Author: W. Joseph Campbell
Publisher: Praeger
ISBN: 0275981134
Category : Business & Economics
Languages : en
Pages : 0
Book Description
This offers a detailed and long-awaited reassessment of one of the most maligned periods in American journalism—the era of the yellow press. The study challenges and dismantles several prominent myths about the genre, finding that the yellow press did not foment—could not have fomented—the Spanish-American War in 1898, contrary to the arguments of many media historians. The study presents extensive evidence showing that the famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst—in which Hearst is said to have vowed to furnish the war with Spain—almost certainly never took place. The study also presents the results of a systematic content analysis of seven leading U. S. newspapers at 10 year intervals throughout the 20th century and finds that some distinguishing features of the yellow press live on in American journalism. The yellow press period in American journalism history has produced many powerful and enduring myths-almost none of them true. This study explores these legends, presenting extensive evidence that: • The yellow press did not foment-could not have fomented-the Spanish-American War in 1898, contrary of the arguments of many media historians • The famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst-in which Hearst is said to have vowed to furnish the war with Spain-almost certainly never took place • The readership of the yellow press was not confined to immigrants and people having an uncertain command of English, as many media historians maintain The study also presents the results of a detailed content analysis of seven leading U.S. newspapers at 10-year intervals, from 1899 to 1999. The content analysis—which included the Denver Post, Los Angeles Times, New York Times, Raleigh News and Observer, St. Louis Post-Dispatch, San Francisco Examine and Washington Post—reveal that some elements characteristic of yellow journalism have been generally adopted by leading U. S. newspapers. This critical assessment encourages a more precise understanding of the history of yellow journalism, appealing to scholars of American journalism, journalism history, and practicing journalists.
Yellow Journalism
Author: W. Joseph Campbell
Publisher: Praeger
ISBN: 0275981134
Category : Business & Economics
Languages : en
Pages : 0
Book Description
This offers a detailed and long-awaited reassessment of one of the most maligned periods in American journalism—the era of the yellow press. The study challenges and dismantles several prominent myths about the genre, finding that the yellow press did not foment—could not have fomented—the Spanish-American War in 1898, contrary to the arguments of many media historians. The study presents extensive evidence showing that the famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst—in which Hearst is said to have vowed to furnish the war with Spain—almost certainly never took place. The study also presents the results of a systematic content analysis of seven leading U. S. newspapers at 10 year intervals throughout the 20th century and finds that some distinguishing features of the yellow press live on in American journalism. The yellow press period in American journalism history has produced many powerful and enduring myths-almost none of them true. This study explores these legends, presenting extensive evidence that: • The yellow press did not foment-could not have fomented-the Spanish-American War in 1898, contrary of the arguments of many media historians • The famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst-in which Hearst is said to have vowed to furnish the war with Spain-almost certainly never took place • The readership of the yellow press was not confined to immigrants and people having an uncertain command of English, as many media historians maintain The study also presents the results of a detailed content analysis of seven leading U.S. newspapers at 10-year intervals, from 1899 to 1999. The content analysis—which included the Denver Post, Los Angeles Times, New York Times, Raleigh News and Observer, St. Louis Post-Dispatch, San Francisco Examine and Washington Post—reveal that some elements characteristic of yellow journalism have been generally adopted by leading U. S. newspapers. This critical assessment encourages a more precise understanding of the history of yellow journalism, appealing to scholars of American journalism, journalism history, and practicing journalists.
Publisher: Praeger
ISBN: 0275981134
Category : Business & Economics
Languages : en
Pages : 0
Book Description
This offers a detailed and long-awaited reassessment of one of the most maligned periods in American journalism—the era of the yellow press. The study challenges and dismantles several prominent myths about the genre, finding that the yellow press did not foment—could not have fomented—the Spanish-American War in 1898, contrary to the arguments of many media historians. The study presents extensive evidence showing that the famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst—in which Hearst is said to have vowed to furnish the war with Spain—almost certainly never took place. The study also presents the results of a systematic content analysis of seven leading U. S. newspapers at 10 year intervals throughout the 20th century and finds that some distinguishing features of the yellow press live on in American journalism. The yellow press period in American journalism history has produced many powerful and enduring myths-almost none of them true. This study explores these legends, presenting extensive evidence that: • The yellow press did not foment-could not have fomented-the Spanish-American War in 1898, contrary of the arguments of many media historians • The famous exchange of telegrams between the artist Frederic Remington and newspaper publisher William Randolph Hearst-in which Hearst is said to have vowed to furnish the war with Spain-almost certainly never took place • The readership of the yellow press was not confined to immigrants and people having an uncertain command of English, as many media historians maintain The study also presents the results of a detailed content analysis of seven leading U.S. newspapers at 10-year intervals, from 1899 to 1999. The content analysis—which included the Denver Post, Los Angeles Times, New York Times, Raleigh News and Observer, St. Louis Post-Dispatch, San Francisco Examine and Washington Post—reveal that some elements characteristic of yellow journalism have been generally adopted by leading U. S. newspapers. This critical assessment encourages a more precise understanding of the history of yellow journalism, appealing to scholars of American journalism, journalism history, and practicing journalists.
