Author: Laura S. Lieber
Publisher: Hebrew Union College Press
ISBN: 0878201041
Category : Religion
Languages : en
Pages : 817
Book Description
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Yannai, the first Hebrew poet to sign his name to his works (by means of an acrostic), influenced Hebrew sacred poetry for centuries beyond his lifespan. He was the first to consistently use true end rhyme, and he was among the first to have written for the weekly service and festivals rather than just particular holidays. As literary works, his poems are as dazzling as they are complex, rich with sound and play, allusion and linguistic beauty. Lieber presents the Hebrew texts of Yannai's 31 extant piyyutim which embellish the Book of Genesis. She translates, annotates, and analyzes these complex poems, which display the poet's transformative treatments of some of the most familiar biblical narratives. She contextualizes these poems and teaches readers how to read and appreciate piyyut by studying Yannai's poetic language and the formal structures of the poems; his exegetical, cultural, and societal importance; and intriguing motifs in Yannai's worldview such as mysticism, holiness, Jewish-Christian relations, and the role of women. Lieber's groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
Yannai on Genesis
Author: Laura S. Lieber
Publisher: Hebrew Union College Press
ISBN: 0878201041
Category : Religion
Languages : en
Pages : 817
Book Description
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Yannai, the first Hebrew poet to sign his name to his works (by means of an acrostic), influenced Hebrew sacred poetry for centuries beyond his lifespan. He was the first to consistently use true end rhyme, and he was among the first to have written for the weekly service and festivals rather than just particular holidays. As literary works, his poems are as dazzling as they are complex, rich with sound and play, allusion and linguistic beauty. Lieber presents the Hebrew texts of Yannai's 31 extant piyyutim which embellish the Book of Genesis. She translates, annotates, and analyzes these complex poems, which display the poet's transformative treatments of some of the most familiar biblical narratives. She contextualizes these poems and teaches readers how to read and appreciate piyyut by studying Yannai's poetic language and the formal structures of the poems; his exegetical, cultural, and societal importance; and intriguing motifs in Yannai's worldview such as mysticism, holiness, Jewish-Christian relations, and the role of women. Lieber's groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
Publisher: Hebrew Union College Press
ISBN: 0878201041
Category : Religion
Languages : en
Pages : 817
Book Description
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Yannai, the first Hebrew poet to sign his name to his works (by means of an acrostic), influenced Hebrew sacred poetry for centuries beyond his lifespan. He was the first to consistently use true end rhyme, and he was among the first to have written for the weekly service and festivals rather than just particular holidays. As literary works, his poems are as dazzling as they are complex, rich with sound and play, allusion and linguistic beauty. Lieber presents the Hebrew texts of Yannai's 31 extant piyyutim which embellish the Book of Genesis. She translates, annotates, and analyzes these complex poems, which display the poet's transformative treatments of some of the most familiar biblical narratives. She contextualizes these poems and teaches readers how to read and appreciate piyyut by studying Yannai's poetic language and the formal structures of the poems; his exegetical, cultural, and societal importance; and intriguing motifs in Yannai's worldview such as mysticism, holiness, Jewish-Christian relations, and the role of women. Lieber's groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
Yannai on Genesis
Author: Laura Suzanne Lieber
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 824
Book Description
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Her groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 824
Book Description
Piyyut is the art of Hebrew or Aramaic poetry composed either in place of or as adornments to Jewish statutory prayers. Laura S. Lieber uses the piyyutim of a single poet, Yannai (ca. sixth century C.E.), to introduce readers to this important but largely unfamiliar body of writings. Her groundbreaking study is an invitation to those with interests in areas such as liturgical studies, rabbinic literature and targum studies, the early synagogue and its art, Byzantine Christian culture and society, and the history of biblical interpretation to engage with these beautiful and neglected texts and include them in larger intellectual conversations.
