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Author: Andrei Malaev-Babel
Publisher: Routledge
ISBN: 1136979549
Category : Performing Arts
Languages : en
Pages : 298
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Book Description
Yevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirectly, he is responsible for the making of our contemporary theatre: that is Andrei Malaev-Babel’s argument in this, the first English-language monograph to consider Vakhtangov’s life and work as actor and director, teacher and theoretician. Ranging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait: considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men; reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel's National Theatre) as well as the Vakhtangov Studio, the institution he established; examines in detail his three final directorial masterpieces, Erick XIV, The Dybbuk and Princess Turandot. Lavishly illustrated and elegantly conceived, Yevgeny Vakhtangov represents the ideal companion to Malaev-Babel’s Vakhtangov Sourcebook (2011). Together, these important critical interventions reveal Vakhtangov’s true stature as one of the most significant representatives of the Russian theatrical avant-garde.
Author: Andrei Malaev-Babel
Publisher: Routledge
ISBN: 1136979549
Category : Performing Arts
Languages : en
Pages : 298
Get Book Here
Book Description
Yevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth with a singular imaginative vision. Directly and indirectly, he is responsible for the making of our contemporary theatre: that is Andrei Malaev-Babel’s argument in this, the first English-language monograph to consider Vakhtangov’s life and work as actor and director, teacher and theoretician. Ranging from Moscow to Israel, from Fantastic Realism to Vakhtangov’s futuristic projection, the theatre of the ‘Eternal Mask’, Yevgeny Vakhtangov: A Critical Portrait: considers his input as one of the original teachers of Stanislavsky’s system, and the complex relationship shared by the two men; reflects on his directorship of the First Studio of the Moscow Art Theatre and the Habima (which was later to become Israel's National Theatre) as well as the Vakhtangov Studio, the institution he established; examines in detail his three final directorial masterpieces, Erick XIV, The Dybbuk and Princess Turandot. Lavishly illustrated and elegantly conceived, Yevgeny Vakhtangov represents the ideal companion to Malaev-Babel’s Vakhtangov Sourcebook (2011). Together, these important critical interventions reveal Vakhtangov’s true stature as one of the most significant representatives of the Russian theatrical avant-garde.
Author: Andrei Malaev-Babel
Publisher: Routledge
ISBN: 1136979964
Category : Performing Arts
Languages : en
Pages : 355
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Book Description
‘Scrupulously compiled and skillfully translated by Andrei Malaev-Babel, The Vakhtangov Sourcebook ... provides the most comprehensive addition to English readers’ knowledge of the philosophy, pedagogy, and legacy of Vakhtangov.’ – Modern Language Review 'An exceptionally valuable book that promises to be the definitive reference for Vakhtangov's work for years to come.' – Theatre Topics Yevgeny Vakhtangov was the creator of Fantastic Realism, credited with reconciling Meyerhold’s bold experiments with Stanislavski’s naturalist technique. The Vakhtangov Sourcebook compiles new translations of his key writings on the art of theatre, making it the primary source of first hand material on this master of theatre in the English speaking world. Vakhtangov’s essays and articles are accompanied by: Diary and Notebook excerpts His lectures to the Vakhtangov Studio In-depth accounts of Vakhtangov methods in rehearsal Production photographs and sketches Extensive bibliographies Director’s notes on key performances An extensive introductory overview from editor Andrei Malaev-Babel explains Vakhtangov‘s creative life, his groundbreaking theatrical concepts and influential directorial works.
Author: Nikolai Demidov
Publisher: Routledge
ISBN: 1317220684
Category : Performing Arts
Languages : en
Pages : 1166
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Book Description
At the time of his death, Stanislavsky considered Nikolai Demidov to be ‘his only student, who understands the System’. Demidov’s incredibly forward-thinking processes not only continued his teacher’s pioneering work, but also solved the problems of an actor’s creativity that Stanislavsky never conquered. This book brings together Demidov’s five volumes on actor training. Supplementary materials, including transcriptions of Demidov’s classes, and notes and correspondence from the author make this the definitive collection on one of Russian theatre’s most important figures.