Yellow Journalism
Author: Jason Skog
Publisher: Capstone
ISBN: 9780756524562
Category : Juvenile Nonfiction
Languages : en
Pages : 54
Book Description
Explains yellow journalism and includes material on Joseph Pulitzer, William Randolph Hearst, Nellie Bly, and Richard Harding Davis.
Publisher: Capstone
ISBN: 9780756524562
Category : Juvenile Nonfiction
Languages : en
Pages : 54
Book Description
Explains yellow journalism and includes material on Joseph Pulitzer, William Randolph Hearst, Nellie Bly, and Richard Harding Davis.
The Yellow Journalism
Author: David Ralph Spencer
Publisher: Northwestern University Press
ISBN: 0810123312
Category : History
Languages : en
Pages : 308
Book Description
"Most notable among Hearst's competitors was The World, owned and managed by a Jewish immigrant named Joseph Pulitzer. In The Yellow Journalism, David R. Spencer describes how the evolving culture of Victorian journalism was shaped by the Yellow Press. He details how these two papers and others exploited scandal, corruption, and crime among New York's most influential citizens and its most desperate inhabitants - a policy that made this "journalism of action" remarkably effective, not just as a commercial force but also as an advocate for the city's poor and defenseless."--BOOK JACKET.
Publisher: Northwestern University Press
ISBN: 0810123312
Category : History
Languages : en
Pages : 308
Book Description
"Most notable among Hearst's competitors was The World, owned and managed by a Jewish immigrant named Joseph Pulitzer. In The Yellow Journalism, David R. Spencer describes how the evolving culture of Victorian journalism was shaped by the Yellow Press. He details how these two papers and others exploited scandal, corruption, and crime among New York's most influential citizens and its most desperate inhabitants - a policy that made this "journalism of action" remarkably effective, not just as a commercial force but also as an advocate for the city's poor and defenseless."--BOOK JACKET.
Yellow Journalism, Sensationalism, and Circulation Wars
Author: Brett Griffin
Publisher: Cavendish Square Publishing, LLC
ISBN: 1502634724
Category : Young Adult Nonfiction
Languages : en
Pages : 114
Book Description
The waning years of the nineteenth century saw the emergence of a new kind of journalism in the United States, one that not only challenged government and corporate power, but also turned to sordid crimes and scandals for much of its material. Sensational, shocking, and lurid, this new style of reporting came to be known as "yellow journalism." The trend influenced newspapers across the country, and its role in building public support for the Spanish-American War has become the stuff of legend. The supplemental features of this book, including striking photographs, primary sources, and informative sidebars, trace the development of yellow journalism and demonstrate its impact today.
Publisher: Cavendish Square Publishing, LLC
ISBN: 1502634724
Category : Young Adult Nonfiction
Languages : en
Pages : 114
Book Description
The waning years of the nineteenth century saw the emergence of a new kind of journalism in the United States, one that not only challenged government and corporate power, but also turned to sordid crimes and scandals for much of its material. Sensational, shocking, and lurid, this new style of reporting came to be known as "yellow journalism." The trend influenced newspapers across the country, and its role in building public support for the Spanish-American War has become the stuff of legend. The supplemental features of this book, including striking photographs, primary sources, and informative sidebars, trace the development of yellow journalism and demonstrate its impact today.
Minnesota Rag
Author: Fred W. Friendly
Publisher: Random House
ISBN: 0307827992
Category : Law
Languages : en
Pages : 269
Book Description
Minnesota Rag takes the reader on a tour of the underside of a dark period in Minnesota's past, one filled with crooked public officials, vengeful gangsters, and yellow journalists. Featuring notorious characters such as Jay M. Near, racist and antilabor publisher of Minneapolis's Saturday Press, pioneering newsman Fred W. Friendly weaves the tale of a court case that molded our understanding of freedom of the press and set a precedent for the publication of the Pentagon Papers.
Publisher: Random House
ISBN: 0307827992
Category : Law
Languages : en
Pages : 269
Book Description
Minnesota Rag takes the reader on a tour of the underside of a dark period in Minnesota's past, one filled with crooked public officials, vengeful gangsters, and yellow journalists. Featuring notorious characters such as Jay M. Near, racist and antilabor publisher of Minneapolis's Saturday Press, pioneering newsman Fred W. Friendly weaves the tale of a court case that molded our understanding of freedom of the press and set a precedent for the publication of the Pentagon Papers.
