Author: Margot Norris
Publisher: University of Virginia Press
ISBN: 9780813919928
Category : Art
Languages : en
Pages : 328
Book Description
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
Writing War in the Twentieth Century
Author: Margot Norris
Publisher: University of Virginia Press
ISBN: 9780813919928
Category : Art
Languages : en
Pages : 328
Book Description
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
Publisher: University of Virginia Press
ISBN: 9780813919928
Category : Art
Languages : en
Pages : 328
Book Description
The twentieth century will be remembered for great innovation in two particular areas: art and culture, and technological advancement. Much of its prodigious technical inventiveness, however, was pressed into service in the conduct of warfare. Why, asks Margot Norris, did violence and suffering on such an immense scale fail to arouse artistic and cultural expressions powerful enough to prevent the recurrence of these horrors? Why was art not more successful--through its use of dramatic, emotionally charged material, its ability to stir imagination and arouse empathy and outrage--in producing an alternative to the military logic that legitimates war? Military argument in the twentieth century has been fortified by the authority of the rationalism that we attribute to science, Norris argues. Warfare is therefore legitimized by powerful discourses that art's own arsenal of styles and genres has limited power to counter. Art's difficulty in representing the violent death of entire generations or populations has been particularly acute. Choosing works that have become representative of their historically violent moment, Norris explores not only their aesthetic strategies and perspectives but also the nature of the power they wield and the ethical engagements they enable or impede. She begins by mapping the altered ethical terrain of modern technological warfare, with its increasing targeting of civilian populations for destruction. She then proceeds historically with chapters on the trench poetry and modernist poetry of World War I, Hemingway's A Farewell to Arms and Erich Maria Remarque's All Quiet on the Western Front, both the book and the film of Schindler's List, the conflicting historical stories of the Manhattan Project, a comparison of American and Japanese accounts of Hiroshima, Francis Ford Coppola's film Apocalypse Now, and the effects of press censorship in the Persian Gulf War. By looking at the whole span of the century's writing on war, Norris provides a fascinating critique of art's ethical power and limitations, along with its participation in--as well as protest against--the suffering that human beings have brought upon themselves.
Her War Story
Author: Sayre P. Sheldon
Publisher: SIU Press
ISBN: 9780809322466
Category : History
Languages : en
Pages : 388
Book Description
This volume contains writings of or about war from the following authors : Nina Macdonald, Rebecca West, Vera Brittain, Edith Wharton, Mary Borden, Ellen La Motte, Colette, Helen Zenna Smith, Dorothy Canfield Fisher, Amy Lowell, Willa Cather, Mary Lee, Elizabeth Shepley Sergeant, Gertrude Stein, Kathe Kollwitz, Charlotte Mew, Katherine Mansfield, Louise Bogan, Toni Morrison, Jane Addams, Emmeline Pethick-Lawrence, Edna St. Vincent Millay, Martha Gellhorn, Frances Davis, Dorothy Parker, Gertrud Kolmar, Virginia Woolf, Dorothy Thompson, Ding Ling, Anna Akhmatova, Olivia Manning, Elizabeth Bowen, Bryher, H.D., Mary Lee Settle, Elizabeth Vaughan, Iris Origo, Christabel Bielenberg, Etty Hillesum, Sara Nomberg-Przytyk, Charlotte Delbo, Elsa Morante, Mitsuye Yamada, Hirabayashi Taiko, Kikue Tada, Doris Lessing, Kathryn Hulme, Kay Boyle, Gwendolyn Brooks, Marguerite Higgins, Martha Gelhorn, Mary McCarthy, Grace Paley, Huong Tram, Lady Borton, Margaret Atwood, Muriel Rukeyser, Susan Griffin, Karla Ramirez, Margaret Thatcher, Molly Moore, Fadwa Tuqan, Dahlia Ravikovitch, Meena Alexander, Marta Traba, Lina Magaia, and Margaret Drabble.
