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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 414
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Book Description
Author: Timothy Husband
Publisher: Metropolitan Museum of Art
ISBN: 1588392945
Category : Belles heures of Jean of France, Duke of Berry
Languages : en
Pages : 390
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Book Description
Author: Luise Hercus
Publisher:
ISBN: 9781925021622
Category : Electronic books
Languages : en
Pages : 398
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Book Description
This book showcases current research into Indigenous and minority placenames in Australia and internationally. Many of the chapters in this volume originated as papers at a Trends in Toponymy conference hosted by the University of Ballarat in 2007 that featured Australian and international speakers. The chapters in this volume provide insight into the quality of toponymic research that is being undertaken in Australia and in countries such as Canada, Finland, South Africa, New Zealand, and Norway. The research presented here draws on the disciplines of linguistics, geography, history, and anthropology. The book includes meticulous studies of placenames in central NSW and the Upper Hunter region; Gundungurra cave names; western Arnhem Land; Northern Cape York Peninsula and Mount Wheeler in Queensland; saltwater placenames around Mer in the Torres Strait; and the Kaurna in South Australia.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393410
Category : Art
Languages : en
Pages : 354
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Book Description
The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.
Author: Anne T. Woollett
Publisher: Getty Publications
ISBN: 0892368489
Category : Art
Languages : en
Pages : 290
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Book Description
Truly collaborative paintings, that is, not simply mechanical but also conceptual co-productions, are rare in the history of art. This gorgeously illustrated catalogue explores just such an extraordinary partnership between Antwerp's most eminent painters of the early seventeenth century, Peter Paul Rubens (1577-1640) and Jan Brueghel the Elder (1568-1625). Rubens and Brueghel executed approximately twenty-five works together between around 1597 and Brueghel's death in 1625. Highly prized and sought after by collectors throughout Europe, the collaborative works of Rubens and Brueghel were distinguished by an extremely high level of quality, further enhanced by the status of the artists themselves. Published to coincide with an exhibition at the Getty Museum to be held July 5 to September 24, 2006, the catalogue features twenty-six color plates of such Rubens/Brueghel paintings as The Return from War, The Feast of Achelo�s, and Madonna and Child in a Garland of Flowers, along with Rubens and Brueghel's collaborations with important contemporaries such as Frans Snyders and Hendrick van Balen. This is the first such publication to fully address and reproduce these works in depth.
Author: Craig Dworkin
Publisher: Northwestern University Press
ISBN: 0810127113
Category : Art
Languages : en
Pages : 657
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Book Description
Charles Bernstein has described conceptual "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Editors Craig Dworkin and Kenneth Goldsmith chart the trajectory of the conceptual aesthetic from early precursors such as Samuel Beckett and Marcel Duchamp through major avant-garde groups of the past century, including Dada, Oulipo, Fluxus, and language poetry, to name just a few. The works of more than a hundred writers from Aasprong to Zykov demonstrate a remarkable variety of new ways of thinking about the nature of texts, information, and art, using found, appropriated, and randomly generated texts to explore the possibilities of non-expressive language. --Book Jacket.
Author: Edith Appleton Standen
Publisher: Metropolitan Museum of Art
ISBN: 0870994069
Category : Tapestry
Languages : en
Pages : 426
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Book Description
Tapestry making flourished in the major centers of western Europe from the fourteenth through the nineteenth centuries. Thousands of tapestries were woven as special commissions for church, crown, and nobility. This publication is a comprehensive catalogue of the Museum's collection of tapestries and allied works made after the Middle Ages.-- Metropolitan Museum of Art website.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870992635
Category : Art
Languages : en
Pages : 282
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Book Description
Author: Carla Gardina Pestana
Publisher: Routledge
ISBN: 9781781447499
Category : History
Languages : en
Pages : 512
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Book Description
This four-volume collection brings together rare pamphlets from the formative years of the English involvement in the Caribbean. Texts presented in the volumes cover the first impressions of the region, imperial rivalries between European traders and settlers and the experience of day-to-day life in the colonies.
Author: Max J. Friedlander
Publisher: Read Books Ltd
ISBN: 1447495381
Category : Art
Languages : en
Pages : 250
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Book Description
AMONG art historians of to-day there is hardly anyone who enjoys a position comparable to that of Dr. Max J. Friedländer. He is universally recognized as being probably the greatest living expert, notably, of course, on the early Netherlandish and German masters; and in normal times not a day passed on which pictures were not submitted to him for opinion from all parts of the world. But he is much more than the mere, if accomplished, expert, worried without respite by people eager for his verdict on their possessions: the list of his writings—all of them revealing the outlook of the born historian—makes a truly imposing series, culminating in his monumental History of Early Netherlandish Painting issued from 1924 onwards in fourteen substantial volumes. And for a long time the whole of this ceaseless activity had for its background Dr. Friedländer’s connection with the Berlin Picture Gallery and Print Room: their marvellous growth during the period in question owes in fact an enormous debt to the distinguished scholar, whose career as an official came to an end in 1933, when Dr. Friedländer relinquished the post as Head of the great Picture Gallery, to which he had been appointed as Wilhelm von Bode’s successor. It is, indeed, the very aroma of that institution in its best days which pervades the whole activity of one of the greatest of those who stand to it in the relation of at once alumnus and creator.