On My Right Michael, On My Left Gabriel
Author: Mika Ahuvia
Publisher: Univ of California Press
ISBN: 0520380118
Category : History
Languages : en
Pages : 270
Book Description
Introduction : angelic greetings or Shalom Aleichem -- At home with the angels : Babylonian ritual sources -- Out and about with the angels : Palestinian ritual sources -- No angels? early rabbinic sources -- In the image of God, not angels : rabbinic sources -- In the image of the angels : liturgical sources -- Israel among the angels : Late rabbinic sources -- Jewish mystics and the angelic realms : early mystical sources -- Conclusion : angels in Judaism and the religions of late antiquity -- Appendix A : table -- Appendix B : description of table.
Publisher: Univ of California Press
ISBN: 0520380118
Category : History
Languages : en
Pages : 270
Book Description
Introduction : angelic greetings or Shalom Aleichem -- At home with the angels : Babylonian ritual sources -- Out and about with the angels : Palestinian ritual sources -- No angels? early rabbinic sources -- In the image of God, not angels : rabbinic sources -- In the image of the angels : liturgical sources -- Israel among the angels : Late rabbinic sources -- Jewish mystics and the angelic realms : early mystical sources -- Conclusion : angels in Judaism and the religions of late antiquity -- Appendix A : table -- Appendix B : description of table.
Staging the Sacred
Author: Laura S. Lieber
Publisher: Oxford University Press
ISBN: 019006546X
Category : History
Languages : en
Pages : 425
Book Description
"In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and spectacle. Recognizing that liturgical poets were as invested engaging their listeners as orators and actors were, this study analyses hymnody as a performative genre akin to oratory and theatre, the two primary modes of public performance from the wider societal context. Attention to liturgical poetry's "theatricality" draws our attention to a range of subjects, from how biblical stories were adapted to the liturgical stage, much in the way that the classical works of Greco-Roman antiquity were themselves popularized in this Late Antique period; to the adaptation of physical techniques and material structures to augment the ability of performers to engage their audiences. Specific techniques associated with both oratory and acting in antiquity will offer concrete means for elucidating the affinities of liturgical presentations and other modes of performance: indications of direct address, for example, and apostrophe, as well as the creation of character through speech (ethopoeia); and appeals to the audience's senses, including vivid descriptions (ekphrasis), a technique especially popular in antiquity. A serious consideration of performance also demands that we make the difficult leap to imagining the world beyond the page. While Late Antique hymnody has come down to the present primarily in textual form, the written word constitutes something quite remote from the actual experience these scripts reflect. We will thus attempt to consider more speculative but recognizably essential elements of these works' reception, including ways in which liturgical poetry could have borrowed from the gestures and body language of oratory, mime, and pantomime, and how poets may have used the physical spaces of performance and accelerated changes visible in the archaeological record"--
Publisher: Oxford University Press
ISBN: 019006546X
Category : History
Languages : en
Pages : 425
Book Description
"In this volume, Christian, Jewish, and Samaritan liturgical poetry from Late Antiquity (ca. 3rd-4th c. CE) is examined not only from within the context of religious traditions of biblical interpretation and conventions of prayer but also through the lenses of performance, entertainment, and spectacle. Recognizing that liturgical poets were as invested engaging their listeners as orators and actors were, this study analyses hymnody as a performative genre akin to oratory and theatre, the two primary modes of public performance from the wider societal context. Attention to liturgical poetry's "theatricality" draws our attention to a range of subjects, from how biblical stories were adapted to the liturgical stage, much in the way that the classical works of Greco-Roman antiquity were themselves popularized in this Late Antique period; to the adaptation of physical techniques and material structures to augment the ability of performers to engage their audiences. Specific techniques associated with both oratory and acting in antiquity will offer concrete means for elucidating the affinities of liturgical presentations and other modes of performance: indications of direct address, for