Publisher: SIU Press
ISBN: 9780809322466
Category : History
Languages : en
Pages : 388
Book Description
This volume contains writings of or about war from the following authors : Nina Macdonald, Rebecca West, Vera Brittain, Edith Wharton, Mary Borden, Ellen La Motte, Colette, Helen Zenna Smith, Dorothy Canfield Fisher, Amy Lowell, Willa Cather, Mary Lee, Elizabeth Shepley Sergeant, Gertrude Stein, Kathe Kollwitz, Charlotte Mew, Katherine Mansfield, Louise Bogan, Toni Morrison, Jane Addams, Emmeline Pethick-Lawrence, Edna St. Vincent Millay, Martha Gellhorn, Frances Davis, Dorothy Parker, Gertrud Kolmar, Virginia Woolf, Dorothy Thompson, Ding Ling, Anna Akhmatova, Olivia Manning, Elizabeth Bowen, Bryher, H.D., Mary Lee Settle, Elizabeth Vaughan, Iris Origo, Christabel Bielenberg, Etty Hillesum, Sara Nomberg-Przytyk, Charlotte Delbo, Elsa Morante, Mitsuye Yamada, Hirabayashi Taiko, Kikue Tada, Doris Lessing, Kathryn Hulme, Kay Boyle, Gwendolyn Brooks, Marguerite Higgins, Martha Gelhorn, Mary McCarthy, Grace Paley, Huong Tram, Lady Borton, Margaret Atwood, Muriel Rukeyser, Susan Griffin, Karla Ramirez, Margaret Thatcher, Molly Moore, Fadwa Tuqan, Dahlia Ravikovitch, Meena Alexander, Marta Traba, Lina Magaia, and Margaret Drabble.
The Historiography of World War I from 1918 to the Present
Author: Christoph Cornelissen
Publisher: Berghahn Books
ISBN: 1800737270
Category : History
Languages : en
Pages : 516
Book Description
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
Publisher: Berghahn Books
ISBN: 1800737270
Category : History
Languages : en
Pages : 516
Book Description
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
Edinburgh Companion to Twentieth-Century British and American War Literature
Author: Adam Piette
Publisher: Edinburgh University Press
ISBN: 0748653937
Category : History
Languages : en
Pages : 719
Book Description
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ
Publisher: Edinburgh University Press
ISBN: 0748653937
Category : History
Languages : en
Pages : 719
Book Description
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginativ
Gender and War in Twentieth-Century Eastern Europe
Author: Nancy M. Wingfield
Publisher: Indiana University Press
ISBN: 9780253111937
Category : Social Science
Languages : en
Pages : 270
Book Description
This volume explores the role of gender on both the home and fighting fronts in eastern Europe during World Wars I and II. By using gender as a category of analysis, the authors seek to arrive at a more nuanced understanding of the subjective nature of wartime experience and its representations. While historians have long equated the fighting front with the masculine and the home front with the feminine, the contributors challenge these dichotomies, demonstrating that they are based on culturally embedded assumptions about heroism and sacrifice. Major themes include the ways in which wartime experiences challenge traditional gender roles; postwar restoration of gender order; collaboration and resistance; the body; and memory and commemoration.
Publisher: Indiana University Press
ISBN: 9780253111937
Category : Social Science
Languages : en
Pages : 270
Book Description
This volume explores the role of gender on both the home and fighting fronts in eastern Europe during World Wars I and II. By using gender as a category of analysis, the authors seek to arrive at a more nuanced understanding of the subjective nature of wartime experience and its representations. While historians have long equated the fighting front with the masculine and the home front with the feminine, the contributors challenge these dichotomies, demonstrating that they are based on culturally embedded assumptions about heroism and sacrifice. Major themes include the ways in which wartime experiences challenge traditional gender roles; postwar restoration of gender order; collaboration and resistance; the body; and memory and commemoration.
War and Social Change in the Twentieth Century
Author: Arthur Marwick
Publisher: London : Macmillan
ISBN:
Category : History
Languages : en
Pages : 288
Book Description
Publisher: London : Macmillan
ISBN:
Category : History
Languages : en
Pages : 288
Book Description
Hubris
Author: Alistair Horne
Publisher: HarperCollins
ISBN: 0062397826
Category : History
Languages : en
Pages : 372
Book Description
“Eminently provocative and readable.”—The Wall Street Journal Sir Alistair Horne has been a close observer of war and history for more than fifty years and in this wise and masterly work, he revisits six battles of the past century and examines the strategies, leadership, preparation, and geopolitical goals of aggressors and defenders to reveal the one trait that links them all: hubris. In Greek tragedy, hubris is excessive human pride that challenges the gods and ultimately leads to total destruction of the offender. From the 1905 Battle of Tsushima in the Russo-Japanese War, to Hitler's 1941 bid to capture Moscow, to MacArthur's disastrous advance in Korea, to the French downfall at Dien Bien Phu, Horne shows how each of these battles was won or lost due to excessive hubris on one side or the other. In a sweeping narrative written with his trademark erudition and wit, Horne provides a meticulously detailed analysis of the ground maneuvers employed by the opposing armies in each battle. He also explores the strategic and psychological mindset of the military leaders involved to demonstrate how devastating combinations of human ambition and arrogance led to overreach. Making clear the danger of hubris in warfare, his insights hold resonant lessons for civilian and military leaders navigating today's complex global landscape. A dramatic, colorful, stylishly-written history, Hubris is a much-needed reflection on war from a master of his field.
