Author: Noreen Doody
Publisher: Springer
ISBN: 3319895486
Category : Literary Criticism
Languages : en
Pages : 337
Get Book Here
Book Description
This book asserts that Oscar Wilde (1854 – 1900) was a major precursor of W.B. Yeats (1865 – 1939), and shows how Wilde’s image and intellect set in train a powerful influence within Yeats’s creative imagination that remained active throughout the poet’s life. The intellectual concepts, metaphysical speculations and artistic symbols and images which Yeats appropriated from Wilde changed the poet’s perspective and informed the imaginative system of beliefs that Yeats formulated as the basis of his dramatic and poetic work. Section One, 'Influence and Identity' (1888 – 1895), explores the personal relationship of these two writers, their nationality and historical context as factors in influence. Section Two, 'Mask and Image' (1888 – 1917), traces the creative process leading to Yeats’s construction of the antithetical mask, and his ideas on image, in relation to the role of Wilde as his precursor. Finally, 'Salomé: Symbolism, Dance and Theories of Being' (1891 – 1939) concentrates on the immense influence that Wilde’s symbolist play, Salomé, wrought on Yeats’s imaginative work and creative sensibility.
Author: Patricia Silva-McNeill
Publisher: Routledge
ISBN: 1351536141
Category : Foreign Language Study
Languages : en
Pages : 195
Get Book Here
Book Description
W. B. Yeats and Fernando Pessoa (1888-1935) regarded style as a tool for metaphysical inquiry and, consequently, they adopted distinct poetic styles to convey different attitudes towards experience. Silva-McNeill's study examines how the poets' stylistic diversification was a means of rehearsing different existential and aesthetic stances. It identifies parallels between their styles from a comparative case studies approach. Their stylistic masks allowed them to maintain the subjectivity and authenticity associated with the lyrical genre, while simultaneously attaining greater objectivity and conveying multiple perspectives. The poets continuously transformed the fond and form of their verse, creating a protean lyrical voice that expressed their multilateral poetic temperament and reflected the depersonalisation and formal experimentalism of the modern lyric.
Author: R. Spencer
Publisher: Springer
ISBN: 0230305903
Category : Literary Criticism
Languages : en
Pages : 239
Get Book Here
Book Description
Via readings of novels by J.M. Coetzee, Timothy Mo and Salman Rushdie and the later poetry of W.B. Yeats, this book reveals how postcolonial writing can encourage the enlarged sense of moral and political responsibility needed to supplant ongoing forms of imperial violence with cosmopolitan institutions, relationships and ways of thinking.
Author: Tara Stubbs
Publisher: Manchester University Press
ISBN: 1526102285
Category : History
Languages : en
Pages : 283
Get Book Here
Book Description
American literature and Irish culture, 1910–55: The politics of enchantment discusses how and why American modernist writers turned to Ireland at various stages during their careers. By placing events such as the Celtic Revival and the Easter Rising at the centre of the discussion, it shows how Irishness became a cultural determinant in the work of American modernists. It is the first study to extend the analysis of Irish influence on American literature beyond racial, ethnic or national frameworks. Through close readings and archival research, American literature and Irish culture, 1910–55 provides a balanced and structured approach to the study of the complexities of American modernist writers’ responses to Ireland. Offering new readings of familiar literary figures – including Fitzgerald, Moore, O’Neill, Steinbeck and Stevens – it makes for essential reading for students and academics working on twentieth-century American and Irish literature and culture, and transatlantic studies.