example, and apostrophe, as well as the creation of character through speech (ethopoeia); and appeals to the audience's senses, including vivid descriptions (ekphrasis), a technique especially popular in antiquity. A serious consideration of performance also demands that we make the difficult leap to imagining the world beyond the page. While Late Antique hymnody has come down to the present primarily in textual form, the written word constitutes something quite remote from the actual experience these scripts reflect. We will thus attempt to consider more speculative but recognizably essential elements of these works' reception, including ways in which liturgical poetry could have borrowed from the gestures and body language of oratory, mime, and pantomime, and how poets may have used the physical spaces of performance and accelerated changes visible in the archaeological record"--
The Talmud's Red Fence
Author: Shai Secunda
Publisher: Oxford University Press, USA
ISBN: 0198856822
Category : Religion
Languages : en
Pages : 223
Book Description
The Talmud's Red Fence explores how rituals and beliefs concerning menstruation in the Babylonian Talmud and neighboring Sasanian religious texts were animated by difference and differentiation. It argues that the practice and development of menstrual rituals in Babylonian Judaism was a product of the religious terrain of the Sasanian Empire, where groups like Syriac Christians, Mandaeans, Zoroastrians, and Jews defined themselves in part based on how they approached menstrual impurity. It demonstrates that menstruation was highly charged in Babylonian Judaism and Sasanian Zoroastrian, where menstrual discharge was conceived of as highly productive female seed yet at the same time as stemming from either primordial sin (Eve eating from the tree) or evil (Ahrimen's kiss). It argues that competition between rabbis and Zoroastrians concerning menstrual purity put pressure on the Talmudic system, for instance in the unusual development of an expert diagnostic system of discharges. It shows how Babylonian rabbis seriously considered removing women from the home during the menstrual period, as Mandaeans and Zoroastrians did, yet in the end deemed this possibility too "heretical." Finally, it examines three cases of Babylonian Jewish women initiating menstrual practices that carved out autonomous female space. One of these, the extension of menstrual impurity beyond the biblically mandated seven days, is paralleled in both Zoroastrian Middle Persian and Mandaic texts. Ultimately, Talmudic menstrual purity is shown to be driven by difference in its binary structure of pure and impure; in gendered terms; on a social axis between Jews and Sasanian non-Jewish communities; and textually in the way the Palestinian and Babylonian Talmuds took shape in late antiquity.
Publisher: Oxford University Press, USA
ISBN: 0198856822
Category : Religion
Languages : en
Pages : 223
Book Description
The Talmud's Red Fence explores how rituals and beliefs concerning menstruation in the Babylonian Talmud and neighboring Sasanian religious texts were animated by difference and differentiation. It argues that the practice and development of menstrual rituals in Babylonian Judaism was a product of the religious terrain of the Sasanian Empire, where groups like Syriac Christians, Mandaeans, Zoroastrians, and Jews defined themselves in part based on how they approached menstrual impurity. It demonstrates that menstruation was highly charged in Babylonian Judaism and Sasanian Zoroastrian, where menstrual discharge was conceived of as highly productive female seed yet at the same time as stemming from either primordial sin (Eve eating from the tree) or evil (Ahrimen's kiss). It argues that competition between rabbis and Zoroastrians concerning menstrual purity put pressure on the Talmudic system, for instance in the unusual development of an expert diagnostic system of discharges. It shows how Babylonian rabbis seriously considered removing women from the home during the menstrual period, as Mandaeans and Zoroastrians did, yet in the end deemed this possibility too "heretical." Finally, it examines three cases of Babylonian Jewish women initiating menstrual practices that carved out autonomous female space. One of these, the extension of menstrual impurity beyond the biblically mandated seven days, is paralleled in both Zoroastrian Middle Persian and Mandaic texts. Ultimately, Talmudic menstrual purity is shown to be driven by difference in its binary structure of pure and impure; in gendered terms; on a social axis between Jews and Sasanian non-Jewish communities; and textually in the way the Palestinian and Babylonian Talmuds took shape in late antiquity.