Sensationalism
Author: David B. Sachsman
Publisher: Routledge
ISBN: 1351491466
Category : Social Science
Languages : en
Pages : 427
Book Description
David B. Sachsman and David W. Bulla have gathered a colourful collection of essays exploring sensationalism in nineteenth-century newspaper reporting. The contributors analyse the role of sensationalism and tell the story of both the rise of the penny press in the 1830s and the careers of specific editors and reporters dedicated to this particular journalistic style.Divided into four sections, the first, titled "The Many Faces of Sensationalism," provides an eloquent Defense of yellow journalism, analyses the place of sensational pictures, and provides a detailed examination of the changes in reporting over a twenty-year span. The second part, "Mudslinging, Muckraking, Scandals, and Yellow Journalism," focuses on sensationalism and the American presidency as well as why journalistic muckraking came to fruition in the Progressive Era.The third section, "Murder, Mayhem, Stunts, Hoaxes, and Disasters," features a ground-breaking discussion of the place of religion and death in nineteenth-century newspapers. The final section explains the connection between sensationalism and hatred. This is a must-read book for any historian, journalist, or person interested in American culture.
Publisher: Routledge
ISBN: 1351491466
Category : Social Science
Languages : en
Pages : 427
Book Description
David B. Sachsman and David W. Bulla have gathered a colourful collection of essays exploring sensationalism in nineteenth-century newspaper reporting. The contributors analyse the role of sensationalism and tell the story of both the rise of the penny press in the 1830s and the careers of specific editors and reporters dedicated to this particular journalistic style.Divided into four sections, the first, titled "The Many Faces of Sensationalism," provides an eloquent Defense of yellow journalism, analyses the place of sensational pictures, and provides a detailed examination of the changes in reporting over a twenty-year span. The second part, "Mudslinging, Muckraking, Scandals, and Yellow Journalism," focuses on sensationalism and the American presidency as well as why journalistic muckraking came to fruition in the Progressive Era.The third section, "Murder, Mayhem, Stunts, Hoaxes, and Disasters," features a ground-breaking discussion of the place of religion and death in nineteenth-century newspapers. The final section explains the connection between sensationalism and hatred. This is a must-read book for any historian, journalist, or person interested in American culture.
The Year That Defined American Journalism
Author: W. Joseph Campbell
Publisher: Routledge
ISBN: 1135205043
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.
Publisher: Routledge
ISBN: 1135205043
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
The Year that Defined American Journalism explores the succession of remarkable and decisive moments in American journalism during 1897 – a year of significant transition that helped redefine the profession and shape its modern contours. This defining year featured a momentous clash of paradigms pitting the activism of William Randolph Hearst's participatory 'journalism of action' against the detached, fact-based antithesis of activist journalism, as represented by Adolph Ochs of the New York Times, and an eccentric experiment in literary journalism pursued by Lincoln Steffens at the New York Commercial-Advertiser. Resolution of the three-sided clash of paradigms would take years and result ultimately in the ascendancy of the Times' counter-activist model, which remains the defining standard for mainstream American journalism. The Year That Defined American Journalism introduces the year-study methodology to mass communications research and enriches our understanding of a pivotal moment in media history.
The View from Somewhere
Author: Lewis Raven Wallace
Publisher: University of Chicago Press
ISBN: 0226826589
Category : History
Languages : en
Pages : 246
Book Description
A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.
Publisher: University of Chicago Press
ISBN: 0226826589
Category : History
Languages : en
Pages : 246
Book Description
A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.
The Brass Check
Author: Upton Sinclair
Publisher: Pasasena, Calif., The author
ISBN:
Category : Journalism
Languages : en
Pages : 456
Book Description
Publisher: Pasasena, Calif., The author
ISBN:
Category : Journalism
Languages : en
Pages : 456
Book Description
The Yellow Kids
Author: Joyce Milton
Publisher: Open Road Media
ISBN: 1497659191
Category : History
Languages : en
Pages : 290
Book Description
The amazing story behind the greatest newspapermen to ever live—Joseph Pulitzer and William Randolph Hearst—lies primarily hidden with their reporters who were in the field. They risked their lives in Cuba as the country grappled for independence simply to “get the story” and write what were not always the most accurate accounts, but were definitely the best—anything to sell papers. Reporters like Harry Scovel, Stephen Crane, Cora Taylor, Richard Harding Davis, and James Creelman, among others, put themselves in danger every day just for the news. The Yellow Kids is an adventure story packed with engaging characters, witticisms, humor, and adversity, to reveal that the “yellow” found in journalism was often an extra ingredient applied by editors and publishers in New York.
Publisher: Open Road Media
ISBN: 1497659191
Category : History
Languages : en
Pages : 290
Book Description
The amazing story behind the greatest newspapermen to ever live—Joseph Pulitzer and William Randolph Hearst—lies primarily hidden with their reporters who were in the field. They risked their lives in Cuba as the country grappled for independence simply to “get the story” and write what were not always the most accurate accounts, but were definitely the best—anything to sell papers. Reporters like Harry Scovel, Stephen Crane, Cora Taylor, Richard Harding Davis, and James Creelman, among others, put themselves in danger every day just for the news. The Yellow Kids is an adventure story packed with engaging characters, witticisms, humor, and adversity, to reveal that the “yellow” found in journalism was often an extra ingredient applied by editors and publishers in New York.