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Author: Author Joel Berkowitz
Publisher: Liverpool University Press
ISBN: 1909821225
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This collection of essays conveys a broad range of fundamental ideas about Yiddish theatre and its importance in Jewish life as a reflection of aesthetic, social, and political trends and concerns. The contributions cover such topics as the Yiddish repertoire, including the purimshpil and the relationship between Yiddish drama and the broader European dramatic tradition; the historiography of the Yiddish theatre; the role of music; censorship, both by governmental authorities and from within the Jewish community; and the politics of Yiddish theatre criticism. Taken as a whole, these essays make a significant contribution to our understanding of Jewish literature and culture in eastern Europe and the United States.
Author: Alyssa Quint
Publisher: Indiana University Press
ISBN: 0253038626
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
Jewish Book Award Finalist: “Turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater’s formative years.” —Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire In this book, Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that “breathed the European spirit into our old jargon.” Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
Author: Author Joel Berkowitz
Publisher: Liverpool University Press
ISBN: 1909821225
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
This collection of essays conveys a broad range of fundamental ideas about Yiddish theatre and its importance in Jewish life as a reflection of aesthetic, social, and political trends and concerns. The contributions cover such topics as the Yiddish repertoire, including the purimshpil and the relationship between Yiddish drama and the broader European dramatic tradition; the historiography of the Yiddish theatre; the role of music; censorship, both by governmental authorities and from within the Jewish community; and the politics of Yiddish theatre criticism. Taken as a whole, these essays make a significant contribution to our understanding of Jewish literature and culture in eastern Europe and the United States.
Author: Debra Caplan
Publisher: University of Michigan Press
ISBN: 0472037250
Category : Art
Languages : en
Pages : 343
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Book Description
Relates the untold story of a traveling Yiddish theater company and traces their far- reaching influence
Author: David Pinski
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 232
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Book Description
CONTENTS.- D. Pinski: Abigail, Forgotten souls.- S.J. Rabinowitsch: She must marry a doctor.- S. Ash: Winter, The sinner.- P. Hirschbein: In the dark.
Author: Nahma Sandrow
Publisher: Syracuse University Press
ISBN: 9780815603290
Category : History
Languages : en
Pages : 460
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Book Description
Proceedings of a May 1994 symposium held to present cutting edge multidisciplinary work on the characterization of ancient materials; the technologies of selection, production, and usage by which materials are transformed into the objects and artifacts we find today; the science underlying their deterioration, preservation, and conservation; and sociocultural interpretation derived from an empirical methodology of observation, measurement, and experimentation. Over 70 contributions discuss topics that include the visual appearance and the imitation of one material by another; stable protective coatings and materials stability; resource surveying, source characterization, and cultural implications; and process reconstruction as essential to understanding of condition and conservation. Annotation copyright by Book News, Inc., Portland, OR
Author: Edna Nahshon
Publisher: BRILL
ISBN: 9004173358
Category : Religion
Languages : en
Pages : 325
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Book Description
While a frequently used term, Jewish Theatre has become a contested concept that defies precise definition. Is it theatre by Jews? For Jews? About Jews? Though there are no easy answers for these questions, "Jewish Theatre: A Global View," contributes greatly to the conversation by offering an impressive collection of original essays written by an international cadre of noted scholars from Europe, the United States, and Israel. The essays discuss historical and current texts and performance practices, covering a wide gamut of genres and traditions.
Author: Diego Rotman
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110717778
Category : History
Languages : en
Pages : 393
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Book Description
The Yiddish Theater Stage as a Temporary Home takes us through the fascinating life and career of the most important comic duo in Yiddish Theater, Shimen Dzigan and Isroel Shumacher. Spanning over the course of half a century – from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland to their Warsaw theatre – they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust. It finally describes their time in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a unique – among the Hebrew stages – political and cultural critique. Dzigan continued to perform on his own and with other Israeli artists until his death in 1980.
Author:
Publisher: State University of New York Press
ISBN: 079148162X
Category : Literary Criticism
Languages : en
Pages : 366
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Book Description
Offering snapshots of a pivotal era in which the Jews of Europe made the transition from a traditional to a more modern world, the Yiddish plays translated and collected here wrestle with issues that continue to concern us today: changing gender roles, generational conflict, class divisions, and religious persecution. In their introduction to the volume, Joel Berkowitz and Jeremy Dauber place the plays in the context of the development of modern drama and Yiddish drama and examine their treatment of social, political, and religious issues. The many ways in which the plays address these issues make them transcend their own time, exciting a new generation of readers and theatergoers.
Author: Edna Nahshon
Publisher: Columbia University Press
ISBN: 0231541074
Category : Performing Arts
Languages : en
Pages : 335
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Book Description
In the early decades of the twentieth century, a vibrant theatrical culture took shape on New York City's Lower East Side. Original dramas, comedies, musicals, and vaudeville, along with sophisticated productions of Shakespeare, Ibsen, and Chekhov, were innovatively staged for crowds that rivaled the audiences on Broadway. Though these productions were in Yiddish and catered to Eastern European, Jewish audiences (the largest immigrant group in the city at the time), their artistic innovations, energetic style, and engagement with politics and the world around them came to influence all facets of the American stage. Vividly illustrated and with essays from leading historians and critics, this book recounts the heyday of "Yiddish Broadway" and its vital contribution to American Jewish life and crossover to the broader American culture. These performances grappled with Jewish nationalism, labor relations, women's rights, religious observance, acculturation, and assimilation. They reflected a range of genres, from tear-jerkers to experimental theater. The artists who came of age in this world include Stella Adler, Eddie Cantor, Jerry Lewis, Sophie Tucker, Mel Brooks, and Joan Rivers. The story of New York's Yiddish theater is a tale of creativity and legacy and of immigrants who, in the process of becoming Americans, had an enormous impact on the country's cultural and artistic development.
Author: Alyssa Quint
Publisher: Indiana University Press
ISBN: 0253038642
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Jewish Book Award Finalist: “Turns the fascinating life of Avrom Goldfaden into a multi-dimensional history of the Yiddish theater’s formative years.” —Jeffery Veidinger, author of Jewish Public Culture in the Late Russian Empire In this book, Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (né Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden’s work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that “breathed the European spirit into our old jargon.” Quint uses Goldfaden’s theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden’s work on stage absorbed the theater into their everyday lives. Goldfaden’s theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia.
