Year Book [of The] Annual Chicago Architectural Exhibition PDF Download
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![Year Book [of The] Annual Chicago Architectural Exhibition PDF](https://books.google.com/books/content/images/frontcover/yplAAQAAMAAJ?fife=w150-h200)
Author: Chicago Architectural Club
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 114
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Book Description
![Year Book [of The] Annual Chicago Architectural Exhibition PDF](https://books.google.com/books/content/images/frontcover/yplAAQAAMAAJ?fife=w80-h100)
Author: Chicago Architectural Club
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 114
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Book Description
Author: Chicago Architectural Club
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 314
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Book Description
Author: T Square Club (Philadelphia, Pa.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 226
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 734
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Book Description
Author: St. Louis Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 474
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Book Description
"Teachers' bulletin", vol. 4- issued as part of v. 23, no. 9-
Author: Detroit Public Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 86
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Book Description
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 844
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Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 228
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Author: Kathryn Smith
Publisher: Princeton University Press
ISBN: 0691246416
Category : Architecture
Languages : en
Pages : 292
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Book Description
The first history of Frank Lloyd Wright's exhibitions of his own work—a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career. Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.
Author: George Barnett Johnston
Publisher: Bloomsbury Publishing
ISBN: 1350126845
Category : Architecture
Languages : en
Pages : 321
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Book Description
Assembling the Architect explores the origins and history of architectural practice. It unravels the competing interests that historically have structured the field and cultivates a deeper understanding of the contemporary profession. Focusing on the period 1870 to 1920 when the foundations were being laid for the U.S. architectural profession that we recognize today, this study traces the formation and standardization of the fundamental relationships among architects, owners, and builders, as codified in the American Institute of Architects' very first Handbook of Architectural Practice. It reveals how these archetypal roles have always been fluid, each successfully redefining their own agency with respect to the others in the constantly-shifting political economy of building. Far from being a purely historical study, the book also sheds light on today's digitally-enabled profession. Contemporary architectural tools and disciplinary ideals continue to be shaped by the same fundamental tensions, and emergent modes of practice such as BIM (Building Information Modelling) and IPD (Integrated Project Delivery) represent the realization of programs and agendas that have been over a century in play. Essential reading for professional practice courses as a contextual and historical companion to the Handbook, Assembling the Architect provides a critical perspective of the profession that is fundamental to understanding current architectural practice.
