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Author: Napoleon A. Chagnon
Publisher:
ISBN: 9780155054288
Category : Political Science
Languages : en
Pages : 56
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Book Description
YANOMAMO INTERACTIVE: THE AX FIGHT sets a new standard in the teaching of cultural anthropology, using the power of multimedia to enhance and extend the experience of viewing Chagnon and Asch's classic ethnographic film.
Author: Napoleon A. Chagnon
Publisher:
ISBN: 9780155054288
Category : Political Science
Languages : en
Pages : 56
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Book Description
YANOMAMO INTERACTIVE: THE AX FIGHT sets a new standard in the teaching of cultural anthropology, using the power of multimedia to enhance and extend the experience of viewing Chagnon and Asch's classic ethnographic film.
Author: Patrick Tierney
Publisher: W. W. Norton & Company
ISBN: 9780393322750
Category : Business & Economics
Languages : en
Pages : 484
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Book Description
What "Guns, Germs, and Steel" did for colonial history, this book will do for modern anthropology, telling the explosive story of how ruthless journalists, self-serving anthropologists, and obsessed scientists placed the Yanomami, one of the Amazon basin's oldest tribes, on the cusp of extinction. A "New York Times" Notable Book. of photos.
Author: Jay Ruby
Publisher: University of Chicago Press
ISBN: 9780226730981
Category : Performing Arts
Languages : en
Pages : 362
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Book Description
Here, Jay Ruby—a founder of visual anthropology—distills his thirty-year exploration of the relationship of film and anthropology. Spurred by a conviction that the ideal of an anthropological cinema has not even remotely begun to be realized, Ruby argues that ethnographic filmmakers should generate a set of critical standards analogous to those for written ethnographies. Cinematic artistry and the desire to entertain, he argues, can eclipse the original intention, which is to provide an anthropological representation of the subjects. The book begins with analyses of key filmmakers (Robert Flaherty, Robert Garner, and Tim Asch) who have striven to generate profound statements about human behavior on film. Ruby then discusses the idea of research film, Eric Michaels and indigenous media, the ethics of representation, the nature of ethnography, anthropological knowledge, and film and lays the groundwork for a critical approach to the field that borrows selectively from film, communication, media, and cultural studies. Witty and original, yet intensely theoretical, this collection is a major contribution to the field of visual anthropology.
Author: Jonathan S. Marion
Publisher: Routledge
ISBN: 100018952X
Category : Social Science
Languages : en
Pages : 182
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Book Description
Visual Research: A Concise Introduction to Thinking Visually is the first text to present a concise overview of the significant ethical, theoretical, and practical considerations for conducting research with images. The capacity to take photos and video on handheld devices and the ability to store, post, and share such imagery online all offer tremendous opportunities for social research. The rapid development and popularity of such technology means that little technological proficiency is required, and even less theoretical and ethical consideration. This book provides an accessible introduction to doing visual research in the social sciences. Beginning with ethical considerations, this book highlights the importance of thinking visually before engaging in visual research. Further themes involve creating, organizing, and using images and are presented so as to help readers think about and work with their own visual data. Boxed case studies and further reading suggestions enhance the utility of this primer. Concise and highly focused, Visual Research will be an invaluable resource for visual, media, and communications students and researchers and others interested in visual research in the social sciences.
Author: Zeljko Jokic
Publisher: Berghahn Books
ISBN: 1782388184
Category : Social Science
Languages : en
Pages : 296
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Book Description
This phenomenologically oriented ethnography focuses on experiential aspects of Yanomami shamanism, including shamanistic activities in the context of cultural change. The author interweaves ethnographic material with theoretical components of a holographic principle, or the idea that the “part is equal to the whole,” which is embedded in the nature of the Yanomami macrocosm, human dwelling, multiple-soul components, and shamans’ relationships with embodied spirit-helpers. This book fills an important gap in the regional study of Yanomami people, and, on a broader scale, enriches understanding of this ancient phenomenon by focusing on the consciousness involved in shamanism through firsthand experiential involvement.
Author: Karl G. Heider
Publisher: University of Texas Press
ISBN: 0292779399
Category : Performing Arts
Languages : en
Pages : 181
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Book Description
From reviews of the first edition: “Ethnographic Film can rightly be considered a film primer for anthropologists.” —Choice “This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it.” —Ethnohistory Even before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers—Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
Author: Keith Beattie
Publisher: Bloomsbury Publishing
ISBN: 0230628036
Category : Performing Arts
Languages : en
Pages : 276
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Book Description
Documentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate this engaging study. Documentary Screens is a comprehensive and critical study of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so-called popular factual entertainment and the future of documentary film, television and new media. This provocative and accessible analysis situates wide-ranging examples from each category within the larger material forces which impact on documentary form and content. The important connection between form, content and context explored in the book constitutes a new and lively 'documentary studies' approach to documentary representation.
Author: Daniel J. Hruschka
Publisher: Univ of California Press
ISBN: 0520265467
Category : Family & Relationships
Languages : en
Pages : 399
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Book Description
"Hruschka's integrative approach provides a robust, and accessible, view of the complexities of making, having, and being friends. This kind of inquiry is at the forefront of modern biocultural anthropology."--Agustin Fuentes, author of Evolution of Human Behavior "Despite its importance to human happiness and well-being, friendship has long been a puzzle--largely a neglected one--for evolutionary scholars. Daniel Hruschka's book is a long overdue remedy to this situation. Through a deft combination of rigorous analysis and fine writing, Hruschka provides a thorough examination of friendship across the full range of human societies, past and present. His book will be an essential starting point for future work on this important topic."--Lee Cronk, author of That Complex Whole: Culture and the Evolution of Human Behavior "With Friendship, Dan Hruschka uses evolutionary science to breathe new life into a topic that is vastly important and woefully misunderstood. Remarkable for its scope, insightfulness, and clarity, this book will change how we think about friendship for years to come."--Michael McCullough, author of Beyond Revenge: The Evolution of the Forgiveness Instinct
Author: Mary Strong
Publisher: University of Texas Press
ISBN: 0292756135
Category : Social Science
Languages : en
Pages : 576
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Book Description
Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone. This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes. Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book's fifteen contributors feature populations living on all of the world's continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.
Author: Marcus Banks
Publisher: University of Chicago Press
ISBN: 0226036634
Category : Performing Arts
Languages : en
Pages : 426
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Book Description
Made to be Seen brings together leading scholars of visual anthropology to examine the historical development of this multifaceted and growing field. Expanding the definition of visual anthropology beyond more limited notions, the contributors to Made to be Seen reflect on the role of the visual in all areas of life. Different essays critically examine a range of topics: art, dress and body adornment, photography, the built environment, digital forms of visual anthropology, indigenous media, the body as a cultural phenomenon, the relationship between experimental and ethnographic film, and more. The first attempt to present a comprehensive overview of the many aspects of an anthropological approach to the study of visual and pictorial culture, Made to be Seen will be the standard reference on the subject for years to come. Students and scholars in anthropology, sociology, visual studies, and cultural studies will greatly benefit from this pioneering look at the way the visual is inextricably threaded through most, if not all, areas of human activity.
