Author: Hugo Munsterberg
Publisher: Tuttle Publishing
ISBN: 1462904327
Category : Religion
Languages : en
Pages : 160
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Book Description
Zen & Oriental Art is an indispensable, beautifully illustrated introduction to the influences of Zen Buddhism on Oriental painting. folk art, and architecture, with a special section on the role of Zen in twentieth-century art and architecture in the West. Author, Dr. Munsterberg quite naturally begins with an explanation of Zen Buddhism itself, and the historical development of Zen in India and China. Zen's particularly rapid adoption in Japan is covered in the next chapter, which is followed by sections on the Zen art of ink painting in both China and Japan. Also described are the influences of Zen on Japanese architecture, and the intimate connection of the religion with the Japanese tea ceremony. Of particular interest to Western readers is the chapter on Zen and twentieth-century Western art. "A knowledgeable and affable guide." —The Japan Times "There is a peacefulness that comes over one just leafing through this book." —Antiquarian Bookman
Author: Hugo Munsterberg
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 158
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Book Description
Author:
Publisher:
ISBN: 9789627956273
Category : Art objects
Languages : en
Pages : 59
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Book Description
Author: Audrey Yoshiko Seo
Publisher:
ISBN: 9781570624957
Category : Art, Japanese
Languages : en
Pages : 0
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Book Description
This book is devoted to Zen art as a living tradition. It explores the heart of Zen experience through contemporary Zen art, demonstrating how this time-honored visual form continues to flourish today.
Author: Helmut Brinker
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 144
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Book Description
The theme of the papers collected in this volume is the religious, philosophical and cultural phenomenon best known under its Japanese name of Zen. This Buddhist school of Zen spread over the countries of East Asia and left its traces in all realms of life, personal as well as social.
Author: Shinʼichi Hisamatsu
Publisher: Kodansha
ISBN:
Category : Religion
Languages : en
Pages : 412
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Book Description
For other editions see Author Catalog.
Author: Stephen Addiss
Publisher: Shambhala Publications
ISBN: 159030747X
Category : Art
Languages : en
Pages : 111
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Book Description
"When a Zen master puts brush to paper, the resulting image is an expression of the quality of his or her mind. It is thus a teaching, intended to compassionately stop us in our tracks and to compel us to consider ultimate truth. Here, forty masterpieces of painting and calligraphy by renowned masters such as Hakuin Ekaku (1685–1768) and Gibon Sengai (1750–1837) are reproduced along with commentary that illuminates both the art and its teaching. The authors’ essays provide an excellent introduction to both the aesthetic and didactic aspects of this art that can be profound, perplexing, serious, humorous, and breathtakingly beautiful—often all within the same simple piece."--Publisher description.
Author: Gregory P. A. Levine
Publisher: Japan Society Gallery
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Transmitted from China to Japan in the 13th century, Zen Buddhism not only introduced religious practices but also literature, calligraphy, philosophy, and ink painting to Japanese disciples. This elegant book discusses these fields as they combined to encompass the evocative practice of figure painting within Zen Buddhism in medieval Japan. Focusing on forty-seven exceptional Japanese and Chinese paintings from the 12th to the 16th centuries--which together illustrate the story of the "awakening” of Zen art--the book features essays by distinguished scholars that discuss the life and art within Zen monastic and lay communities. The authors explore the ideology underlying the development of Zen’s own pantheon of characters created to imagine the Buddha’s wisdom and offer fresh insights into the role of the visual arts within Zen practice as it developed in Japan in close dialogue with the Asian continent.
Author: Arthur Waley
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 36
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Book Description
Zen Buddhism, and Its Relation to Art is an essay by Arthur Waley. It conveys history and key personalities of Zen Buddhism while discussing Zen influenced art. Excerpt: "The method of teaching by symbolic acts (such as the plucking of a flower) was extensively used by the Zen masters. For example, when a disciple asked Enkwan a question about[15] the nature of Buddha, he answered, "Bring me a clean bowl." When the priest brought the bowl, the master said, "Now put it back where you found it." He signified that the priest's questionings must return to their proper place, the questioner's heart, from which alone spiritual knowledge can be obtained."
Author: Gregory P. A. Levine
Publisher: University of Hawaii Press
ISBN: 0824858085
Category : Religion
Languages : en
Pages : 352
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Book Description
Long Strange Journey presents the first critical analysis of visual objects and discourses that animate Zen art modernism and its legacies, with particular emphasis on the postwar “Zen boom.” Since the late nineteenth century, Zen and Zen art have emerged as globally familiar terms associated with a spectrum of practices, beliefs, works of visual art, aesthetic concepts, commercial products, and modes of self-fashioning. They have also been at the center of fiery public disputes that have erupted along national, denominational, racial-ethnic, class, and intellectual lines. Neither stable nor strictly a matter of euphoric religious or intercultural exchange, Zen and Zen art are best approached as productive predicaments in the study of religion, spirituality, art, and consumer culture, especially within the frame of Buddhist modernism. Long Strange Journey’s modern-contemporary emphasis sets it off from most writing on Zen art, which focuses on masterworks by premodern Chinese and Japanese artists, gushes over “timeless” visual qualities as indicative of metaphysical states, or promotes with ahistorical, trend-spotting flair Zen art’s design appeal and therapeutic values. In contrast, the present work plots a methodological through line distinguished by “discourse analysis,” moving from the first contacts between Europe and Japanese Zen in the sixteenth century to late nineteenth–early twentieth-century transnational exchanges driven by Japanese Buddhists and intellectuals and the formation of a Zen art canon; to postwar Zen transformations of practice and avant-garde expressions; to popular embodiments of our “Zenny zeitgeist,” such as Zen cartoons. The book presents an alternative history of modern-contemporary Zen and Zen art that emphasizes their unruly and polythetic-prototypical natures, taking into consideration serious religious practice and spiritual and creative discovery as well as conflicts over Zen’s value amid the convolutions of global modernity, squabbles over authenticity, resistance against the notion of “Zen influence,” and competing claims to speak for Zen art made by monastics, lay advocates, artists, and others.