Publisher: HarperCollins
ISBN: 0062397826
Category : History
Languages : en
Pages : 372
Book Description
“Eminently provocative and readable.”—The Wall Street Journal Sir Alistair Horne has been a close observer of war and history for more than fifty years and in this wise and masterly work, he revisits six battles of the past century and examines the strategies, leadership, preparation, and geopolitical goals of aggressors and defenders to reveal the one trait that links them all: hubris. In Greek tragedy, hubris is excessive human pride that challenges the gods and ultimately leads to total destruction of the offender. From the 1905 Battle of Tsushima in the Russo-Japanese War, to Hitler's 1941 bid to capture Moscow, to MacArthur's disastrous advance in Korea, to the French downfall at Dien Bien Phu, Horne shows how each of these battles was won or lost due to excessive hubris on one side or the other. In a sweeping narrative written with his trademark erudition and wit, Horne provides a meticulously detailed analysis of the ground maneuvers employed by the opposing armies in each battle. He also explores the strategic and psychological mindset of the military leaders involved to demonstrate how devastating combinations of human ambition and arrogance led to overreach. Making clear the danger of hubris in warfare, his insights hold resonant lessons for civilian and military leaders navigating today's complex global landscape. A dramatic, colorful, stylishly-written history, Hubris is a much-needed reflection on war from a master of his field.
The War Lords
Author: Michael Carver
Publisher: Pen and Sword
ISBN: 1473819741
Category : Biography & Autobiography
Languages : en
Pages : 1158
Book Description
Detailed profiles of forty-three military commanders of the twentieth century, from Patton to Rommel, Yamamoto, and Zhukov, written by top historians. In The War Lords, Field Marshal Lord Carver has assembled an engrossing series of short, detailed biographies of forty-three of the dominant military commanders on the twentieth-century world stage, written by such prominent historians as Alistair Horne, Norman Stone, Stephen Ambrose, Lord Kinross, and Martin Middlebrook. Included are: Field-Marshal the Earl Alexander, E.H.H. Allenby, Claude Auchinleck, Field-Marshal Sir, Omar N. Bradley, General of the Army, Andrew Browne Cunningham, Admiral of the Fleet the Viscount, Karl Doenitz, Admiral, Hugh C.T. Dowding, Air Chief Marshal, Dwight D. Eisenhower, General of the Army, Ferdinand Foch, Bernard Freyberg, Lieutenant-General Lord, Heinz Guderian, General, Douglas Haig, William F. Halsey, Fleet Admiral, Ian Hamilton, Arthur Harris, Marshal of the Royal Air Force Sir, Paul von Hindenburg, John Rushworth Jellicoe, Joseph Joffre, Alphonse Juin, Marshal, Mustafa Kemal, Ivan Koniev, Marshal, Erich Ludendorff, Douglas C. MacArthur, General of the Army, John Monash, Bernard L. Montgomery, of Alamein, Louis Mountbatten, Earl of Burma, Chester W. Nimitz, Fleet Admiral, George S. Patton, General, John J. Pershing, Philippe Petain, Erwin Rommel, Field-Marshal, William Joseph Slim, Field-Marshal the Viscount, Carl A. Spaatz, General, Raymond A. Spruance, Admiral, Joseph W. Stilwell, General, Marshal of the Royal Air Force Lord Tedder, Hugh Trenchard, Erich Von Falkenhayn, Erich Von Manstein, Field Marshal, Gerd Von Rundstedt, Field-Marshal, Archibald Wavell, Field-Marshal Earl, Isoroku Yamamoto, Admiral & Georgii Zhukov, Marshal.