Author: Kenneth Keating
Publisher: Springer
ISBN: 3319511122
Category : Literary Criticism
Languages : en
Pages : 264
Get Book Here
Book Description
‘This book makes an important intervention into debates about influence and contemporary Irish poetry. Supported throughout by incisive reflections upon allusion, word choice, and formal structure, Keating brings to the discussion a range of new and lesser known voices which decisively complicate and illuminate its pronounced concerns with inheritance, history, and the Irish poetic canon.’ — Steven Matthews, Professor of English Literature, University of Reading, UK, and author of Irish Poetry: Politics, History, Negotiation and Yeats As Precursor This book is about the way that contemporary Irish poetry is dominated and shaped by criticism. It argues that critical practices tend to construct reductive, singular and static understandings of poetic texts, identities, careers, and maps of the development of modern Irish poetry. This study challenges the attempt present within such criticism to arrest, stabilize, and diffuse the threat multiple alternative histories and understandings of texts would pose to the formation of any singular pyramidal canon. Offered here are detailed close readings of the recent work of some of the most established and high-profile Irish poets, such as Paul Muldoon and Medbh McGuckian, along with emerging poets, to foreground an alternative critical methodology which undermines the traditional canonical pursuit of singular meaning and definition through embracing the troubling indeterminacy and multiplicity to be found within contemporary Irish poetry.
Author: Tom Walker
Publisher: Oxford University Press, USA
ISBN: 019874515X
Category : Literary Criticism
Languages : en
Pages : 225
Get Book Here
Book Description
Louis MacNeice and the Irish Poetry of his Time draws on new archival research to suggest ways in which MacNeice's poetry is closely linked to contemporaneous developments in Irish literature and culture.
Author: Jonathan Allison
Publisher: University of Michigan Press
ISBN: 9780472104451
Category : Literary Criticism
Languages : en
Pages : 372
Get Book Here
Book Description
Collects some of the most trenchant essays of the last three decades on Yeats's politics
Author: F. A. C. Wilson
Publisher: Pickle Partners Publishing
ISBN: 1789122430
Category : History
Languages : en
Pages : 547
Get Book Here
Book Description
William Butler Yeats (1865-1939) was an Irish poet and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, he helped to found the Abbey Theatre, and in his later years served as an Irish Senator for two terms. Awarded the Nobel Prize in Literature in 1923, Yeats—along with Lady Gregory, Edward Martyn and others—was a driving force behind the Irish Literary Revival. “This study is a sequel to my W. B. Yeats And Tradition, and the Yeats scholar may like to take all my work in conjunction; but I have tried to make it possible for the two books to be read independently. “The aim of this book is to interpret what Yeats meant by the symbolism of five of his plays, Four Plays for Dancers and The Cat and the Moon; also by that of a number of related lyrics. I should stress, once and for all, that I am concerned primarily with what the symbols meant for the poet himself; Yeats of course hoped that the ‘words on the page’ would work for him, and he also believed in a collective unconscious which would operate to suggest his archetypal meanings to all readers; but it can of course be maintained that communication fails. I myself doubt whether this ever happens; but I cannot prove this statement in a book not concerned with technique; and this is why I define my field as I have done. What Yeats believed his plays and poems to mean is a valid field for scholarship; and the meaning he attached is certainly the archetypal meaning, which is therefore my main preoccupation.”—F. A. C. Wilson
Author: William Butler Yeats
Publisher:
ISBN:
Category : Gods
Languages : en
Pages : 40
Get Book Here
Book Description
Author: Michael J. Sidnell
Publisher: Springer
ISBN: 1349249882
Category : Literary Criticism
Languages : en
Pages : 202
Get Book Here
Book Description
Yeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats's career, the essays are organised into three main parts. The first deals with Yeats's concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second section puts Yeats's poetry in context with the work of Synge, D.H. Lawrence, Walter de la Mare and other 'Georgians', and with that of T.S. Eliot and other modernists; assessing the continuities (real and asserted) in Yeats's long poetic career against the revolutions in the poetry of his time. The profound connections between the writings of Yeats and Joyce, including the coupling of Finnegans's Wake and 'The Wanderings of Oisin' are also examined. Rounding off the volume 'Phantasmagoria', explores the implications for his poetics of Yeats's spiritualist philosophy, especially in terms of his conception of the poetic self, and, finally, the last section analyses two works animated by Yeats's quest for the 'faery bride' and his desperate attempt to attract, through his work, a real one.
