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Author: Jean Leymarie
Publisher:
ISBN:
Category : China
Languages : en
Pages : 340
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Book Description
Author: Jean Leymarie
Publisher:
ISBN:
Category : China
Languages : en
Pages : 340
Get Book Here
Book Description
Author: Wou-ki Zao
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 44
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Book Description
April 30 - May 24, 2003
Author: José Frèches
Publisher: Ediciones Polígrafa S.A.
ISBN: 9788434311633
Category : Art
Languages : en
Pages : 0
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Book Description
Installed in France since the forty' s of the last century, Zao Wou-Ki has joined, like no other artist, the knowledge of Chinese painting and calligraphy with the individualist and subjective experience of the western abstract art. Impressed by Paul Klee' s paintings and impeled by Henry Michaux and Andre Malraux, two of the most active French intellectuals of the second post war, Zao Wou-Ki has kept deepening in his particular introspective journey for over five decades. All his work seems to restore an immense inner landscape, no exempt of dissonances and shadows. This book collects, for the first time, the clues of his creative approach through his writings and interviews and a significant selection of his works from his early works to date. 130 illustrations
Author: Paul Klee
Publisher: Simon and Schuster
ISBN: 1644230380
Category : Art
Languages : en
Pages : 73
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Book Description
The year before he died, in what was one of the most difficult yet prolific periods of his life, Paul Klee created some of his most surprising and innovative works. In 1939, the year before his death from a long illness and against a backdrop of sociopolitical turmoil and the outbreak of World War II, Klee worked with a vigor and inventiveness that rivaled even the most productive periods of his youth. This book illuminates the artist’s response to his personal difficulties and the era’s broader realities through imagery that is tirelessly inventive—by turns political, solemn, playful, humorous, and poetic. The works featured testify to Klee’s restless drive to experiment with form and material. His use of adhesive, grease, oil, chalk, and watercolor, among other media, resulted in surfaces that are not only visually striking, but also highly tactile and original. Not unlike a diary, the drawings are often meditative reflections on the pains and pleasures of life—their titles, among them Monsters in readiness and Struggles with himself, signal Klee’s frame of mind. Renowned art historian Dawn Ades looks at this group of paintings and drawings in the context of their time and as indicative of a pivotal moment in art history. Moved by this late period of Klee’s oeuvre, American artist Richard Tuttle responds to specific works in the form of dialogical poems. This stunning publication highlights the novelty and ingenuity of Klee’s late works, which deeply affected the generation of artists—including Anni Albers, Jean Dubuffet, Mark Tobey, and Zao Wou-Ki—that emerged after World War II and continues to captivate artists and viewers alike today
Author: Richard Serra
Publisher: University of Chicago Press
ISBN: 0226748804
Category : Architecture
Languages : en
Pages : 290
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Book Description
One of the most important sculptors of this century, Richard Serra has been a spokesman on the nature and status of art in our day. Best known for site-specific works in steel, Serra has much to say about the relation of sculpture to place, whether urban, natural, or architectural, and about the nature of art itself, whether political, decorative, or personal. In interviews with writers including Douglas and Davis Sylvester, he discusses specific installations and offers insights into his approach to the problem each presents. Interviews by Peter Eisenman and Alan Colquhoun elicit Serra's thoughts on the relation of architecture to contemporary sculpture, a primary component in his own work. From essays like "Extended Notes from Sight Point Road" to Serra's extended commentary on the Tilted Arc fiasco, the pieces in this volume comprise a document of one artist's engagement with the practical, philosophical, and political problems of art.
Author: Yann Layma
Publisher: Harry N. Abrams
ISBN: 9780810946699
Category : Photography
Languages : en
Pages : 424
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Book Description
A 20-year project, this is the most comprehensive and significant photography book on China, covering every aspect of Chinese life, from traditional customs to the shock of modernity.
Author: Thomas Dyja
Publisher: Simon and Schuster
ISBN: 1982149809
Category : History
Languages : en
Pages : 544
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Book Description
A New York Times Notable Book A lively, immersive history by an award-winning urbanist of New York City’s transformation, and the lessons it offers for the city’s future. Dangerous, filthy, and falling apart, garbage piled on its streets and entire neighborhoods reduced to rubble; New York’s terrifying, if liberating, state of nature in 1978 also made it the capital of American culture. Over the next thirty-plus years, though, it became a different place—kinder and meaner, richer and poorer, more like America and less like what it had always been. New York, New York, New York, Thomas Dyja’s sweeping account of this metamorphosis, shows it wasn’t the work of a single policy, mastermind, or economic theory, nor was it a morality tale of gentrification or crime. Instead, three New Yorks evolved in turn. After brutal retrenchment came the dazzling Koch Renaissance and the Dinkins years that left the city’s liberal traditions battered but laid the foundation for the safe streets and dotcom excess of Giuliani’s Reformation in the ‘90s. Then the planes hit on 9/11. The shaky city handed itself over to Bloomberg who merged City Hall into his personal empire, launching its Reimagination. From Hip Hop crews to Wall Street bankers, D.V. to Jay-Z, Dyja weaves New Yorkers famous, infamous, and unknown—Yuppies, hipsters, tech nerds, and artists; community organizers and the immigrants who made this a truly global place—into a narrative of a city creating ways of life that would ultimately change cities everywhere. With great success, though, came grave mistakes. The urbanism that reclaimed public space became a means of control, the police who made streets safe became an occupying army, technology went from a means to the end. Now, as anxiety fills New Yorker’s hearts and empties its public spaces, it’s clear that what brought the city back—proximity, density, and human exchange—are what sent Covid-19 burning through its streets, and the price of order has come due. A fourth evolution is happening and we must understand that the greatest challenge ahead is the one New York failed in the first three: The cures must not be worse than the disease. Exhaustively researched, passionately told, New York, New York, New York is a colorful, inspiring guide to not just rebuilding but reimagining a great city.
