Author: Hilary Chapman
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 212
Book Description
Yoshijiro Urushibara: A Japanese printmaker in London is a catalogue raisonn of the work of Yoshijiro Urushibara (1889-1953), a Japanese artist and craftsman who lived and worked in London from 1910 to 1940. During his thirty years in Europe, Urushibara produced a considerable number of prints and played a major role in encouraging the production and appreciation of the colour woodcut in the Japanese manner, especially in Britain. Throughout his career Urushibara contributed to cross-cultural interactivity, collaborating with several European artists. His most famous and successful collaboration was with the British artist Frank Brangwyn (1867-1956). The authors had unique access to the artist's family archive in Tokyo and recorded and evaluated the extent of Urushibara's print production. With fully researched catalogue entries, full-colour illustrations, and illuminating biographical and contextual essays, this publication - the first of its kind in the English language - provides a comprehensive account of Urushibara's life and oeuvre.
Yoshijiro Urushibara
Author: Hilary Chapman
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 212
Book Description
Yoshijiro Urushibara: A Japanese printmaker in London is a catalogue raisonn of the work of Yoshijiro Urushibara (1889-1953), a Japanese artist and craftsman who lived and worked in London from 1910 to 1940. During his thirty years in Europe, Urushibara produced a considerable number of prints and played a major role in encouraging the production and appreciation of the colour woodcut in the Japanese manner, especially in Britain. Throughout his career Urushibara contributed to cross-cultural interactivity, collaborating with several European artists. His most famous and successful collaboration was with the British artist Frank Brangwyn (1867-1956). The authors had unique access to the artist's family archive in Tokyo and recorded and evaluated the extent of Urushibara's print production. With fully researched catalogue entries, full-colour illustrations, and illuminating biographical and contextual essays, this publication - the first of its kind in the English language - provides a comprehensive account of Urushibara's life and oeuvre.
Publisher: Brill Hotei
ISBN:
Category : Art
Languages : en
Pages : 212
Book Description
Yoshijiro Urushibara: A Japanese printmaker in London is a catalogue raisonn of the work of Yoshijiro Urushibara (1889-1953), a Japanese artist and craftsman who lived and worked in London from 1910 to 1940. During his thirty years in Europe, Urushibara produced a considerable number of prints and played a major role in encouraging the production and appreciation of the colour woodcut in the Japanese manner, especially in Britain. Throughout his career Urushibara contributed to cross-cultural interactivity, collaborating with several European artists. His most famous and successful collaboration was with the British artist Frank Brangwyn (1867-1956). The authors had unique access to the artist's family archive in Tokyo and recorded and evaluated the extent of Urushibara's print production. With fully researched catalogue entries, full-colour illustrations, and illuminating biographical and contextual essays, this publication - the first of its kind in the English language - provides a comprehensive account of Urushibara's life and oeuvre.
Britain and Japan: Biographical Portraits, Vol. VII
Author:
Publisher: Global Oriental
ISBN: 9004218033
Category : Biography & Autobiography
Languages : en
Pages : 698
Book Description
This latest volume of leading figures in the history of Anglo-Japanese relations offers a classic menu of personalities, themes and events (in all 25 contributions). Contents include the writings of the Cambridge scholar Carmen Blacker and leading historian William Beasley; British military observer and Times reporter of the Russo-Japanese War General Sir Ian Hamilton; philosophers Arnold Toynbee, Bertrand Russell and George Bernard Shaw; the Chosu students Inoue Kaoru and Yamao Yozo who were later key figures in the Meiji period modernization of Japan; and Walter Dening, scholar and missionary. Subjects treated include horse breeding and horse-racing, the Japanese influence on British architects, the beginnings of golf in Japan and Japanese gardeners in Britain.
Publisher: Global Oriental
ISBN: 9004218033
Category : Biography & Autobiography
Languages : en
Pages : 698
Book Description
This latest volume of leading figures in the history of Anglo-Japanese relations offers a classic menu of personalities, themes and events (in all 25 contributions). Contents include the writings of the Cambridge scholar Carmen Blacker and leading historian William Beasley; British military observer and Times reporter of the Russo-Japanese War General Sir Ian Hamilton; philosophers Arnold Toynbee, Bertrand Russell and George Bernard Shaw; the Chosu students Inoue Kaoru and Yamao Yozo who were later key figures in the Meiji period modernization of Japan; and Walter Dening, scholar and missionary. Subjects treated include horse breeding and horse-racing, the Japanese influence on British architects, the beginnings of golf in Japan and Japanese gardeners in Britain.
The Studio
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 782
Book Description
Color Woodcut International
Author: Chazen Museum of Art
Publisher: Chazen Museum of Art
ISBN: 9780932900647
Category : Art
Languages : en
Pages : 154
Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Publisher: Chazen Museum of Art
ISBN: 9780932900647
Category : Art
Languages : en
Pages : 154
Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
The Technique of the Color Wood-cut
Author: Walter J. Phillips
Publisher: [New York] : Brown-Robertson
ISBN:
Category : Color prints
Languages : en
Pages : 112
Book Description
Publisher: [New York] : Brown-Robertson
ISBN:
Category : Color prints
Languages : en
Pages : 112
Book Description
Sargent, Whistler, and Venetian Glass
Author: Sheldon Barr
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Publisher: Princeton University Press
ISBN: 0691222673
Category : Art
Languages : en
Pages : 336
Book Description
Murano Glass and its Collectors in Aesthetic America / Melody Barnett Deusner -- Venetian Mosaics and Glass in the United States, 1860-1917 / Sheldon Barr -- "Where Have Titian's Beauties Gone?" : Sargent and Whistler on the Streets of Venice / Stephanie Mayer Heydt -- Interweaving Worlds : Antique and Revival Lace in Italy and in the United States, 1872-1927 / Diana Jocelyn Greenwold -- Sparks of Genius : American Art and the Appeal of Modern Venetian Glass / Crawford Alexander Mann III -- Biographies / Brittany Emens Strupp, Crawford Alexander Mann III.
Annual Report of the Board of Trustees
Author: National Gallery of Canada
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
Book Description
Art & the Home
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 128
Book Description
Catalogue
Author: Dulau & Co., ltd., Booksellers, London
Publisher:
ISBN:
Category :
Languages : en
Pages : 622
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 622
Book Description
Accessions
Author: Victoria and Albert Museum. Department of Engraving, Illustration, and Design
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 644
Book Description
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 644
Book Description