commissioned by the London Wagner Society.
Author:
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ISBN:
Category : Transportation, Automotive
Languages : en
Pages : 20
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Book Description
Author: Margaret Miner
Publisher: University of Georgia Press
ISBN: 9780820317090
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
Resonant Gaps examines the ways in which Charles Baudelaire exploited certain powers of figurative language while writing on music, particularly that of Richard Wagner. Unlike many recent music/literature studies, Margaret Miner focuses less on the possible convergences of text and music than on their productive distances and divergences. At the heart of this study is Baudelaire's 1861 essay Richard Wagner et Tannhauser à Paris, which is included in this volume in the French text of the 1861 Dentu edition. Called a "long-meditated work of circumstance" by its author, Richard Wagner is the only piece of music criticism that Baudelaire ever attempted, despite the prominence of music as a theme and a metaphor throughout his writings. In the essay, says Miner, Baudelaire strove to erase the distinction between reading about Wagner's music and listening to it. Continually sidestepping expectations and evading classification, Baudelaire makes connections among musical understanding, concrete or spatial distance, and the abstract or conceptual distance between different arts. Miner discusses such topics related to Baudelaire's project as his repertoire of textual and rhetorical maneuvers, including italicization, quotation, personification, digression, and metaphor; his assessment of the music's seductive ability to surround and suffuse the listener; and the misunderstandings about and prejudices against Wagner and his music that hampered its critical reception in France. Throughout her study, Miner also refers to similar literary undertakings by Liszt, Nietzsche, Mallarmé, and Proust, which involved the music of Wagner and Debussy. Miner argues that Baudelaire's aim in attempting to lessen or suppress various distances that he discovers between his text and the music is not to freeze movement entirely but to inscribe his writing on Wagner's music so that the two might travel together over an aesthetic landscape that shelters rather than separates them.
