Writings on Lev Ivanov PDF Download
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Author: I︠U︡riĭ Slonimskiĭ
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
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Book Description
Author: I︠U︡riĭ Slonimskiĭ
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
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Book Description
Author: Iurii I. Slonimskii
Publisher:
ISBN: 9780384559806
Category :
Languages : en
Pages : 0
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Book Description
Author: Alpheus Hyatt Mayor
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 72
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Book Description
Author: Ivor Guest
Publisher:
ISBN:
Category : Ballet
Languages : en
Pages : 72
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Book Description
Author: Roland John Wiley
Publisher:
ISBN: 0198165676
Category : Biography & Autobiography
Languages : en
Pages : 343
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Book Description
This is the first book-length study in any language about this Russian artist--Marius Petipa's colleague and Tchaikovsky's collaborator--who is widely celebrated and yet virtually unknown. It follows Ivanov from his infancy in a St Petersburg foundling home through to his career as a dancer, r gisseur, and choreographer in the St Petersburg Imperial Ballet. Ivanov's artistic world is described, as is his legacy-- some dozen works, including Swan Lake, The Nutcracker, and the famous dances from Prince Igor--that inspired Mikhail Fokine in the next generation. The book is richly documented, including the first complete publication of Ivanov's memoirs and hundreds of citations, many published here for the first time, from state documents, reminiscences, and criticism.
Author: I︠U︡riĭ Slonimskiĭ
Publisher:
ISBN:
Category :
Languages : en
Pages : 64
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Book Description
Author: Lev Ivanov
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Fedor Lopukhov
Publisher: Univ of Wisconsin Press
ISBN: 9780299182748
Category : Music
Languages : en
Pages : 248
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Book Description
Although little-known in the West, Fedor Lopukhov was a leading figure in Russia's dance world for more than sixty years and an influence on many who became major figures in Western dance, such as George Balanchine. As a choreographer, he staged the first post-revolutionary productions of traditional ballets like Swan Lake and The Sleeping Beauty as well as avant-garde and experimental works, including Dance Symphony, Bolt, and a highly controversial version of The Nutcracker. This first publication in English of Lopukhov's theoretical writings will give readers a clear understanding of his seminal importance in dance history and illuminate his role in the development of dance as a nonnarrative, musically based form. These writings present the rationale behind Lopukhov's attempt to develop a "symphonic" ballet that would integrate the formal and expressive elements of dance and music. They also show his finely detailed knowledge of the classical heritage and his creative efforts to transmit major works to future generations. This edition explains not only the making of his own controversial Dance Symphony but also the issues he saw at stake in productions of Giselle, The Sleeping Beauty, and other key works by Petipa and Fokine. Lopukhov's writings argue the details of choreographic devices with an unusual degree of precision, and his comments on composers and the musical repertoire used by his predecessors and contemporaries are equally revealing. Stephanie Jordan's introduction deftly situates these writings within the context of Lopukhov's life and career and in relation to the theories, aesthetics, and practices of dance in the twentieth century.
Author: Vi︠a︡cheslav Ivanovich Ivanov
Publisher: Northwestern University Press
ISBN: 9780810115224
Category : Literary Collections
Languages : en
Pages : 360
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Book Description
A poet, critic and theoretician at the turn of the 20th century, Viacheslav Ivanov was dubbed Viacheslav the Magnificent by his contemporaries. This volume of essays covers a broad range of Ivanov's interests including the aesthetics of Symbolism, theatre and culturological concerns.
Author: Arlene Croce
Publisher: Farrar, Straus and Giroux
ISBN: 1429930136
Category : Performing Arts
Languages : en
Pages : 769
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Book Description
The best of America's best writer on dance "Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love." From 1973 until 1996 Arlene Croce was The New Yorker's dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces-over a fourth have never appeared in book form-writings that reverberate with consequence and controversy for the state of the art today.
