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Author: Odile Dupont
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110317028
Category : Language Arts & Disciplines
Languages : en
Pages : 176
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Book Description
The IFLA Religious Libraries in Dialogue Special Interest Group is dedicated to libraries serving as places of dialogue between cultures through a better knowledge of religions. This book based on experiences of libraries serving interreligious dialogue, presents themes like library tools serving dialogue between cultures, collections dialoguing, children and young adults dialoguing beyond borders, story telling as dialog, librarians serving interreligious dialogue.
Author: Odile Dupont
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110317028
Category : Language Arts & Disciplines
Languages : en
Pages : 176
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Book Description
The IFLA Religious Libraries in Dialogue Special Interest Group is dedicated to libraries serving as places of dialogue between cultures through a better knowledge of religions. This book based on experiences of libraries serving interreligious dialogue, presents themes like library tools serving dialogue between cultures, collections dialoguing, children and young adults dialoguing beyond borders, story telling as dialog, librarians serving interreligious dialogue.
Author: James S. Ackerman
Publisher:
ISBN: 9780935617504
Category : Architectural drawing
Languages : en
Pages : 271
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Book Description
Author: James S. Ackerman
Publisher: MIT Press
ISBN: 9780262011860
Category : Art
Languages : en
Pages : 356
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Book Description
Twelve studies by eminent art historian James S. Ackerman. This collection contains studies written by art historian James Ackerman over the past decade. Whereas Ackerman's earlier work assumed a development of the arts as they responded to social, economic, political, and cultural change, his recent work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism. In this book he explores the tension between the authority of the past—which may act not only as a restraint but as a challenge and stimulus—and the potentially liberating gift of invention. He examines the ways in which artists and writers on art have related to ancestors and to established modes of representation, as well as to contemporary experiences. The "origins" studied here include the earliest art history and criticism; the beginnings of architectural drawing in the Middle Ages and Renaissance; Leonardo Da Vinci's sketches for churches, the first in the Renaissance to propose supporting domes on sculpted walls and piers; and the first architectural photographs. "Imitation" refers to artistic achievements that in part depended on the imitation of forms established in practices outside the fine arts, such as ancient Roman rhetoric and print media. "Conventions," like language, facilitate communication between the artist and viewer, but are both more universal (understood across cultures) and more fixed (resisting variation that might diminish their clarity). The three categories are closely linked throughout the book, as most acts of representation partake to some degree of all three.
Author: James S. Ackerman
Publisher: MIT Press
ISBN: 9780262510776
Category : Architecture
Languages : en
Pages : 598
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Book Description
These essays by one of America's foremost historians of art and architecture range over theory and criticism, the search for connections between art and science in the Renaissance, and specific works of Renaissance architecture. The largest group of essays, dealing with the character of Renaissance architecture, are models of art historical scholarship in their direct approach to identifying the essentials of a building and the social and intellectual context in which they should be viewed. Another group of essays explores encounters between the traditions of artistic practice and early optics and color theory. The three essays that begin this collection bring to light the intellectual and moral concerns that underlie all of Ackerman's art historical work.
Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300092950
Category : Art
Languages : en
Pages : 340
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Book Description
At the beginning of the fifteenth century, painters and sculptors were seldom regarded as more than artisans and craftsmen, but within little more than a hundred years they had risen to the status of "artist." This book explores how early Renaissance artists gained recognition for the intellectual foundations of their activities and achieved artistic autonomy from enlightened patrons. A leading authority on Renaissance art, Francis Ames-Lewis traces the ways in which the social and intellectual concerns of painters and sculptors brought about the acceptance of their work as a liberal art, alongside other arts like poetry. He charts the development of the idea of the artist as a creative genius with a distinct identity and individuality. Ames-Lewis examines the various ways that Renaissance artists like Mantegna, Leonardo da Vinci, Raphael, and Dürer, as well as many other less well known painters and sculptors, pressed for intellectual independence. By writing treatises, biographies, poetry, and other literary works, by seeking contacts with humanists and literary men, and by investigating the arts of the classical past, Renaissance artists honed their social graces and broadened their intellectual horizons. They also experienced a growing creative confidence and self-awareness that was expressed in novel self-portraits, works created solely to demonstrate pictorial skills, and monuments to commemorate themselves after death.
Author: Francis Ames-Lewis
Publisher: Yale University Press
ISBN: 9780300079814
Category : Art
Languages : en
Pages : 14
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Book Description
Through the works of the major fifteenth-century draughtsmen - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo da Vinci - Francis Ames-Lewis then explores new types of drawing evolved during the century: the free sketch contrasting with the frozen control of the model-book, the exploratory study of the nude, the preparatory compositional sketch and the cartoon.
Author: Francis Ames-Lewis
Publisher: Victoria & Albert Museum
ISBN:
Category : Artists' studios
Languages : en
Pages : 336
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Book Description
An Exhibition of Early Renaissance Drawings from Collections in Great Britain held at the University Art Gallery, Nottingham, 12 February to 15 May 1983 - Techniques - Modelbooks & sketchbooks - The draped figure - The nude figure - Biographies include: Gozzoli, Leonardo da Vinci, Filippo Lippi, Mantegna, Bellini etc.
Author: Victoria Ballard Bell
Publisher: Princeton Architectural Press
ISBN: 9781568985589
Category : Architecture
Languages : en
Pages : 286
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Book Description
"Materials for Design provides the foundation for a strong design sensibility intertwined with material knowledge. Divided into five sections - glass, concrete, wood, metal, and plastic - Materials for Design makes a thorough study of each material's properties, history, permutations, and production techniques. Sixty case studies by today's most inventive architects from around the world - including Baumschlager + Eberle, Sean Godsell, Werner Sobek, and ARO - show these materials put to imaginative use, illustrating how their application informed each building's ultimate form and structure."--BOOK JACKET.
Author: Dosso Dossi
Publisher: Getty Publications
ISBN: 9780892365050
Category : Art
Languages : en
Pages : 436
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Book Description
Dosso Dossi has long been considered one of Renaissance Italy's most intriguing artists. Although a wealth of documents chronicles his life, he remains, in many ways, an enigma, and his art continues to be as elusive as it is compelling. In Dosso's Fate, leading scholars from a wide range of disciplines examine the social, intellectual, and historical contexts of his art, focusing on the development of new genres of painting, questions of style and chronology, the influence of courtly culture, and the work of his collaborators, as well as his visual and literary sources and his painting technique. The result is an important and original contribution not only to literature on Dosso Dossi but also to the study of cultural history in early modern Italy.
Author: Reyner Banham
Publisher: Univ of California Press
ISBN: 0520923200
Category : Architecture
Languages : en
Pages : 391
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Book Description
Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