"Let the Wise Listen and add to Their Learning" (Prov 1:5)
Author: Constanza Cordoni
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110429330
Category : Religion
Languages : en
Pages : 857
Book Description
This Festschrift honours Günter Stemberger on the occasion of his 75th birthday on 7 December 2015 and contains 41 articles from colleagues and students. The studies focus on a variety of subjects pertaining to the history, religion and culture of Judaism – and, to a lesser extent, of Christianity – from late antiquity and the Middle Ages to the modern era.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110429330
Category : Religion
Languages : en
Pages : 857
Book Description
This Festschrift honours Günter Stemberger on the occasion of his 75th birthday on 7 December 2015 and contains 41 articles from colleagues and students. The studies focus on a variety of subjects pertaining to the history, religion and culture of Judaism – and, to a lesser extent, of Christianity – from late antiquity and the Middle Ages to the modern era.
At the Intersection of Texts and Material Finds
Author: Stuart S. Miller
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647564788
Category : Religion
Languages : en
Pages : 424
Book Description
Stuart Miller examines the hermeneutical challenges posed by the material and literary evidence pertaining to ritual purity practices in Graeco-Roman Palestine and, especially, the Galilee. He contends that "stepped pools," which we now know were in use well beyond the Destruction of the Temple, and, as indicated by the large collection on the western acropolis of Sepphoris and elsewhere, into the Middle and Late Roman/Byzantine eras,must be understood in light of biblical and popular perspectives on ritual purity. The interpretation of the finds is too frequently forced to conform to rabbinic prescriptions, which oftentimes were the result of the sages' unique and creative, nominalist approach to ritual purity. Special attention is given to the role ritual purity continued to play in the lives of ordinary Jews despite (or because of) the loss of the Temple. Miller argues against the prevailing tendency to type material finds—and Jewish society––according to known groups (pre-70 C.E.: Pharisaic, Sadducaic, Essenic; post 70 C.E.: rabbinic, priestly, etc.). He further counters the perception that ritual purity practices were largely the interest of priests and argues against the recent suggestion that the kohanim resurfaced as an influential group in Late Antiquity. Building upon his earlier work on "sages and commoners," Miller claims that the rabbis emerged out of a context in which a biblically derived "complex common Judaism" thrived. Stepped pools, stone vessels, and other material finds are realia belonging to this "complex common Judaism." A careful reading of the rabbis indicates that they were acutely aware of the extent to which ritual purity rites pertaining to home and family life had "spread," which undoubtedly contributed to their intense interest in regulating them.
Publisher: Vandenhoeck & Ruprecht
ISBN: 3647564788
Category : Religion
Languages : en
Pages : 424
Book Description
Stuart Miller examines the hermeneutical challenges posed by the material and literary evidence pertaining to ritual purity practices in Graeco-Roman Palestine and, especially, the Galilee. He contends that "stepped pools," which we now know were in use well beyond the Destruction of the Temple, and, as indicated by the large collection on the western acropolis of Sepphoris and elsewhere, into the Middle and Late Roman/Byzantine eras,must be understood in light of biblical and popular perspectives on ritual purity. The interpretation of the finds is too frequently forced to conform to rabbinic prescriptions, which oftentimes were the result of the sages' unique and creative, nominalist approach to ritual purity. Special attention is given to the role ritual purity continued to play in the lives of ordinary Jews despite (or because of) the loss of the Temple. Miller argues against the prevailing tendency to type material finds—and Jewish society––according to known groups (pre-70 C.E.: Pharisaic, Sadducaic, Essenic; post 70 C.E.: rabbinic, priestly, etc.). He further counters the perception that ritual purity practices were largely the interest of priests and argues against the recent suggestion that the kohanim resurfaced as an influential group in Late Antiquity. Building upon his earlier work on "sages and commoners," Miller claims that the rabbis emerged out of a context in which a biblically derived "complex common Judaism" thrived. Stepped pools, stone vessels, and other material finds are realia belonging to this "complex common Judaism." A careful reading of the rabbis indicates that they were acutely aware of the extent to which ritual purity rites pertaining to home and family life had "spread," which undoubtedly contributed to their intense interest in regulating them.