Author: Solomon R. Guggenheim Museum
Publisher: Guggenheim Museum
ISBN: 9780892074693
Category : Abstract expressionism
Languages : en
Pages : 0
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Book Description
The pioneering artists of the post-World War II era embraced artistic freedom and gesture-based styles, nontraditional materials and countercultural references. French art critic Michel Tapié even declared the existence of "un art autre" (art of another kind)--an art that entailed a radical break with all traditional notions of order and composition, in a movement toward something wholly "other." This catalogue accompanies the Solomon R. Guggenheim Museum exhibition Art of Another Kind: International Abstraction and the Guggenheim, 1949-1960, which especially highlights works that entered into the collection during the tenure of then-director James Johnson Sweeney. Featuring nearly 100 works by Carla Accardi, Pierre Alechinsky, Karel Appel, Martin Barré, Harry Bertoia, Louise Bourgeois, Alberto Burri, Sam Francis, Grace Hartigan, Asger Jorn, Yves Klein, Franz Kline, Willem de Kooning, Conrad Marca-Relli, Kenzo Okada, Jorge Oteiza, Jackson Pollock, Ad Reinhardt, Pierre Soulages, Clyfford Still, Antoni Tàpies, Jean Tinguely, Cy Twombly, Takeo Yamaguchi and Zao Wou-Ki, among others, this collection-based exhibition and publication explore the affinities and differences between artists working continents apart, in a period of great transition and rapid creative development. The fully illustrated exhibition catalogue includes essays by Tracey Bashkoff, Megan M. Fontanella and Joan Marter; an illustrated chronology; and short biographies of the artists.
Author: Jean-Dominique Rey
Publisher: Flammarion
ISBN: 9782080300768
Category : Art
Languages : en
Pages : 0
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Book Description
Monet, the father of French impressionist painting, devoted twenty-five years to a series of paintings of the water lilies that floated in the pond of his lavish garden in Giverny. This volume is dedicated to those paintings, and opens with a biography of Monet that links the artist’s childhood passion for nature and for drawing to his later fascination with light. Monet’s experiments with how to best capture light and its effect on the sky and on water at different times of the day include paintings such as Impression, Sunrise (1872), which inspired the name of the impressionist movement. A critical text analyzes Monet’s ingenuity, audacity, and modernity, as well as his influence on other artists, from Zao Wou-ki to music to Shirley Goldfarb. This definitive catalog is completed by 210 color reproductions of the water lily paintings with annotated captions, period shots of Giverny by photographers such as Cartier-Bresson, and rare documents including Monet’s personal letters to his optometrist regarding his failing eyesight, which has been linked to his development of the impressionist style. The large-format volume features an eight-page gatefold of the murals at the Orangerie in Paris, and it serves as both an accessible introductory work and a complete reference guide to an important component in the history of art.
Author: Yann Hendgen
Publisher: National Geographic Books
ISBN: 0789213036
Category : Art
Languages : en
Pages : 0
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Book Description
Prepared in cooperation with the artist’s estate, Zao Wou-Ki: 1935–2010 features more than three hundred works and is the most complete monograph available on the artist. Born in Beijing, raised in Shanghai, Zao Wou-Ki (1920–2013) rose to prominence in his adopted France, and was one of the world’s most celebrated artists at the time of his death. Trained in both Western and Chinese painting, Zao’s work bridged both. He became a master when he transcended both vocabularies. “I wanted to paint differently,” Zao Wou-Ki wrote about leaving China in 1948, and shortly after he landed in Paris, his work took on Western influences: a nude and a portrait of his wife, both 1949, recall Matisse in their subjects, loose style, and use of pattern. In 1951, Zao saw Paul Klee and began creating city scenes and landscapes with a similarly inky, slightly fantastical hand. The Western artists, he said, led him back to China, a statement evidenced in the ideograms and Shang dynasty motifs in his 1956 Ste`le pour un ami (Stela for a friend). As Zao moved beyond the West for inspiration, he gradually moved beyond China, too. In doing so, he found his own style. His first abstract painting, Vent (Wind), from 1954, features invented signs and evokes the movement of air without directly representing it. His work continued to evolve, with his experimentation with india ink; his exploration of enormous, multi-panel paintings; his use of bright colors that recall J.M.W. Turner or Franz Kline. His creative maturity lasted for more than half a century, expressed in pictures that marry the lyricism of classical Chinese painting and the expressive force of European modernism, and yet are entirely individual. Prepared in cooperation with the artist’s estate, Zao Wou-Ki: 1935–2010 features more than three hundred works and is the most complete monograph available on the artist. It highlights his great abstract oil paintings, while also giving due attention to the other facets of his oeuvre, including his student work, his first Matisse- and Klee-influenced canvases, his lithographs and travel notebooks, and his work in watercolors and brush painting. In addition to a penetrating essay by prominent statesman, intellectual, and friend of the artist Dominique de Villepin, the book includes detailed notes on key works, a selective bibliography, a critical anthology, and an illustrated chronology of Zao’s life.
