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Author: Vesela Sretenovic
Publisher: Yale University Press
ISBN: 0300233906
Category : Art
Languages : en
Pages : 201
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Book Description
A beautifully produced, comprehensive look at Cuban artist Zilia Sánchez that traces her alluring and evocative paintings and sculpture from the 1950s to today Cuban artist Zilia Sánchez (b. 1926) often says, “Soy isla” (“I am an island”), expressing her desire for solitary, uncompromising practice. It also serves as a metaphor for her experience as an islander—connected to and disconnected from both the mainland and mainstream art currents, such as concretism, gestural abstraction, and minimalism. Characterized by reductive forms, clean lines, and sensuous curves suggestive of the female body, Sánchez’s work frequently references protagonists from ancient mythology and lunar motifs while embracing ambiguity. This groundbreaking volume examines her paintings, sculptures, works on paper, and graphic illustrations together with archival ephemera. It traces Sánchez’s artistic journey from her early years in Cuba through her travels in Europe and residence in New York in the 1960s to her move to Puerto Rico, where she still lives and works. With spectacular illustrations of more than 75 artworks, insightful essays situating Sánchez within the context of global modernism, and a conversation with the artist, this is the most comprehensive publication on Sánchez’s art to date.
Author: Vesela Sretenovic
Publisher: Yale University Press
ISBN: 0300233906
Category : Art
Languages : en
Pages : 201
Get Book Here
Book Description
A beautifully produced, comprehensive look at Cuban artist Zilia Sánchez that traces her alluring and evocative paintings and sculpture from the 1950s to today Cuban artist Zilia Sánchez (b. 1926) often says, “Soy isla” (“I am an island”), expressing her desire for solitary, uncompromising practice. It also serves as a metaphor for her experience as an islander—connected to and disconnected from both the mainland and mainstream art currents, such as concretism, gestural abstraction, and minimalism. Characterized by reductive forms, clean lines, and sensuous curves suggestive of the female body, Sánchez’s work frequently references protagonists from ancient mythology and lunar motifs while embracing ambiguity. This groundbreaking volume examines her paintings, sculptures, works on paper, and graphic illustrations together with archival ephemera. It traces Sánchez’s artistic journey from her early years in Cuba through her travels in Europe and residence in New York in the 1960s to her move to Puerto Rico, where she still lives and works. With spectacular illustrations of more than 75 artworks, insightful essays situating Sánchez within the context of global modernism, and a conversation with the artist, this is the most comprehensive publication on Sánchez’s art to date.
Author: Zilia Sánchez
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Rudi Bleys
Publisher: A&C Black
ISBN: 9780826447234
Category : Art
Languages : en
Pages : 280
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Book Description
"The book is a contribution to the historical study of gay and lesbian art, yet calls for altering its parameters in ways that fully recognize social and cultural difference. It provides a chronological and conceptual framework for studying the tropes of 'homotextual' expression in a Latin American context. More than one hundred illustrations, gathered from various sources across Latin America, North America and Europe, allow the reader to personally witness this fascinating and, until now, concealed story."--BOOK JACKET.
Author: Christina A. León
Publisher: NYU Press
ISBN: 1479816779
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
"Matters of Inscription: Reading Figures of Latinidad argues that Latinx inscriptions require us to read at the edge of materiality and semiosis, charting a nimble method for "reading" various forms of Latinx marks and even the word Latinx across art, performance, poetry, plays, and fiction"--
Author: Victor Deupi
Publisher: Routledge
ISBN: 0429557590
Category : Art
Languages : en
Pages : 235
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Book Description
This book focuses on the life and artistic activities of Emilio Sanchez (1921–1999) in New York, and Latin America in the 1940s and 1950s. More specifically, the book will consider Sanchez in the wider context of mid-century Cuban artists, and cross-cultural exchange between New York, Cuba, and the Caribbean. The book reflects on why Sanchez chose to be a mobile observer of the American and Caribbean vernacular at a time when such an approach seemed at odds with the mainstream avant-garde. The book includes a foreword by Dr. Ann Koll, former Executive Director/Curator of the Emilio Sanchez Foundation, and an introduction by Dr. Nathan J. Timpano, University of Miami Department of Art and Art History. This book will be of interest to scholars in modern art, Caribbean studies, architectural history, and Latin American and Hispanic studies.
Author: Cecilia Fajardo-Hill
Publisher: Prestel Publishing
ISBN: 9783791356808
Category : ART
Languages : en
Pages : 0
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Book Description
This volume examines the work of more than 100 female artists with nearly 300 works in the fields of painting, sculpture, photography, video, performance art, and other experimental media. A series of thematic essays, arranged by country, address the cultural and political contexts in which these radical artists worked, while other essays address key issues such as feminism, art history, and the political body. Published in association with the Hammer Museum. The exhibition took place from Sep 15, 2017-Dec 31, 2017, in the Hammer Museum, Los Angeles.
Author: Benigno Trigo
Publisher: State University of New York Press
ISBN: 1438461593
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Malady and Genius examines the recurring theme of self-sacrifice in Puerto Rican literature during the second half of the twentieth and the beginning of the twenty-first centuries. Interpreting these scenes through the works of Frantz Fanon, Kelly Oliver, and Julia Kristeva, Benigno Trigo focuses on the context of colonialism and explains the meaning of this recurring theme as a mode of survival under a colonial condition that has lasted more than five hundred years in the oldest colony in the world. Trigo engages a number of works in Latino and Puerto Rican studies that have of late reconsidered the value of a psychoanalytic approach to texts and cultural material, and also different methodologies including post-colonial theory, cultural studies, and queer studies.
Author: Abigail McEwen
Publisher: Yale University Press
ISBN: 0300216815
Category : Art
Languages : en
Pages : 273
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Book Description
Following the trajectories of two pioneering artist groups, this groundbreaking book explores the development of abstract art, and its political stakes, in 1950s Cuba.
Author: Rosario Ferré
Publisher: Bucknell University Press
ISBN: 1611486637
Category : Biography & Autobiography
Languages : en
Pages : 131
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Book Description
Memoir is Rosario Ferré’s account of her life both as a writer and as a member of a family at the center of the economic and political history of Puerto Rico during the American Century, one hundred years of territorial “non-incorporation” into the United States. The autobiography tells the story of Ferré’s transformation from the daughter of a privileged family into a celebrated novelist, poet, and essayist concerned with the welfare of Puerto Ricans, and with the difficulties of being a woman in Puerto Rican society. It is a snapshot of twentieth-century Puerto Rico through the lens of a writer profoundly aware of her social position. It is a picture taken from the perspective of a keen observer of the local history of the island, and of the history of the United States. Included are many photographs that connect Ferré’s life with the story of her writing career.
Author: Zilia Sanchez
Publisher: Actar
ISBN: 9781940291390
Category : Art
Languages : en
Pages : 0
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Book Description
The work of Cuban-born artist Zilia Sanchez is characterized by her distinctive approach to formal abstraction through the use of undulating silhouettes, muted color palettes, and a personal, sensual language. Sanchez's exceptional formed canvases, which range in scale from the intimate to the monumental and span fifty years of artistic production, have seldom been seen outside of Puerto Rico, where she has lived and worked since 1972. Produced in conjunction with the artist's first solo exhibition at Galerie Lelong New York, this publication focuses on Sánchez's shaped paintings made three-dimensional through her unique method of stretching canvases over hand-molded wooden frameworks.
