Selected Works

Selected Works PDF Author: Sergej Michajlovič Ėjzenštejn
Publisher:
ISBN: 9780851705309
Category :
Languages : en
Pages : 0

Get Book Here

Book Description

Selected Works

Selected Works PDF Author: Sergej Michajlovič Ėjzenštejn
Publisher:
ISBN: 9780851705309
Category :
Languages : en
Pages : 0

Get Book Here

Book Description


Writings, 1934-1947

Writings, 1934-1947 PDF Author: Sergei Eisenstein
Publisher: Bloomsbury Publishing
ISBN: 0857716093
Category : Performing Arts
Languages : en
Pages : 424

Get Book Here

Book Description
I.B.Tauris is delighted to announce the reissue in paperback in three volumes of the definitive, most comprehensive edition, in the finest translations and fully annotated, of the writings of this great filmmaker, theorist and teacher of film - and one of the most original aesthetic thinkers of the twentieth century. Volume 3 follows on from the 1922-34 writings of Volume 1 and parallels Volume 2's essays on the theory of montage. In the period covered by this volume, Eisenstein's film-making ran into the difficulties generated by the Soviet authorities' increasingly restrictive definition of Socialist Realism, by the show trials and the purges, the Second World War, and the post-war proclamation of rigid cultural orthodoxy by Stalin's henchman, Zhdanov. Here we experience Eisenstein's reaction to this hostile environment, as filmmaker, theorist and teacher, from his public obeisance over 'Bezhin Meadow' to his private defiance with 'Ivan the Terrible'.

Selected Works

Selected Works PDF Author: S. M. Eisenstein
Publisher:
ISBN: 9780851704609
Category :
Languages : en
Pages : 0

Get Book Here

Book Description


Selected Works: Writings, 1934-47

Selected Works: Writings, 1934-47 PDF Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 432

Get Book Here

Book Description


S. M. Eisenstein, Selected Works: Writings, 1934-47

S. M. Eisenstein, Selected Works: Writings, 1934-47 PDF Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 432

Get Book Here

Book Description


Writings, 1934-47

Writings, 1934-47 PDF Author: Sergej M. Ejzenstejn
Publisher:
ISBN: 9780851705309
Category :
Languages : en
Pages : 0

Get Book Here

Book Description


Selected Works: Writings, 1934-47

Selected Works: Writings, 1934-47 PDF Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 432

Get Book Here

Book Description
A collection of writings and memoirs of Sergei Eisenstein.

Selected Works: Writings, 1934-47

Selected Works: Writings, 1934-47 PDF Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 434

Get Book Here

Book Description


Writings, 1934-47

Writings, 1934-47 PDF Author: Sergej M. Ejzenstejn
Publisher:
ISBN: 9780851705309
Category :
Languages : en
Pages : 0

Get Book Here

Book Description


Feeling Revolution

Feeling Revolution PDF Author: Anna Toropova
Publisher: Oxford University Press
ISBN: 0192566822
Category : History
Languages : en
Pages : 256

Get Book Here

Book Description
Stalin-era cinema was designed to promote emotional and affective education. The filmmakers of the period were called to help forge the emotions and affects that befitted the New Soviet Person - ranging from happiness and victorious laughter, to hatred for enemies. Feeling Revolution shows how the Soviet film industry's efforts to find an emotionally resonant language that could speak to a mass audience came to centre on the development of a distinctively 'Soviet' cinema. Its case studies of specific film genres, including production films, comedies, thrillers, and melodramas, explore how the genre rules established by Western and prerevolutionary Russian cinema were reoriented to new emotional settings. 'Sovietising' audience emotions did not prove to be an easy feat. The tensions, frustrations, and missteps of this process are outlined in Feeling Revolution, with reference to a wide variety of primary sources, including the artistic council discussions of the Mosfil'm and Lenfil'm studios and the Ministry of Cinematography. Bringing the limitations of the Stalinist ideological project to light, Anna Toropova reveals cinema's capacity to contest the very emotional norms that it was entrusted with crafting.