The Body
Author: Angela Roskop Erisman
Publisher: Hebrew Union College Press
ISBN: 0878207058
Category : Literary Criticism
Languages : en
Pages : 551
Book Description
The clothed and adorned body has been at the forefront of Nili S. Fox's scholarship. In her hallmark approach, she draws on theoretical models from anthropology and archaeology, and locates the text within its native cultural environment in conversation with ancient Near Eastern literary and iconographic sources. This volume is a tribute to her, a collection of essays on dress and the body with original research by Fox's students. With the field of dress now garnering the attention of biblical and Ancient Near Eastern scholars alike, this book adds to the growing literature on the topic, demonstrating ways in which both dress and the body communicate cultural and religious beliefs and practices. The body's lived experience is the topic of section one, the body lived. The body and the social construction of identity is discussed in section two, the body cultured, while section three, the body adorned, analyzes the performative nature of dress in the biblical text.
Publisher: Hebrew Union College Press
ISBN: 0878207058
Category : Literary Criticism
Languages : en
Pages : 551
Book Description
The clothed and adorned body has been at the forefront of Nili S. Fox's scholarship. In her hallmark approach, she draws on theoretical models from anthropology and archaeology, and locates the text within its native cultural environment in conversation with ancient Near Eastern literary and iconographic sources. This volume is a tribute to her, a collection of essays on dress and the body with original research by Fox's students. With the field of dress now garnering the attention of biblical and Ancient Near Eastern scholars alike, this book adds to the growing literature on the topic, demonstrating ways in which both dress and the body communicate cultural and religious beliefs and practices. The body's lived experience is the topic of section one, the body lived. The body and the social construction of identity is discussed in section two, the body cultured, while section three, the body adorned, analyzes the performative nature of dress in the biblical text.
Piyyuṭ and Midrash
Author: Tzvi Novick
Publisher: Vandenhoeck & Ruprecht
ISBN: 364757080X
Category : Religion
Languages : en
Pages : 236
Book Description
Novick studies the relationship between rabbinic midrash and classical (and to a lesser extent pre-classical) piyyut?. The first focuses on features of piyyut? that distinguish it, at least prima facie, from rabbinic midrash: its performative character, its formal constraints, and its character as prayer. The second part considers midrash and piyyut? together via an analysis of a narrative form that looms large in both corpora. The "serial narrative" is a narrative that binds biblical history together by stringing together instance of the "same" event across multiple time periods. Thereby, Novick surveys basic features of serial narratives in midrash and piyyut?. Subsequent chapters take up instance of specific serial narrative forms from Second Temple literature to piyyut: the kingdom series, the salvation history, and the serial confession. Together, the two parts yield a nuanced account of the continuities and discontinuities between the two great corpora produced by rabbinic and para-rabbinic circles in Roman Palestine.
Publisher: Vandenhoeck & Ruprecht
ISBN: 364757080X
Category : Religion
Languages : en
Pages : 236
Book Description
Novick studies the relationship between rabbinic midrash and classical (and to a lesser extent pre-classical) piyyut?. The first focuses on features of piyyut? that distinguish it, at least prima facie, from rabbinic midrash: its performative character, its formal constraints, and its character as prayer. The second part considers midrash and piyyut? together via an analysis of a narrative form that looms large in both corpora. The "serial narrative" is a narrative that binds biblical history together by stringing together instance of the "same" event across multiple time periods. Thereby, Novick surveys basic features of serial narratives in midrash and piyyut?. Subsequent chapters take up instance of specific serial narrative forms from Second Temple literature to piyyut: the kingdom series, the salvation history, and the serial confession. Together, the two parts yield a nuanced account of the continuities and discontinuities between the two great corpora produced by rabbinic and para-rabbinic circles in Roman Palestine.
Jews, Christians, and the Discourse on Images before Iconoclasm
Author: Alexei Sivertsev
Publisher: Cambridge University Press
ISBN: 100942453X
Category : Art
Languages : en
Pages : 293
Book Description
Demonstrates how Jewish texts serve as a witness to the formation of image discourse in late antiquity and the early Middle Ages.
Publisher: Cambridge University Press
ISBN: 100942453X
Category : Art
Languages : en
Pages : 293
Book Description
Demonstrates how Jewish texts serve as a witness to the formation of image discourse in late antiquity and the early Middle Ages.