Author: Amy Skinner
Publisher: Bloomsbury Publishing
ISBN: 1474284434
Category : Performing Arts
Languages : en
Pages : 383
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Book Description
Amidst the turmoil of political revolution, the stage directors of twentieth-century Russia rewrote the rules of theatre making. From realism to the avant-garde, politics to postmodernism, and revolution to repression, these practitioners shaped perceptions of theatre direction across the world. This edited volume introduces students and practitioners alike to the innovations of Russia's directors, from Konstantin Stanislavsky and Vsevolod Meyerhold to Anatoly Efros, Oleg Efremov and Genrietta Ianovskaia. Strongly practical in its approach, Russian Theatre in Practice: The Director's Guide equips readers with an understanding of the varying approaches of each director, as well as the opportunity to participate and explore their ideas in practice. The full range of the director's role is covered, including work on text, rehearsal technique, space and proxemics, audience theory and characterization. Each chapter focuses on one director, exploring their historical context, and combining an examination of their directing theory and technique with practical exercises for use in classroom or rehearsal settings. Through their ground-breaking ideas and techniques, Russia's directors still demand our attention, and in this volume they come to life as a powerful resource for today's theatre makers.
Author: Andrei Malaev-Babel
Publisher: Routledge
ISBN: 1136979557
Category : Art
Languages : en
Pages : 314
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Book Description
Yevgeny Vakhtangov was a pioneering theatre artist who married Stanislavski’s demands for inner truth and sincerity with a quest for an imaginative form for every role and production. It is an invaluable companion volume to The Vakhtangov Sourcebook.
Author: Magda Romanska
Publisher: Northwestern University Press
ISBN: 0810140268
Category : Performing Arts
Languages : en
Pages : 486
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Book Description
Theatermachine: Tadeusz Kantor in Context is an in-depth, multidisciplinary compendium of essays that examine Kantor’s work through the prism of postmemory and trauma theory and in relation to Polish literature, Jewish culture, and Yiddish theater as well as the Japanese, German, French, Polish, and American avant-garde. Hans-Thies Lehmann’s theory of postdramatic theater and contemporary developments in critical theory—particularly Bill Brown’s thing theory, Bruno Latour’s actor network theory, and posthumanism—provide a previously unavailable vocabulary for discussion of Kantor’s theater.
Author: Andrei Malaev-Babel
Publisher: Taylor & Francis
ISBN: 1136979972
Category : Performing Arts
Languages : en
Pages : 387
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Book Description
Annotation Yevgeny Vakhtangov pioneered Fantastic Realism through his innovative theatrical concepts. This book compiles new translations of his work on the art of theatre creating a primary source of original material on this theatrical master.
Author: Sam Kogan
Publisher: Routledge
ISBN: 1135257698
Category : Art
Languages : en
Pages : 293
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Book Description
What is good acting? How does one create believable characters?. In The Science of Acting, Sam Kogan applies his theories and teaching to answering these questions. It represents a comprehensive and complete technique applying neuroscience and psychology to the role of acting. At its heart lies a unique and groundbreaking understanding of the subconscious, as well as an unparalleled insight into, and expansion of, Stanislavski's original Russian teaching. The book includes chapters on Awareness, Purposes, Events, Actions, Imagination, Free Body, Tempo-Rhythm, and Laws of Thinking, culminating.
Author: Konstantin Stanislavski
Publisher: Routledge
ISBN: 1315474239
Category : Performing Arts
Languages : en
Pages : 963
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Book Description
Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.
Author: Israel Bartal
Publisher: Yale University Press
ISBN: 0300230214
Category :
Languages : en
Pages : 1400
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Book Description
Volume 7 of the Posen Library captures unprecedented transformations of Jewish culture amid mass migration, global capitalism, nationalism, revolution, and the birth of the secular self Between 1880 and 1918, traditions and regimes collapsed around the world, migration and imperialism remade the lives of millions, nationalism and secularization transformed selves and collectives, utopias beckoned, and new kinds of social conflict threatened as never before. Few communities experienced the pressures and possibilities of the era more profoundly than the world's Jews. This volume, seventh in The Posen Library of Jewish Culture and Civilization, recaptures the vibrant Jewish cultural creativity, political striving, social experimentation, and fractious religious and secular thought that burst forth in the face of these challenges. Editors Israel Bartal and Kenneth B. Moss capture the full range of Jewish expression in a centrifugal age--from mystical visions to unabashedly antitraditional Jewish political thought, from cookbooks to literary criticism, from modernist poetry to vaudeville. They also highlight the most remarkable dimension of the 1880-1918 era: an audacious effort by newly secular Jews to replace Judaism itself with a new kind of Jewish culture centering on this-worldly, aesthetic creativity by a posited "Jewish nation" and the secular, modern, and "free" individuals who composed it. This volume is an essential starting point for anyone who wishes to understand the divided Jewish present.