Publisher: Pen and Sword
ISBN: 1473819741
Category : Biography & Autobiography
Languages : en
Pages : 1158
Book Description
Detailed profiles of forty-three military commanders of the twentieth century, from Patton to Rommel, Yamamoto, and Zhukov, written by top historians. In The War Lords, Field Marshal Lord Carver has assembled an engrossing series of short, detailed biographies of forty-three of the dominant military commanders on the twentieth-century world stage, written by such prominent historians as Alistair Horne, Norman Stone, Stephen Ambrose, Lord Kinross, and Martin Middlebrook. Included are: Field-Marshal the Earl Alexander, E.H.H. Allenby, Claude Auchinleck, Field-Marshal Sir, Omar N. Bradley, General of the Army, Andrew Browne Cunningham, Admiral of the Fleet the Viscount, Karl Doenitz, Admiral, Hugh C.T. Dowding, Air Chief Marshal, Dwight D. Eisenhower, General of the Army, Ferdinand Foch, Bernard Freyberg, Lieutenant-General Lord, Heinz Guderian, General, Douglas Haig, William F. Halsey, Fleet Admiral, Ian Hamilton, Arthur Harris, Marshal of the Royal Air Force Sir, Paul von Hindenburg, John Rushworth Jellicoe, Joseph Joffre, Alphonse Juin, Marshal, Mustafa Kemal, Ivan Koniev, Marshal, Erich Ludendorff, Douglas C. MacArthur, General of the Army, John Monash, Bernard L. Montgomery, of Alamein, Louis Mountbatten, Earl of Burma, Chester W. Nimitz, Fleet Admiral, George S. Patton, General, John J. Pershing, Philippe Petain, Erwin Rommel, Field-Marshal, William Joseph Slim, Field-Marshal the Viscount, Carl A. Spaatz, General, Raymond A. Spruance, Admiral, Joseph W. Stilwell, General, Marshal of the Royal Air Force Lord Tedder, Hugh Trenchard, Erich Von Falkenhayn, Erich Von Manstein, Field Marshal, Gerd Von Rundstedt, Field-Marshal, Archibald Wavell, Field-Marshal Earl, Isoroku Yamamoto, Admiral & Georgii Zhukov, Marshal.
Gender and Warfare in the Twentieth Century
Author: Angela K. Smith
Publisher: Manchester University Press
ISBN: 9780719065743
Category : History
Languages : en
Pages : 246
Book Description
Spanning the 20th century, this collection of accessible and very readable essays explores the ways in which men and women have both represented warfare, and represented themselves as participants in warfare.
Publisher: Manchester University Press
ISBN: 9780719065743
Category : History
Languages : en
Pages : 246
Book Description
Spanning the 20th century, this collection of accessible and very readable essays explores the ways in which men and women have both represented warfare, and represented themselves as participants in warfare.
History of the Twentieth Century
Author: Martin Gilbert
Publisher: Rosetta Books
ISBN: 0795337329
Category : History
Languages : en
Pages : 723
Book Description
A chronological compilation of twentieth-century world events in one volume—from the acclaimed historian and biographer of Winston S. Churchill. The twentieth century has been one of the most unique in human history. It has seen the rise of some of humanity’s most important advances to date, as well as many of its most violent and terrifying wars. This is a condensed version of renowned historian Martin Gilbert’s masterful examination of the century’s history, offering the highlights of a three-volume work that covers more than three thousand pages. From the invention of aviation to the rise of the Internet, and from events and cataclysmic changes in Europe to those in Asia, Africa, and North America, Martin examines art, literature, war, religion, life and death, and celebration and renewal across the globe, and throughout this turbulent and astonishing century.
Publisher: Rosetta Books
ISBN: 0795337329
Category : History
Languages : en
Pages : 723
Book Description
A chronological compilation of twentieth-century world events in one volume—from the acclaimed historian and biographer of Winston S. Churchill. The twentieth century has been one of the most unique in human history. It has seen the rise of some of humanity’s most important advances to date, as well as many of its most violent and terrifying wars. This is a condensed version of renowned historian Martin Gilbert’s masterful examination of the century’s history, offering the highlights of a three-volume work that covers more than three thousand pages. From the invention of aviation to the rise of the Internet, and from events and cataclysmic changes in Europe to those in Asia, Africa, and North America, Martin examines art, literature, war, religion, life and death, and celebration and renewal across the globe, and throughout this turbulent and astonishing century.