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Author: Emma Piccioli
Publisher: Routledge
ISBN: 1134894813
Category : Psychology
Languages : en
Pages : 117
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Book Description
A beautiful and thoughtful collection of essays on reading, writing and learning, Writing and Psychoanalysis grows out of a colloquium. The results are wondrous and impact on the reader at many different levels. In the act of writing, we all discover something about what we know previously unknown to us, and we learn more about our inner world that we knew before we set pen to paper (or hand to computer). Patrick Mahony goes so far as to argue that Freud's self-analysis was essentially a "writing cure." Writing in Psychoanalysis is the first volume in the projected Monograph Series, Psychoanalytic Issues, the Rivista di Psicoanalisi (the Journal of the Italian Psychoanalytical Society) is undertaking in conjunction with Karnac Books. This series constitutes a major effort to bring about a dialogue among psychoanalysts who while ultimately bound together by a common psychoanalytic heritage nonetheless are separated in their thinking by different idioms, whether linguistic or theoretical. While featuring writers of very different idioms, this series will also present a venue to make some important Italian voices known to English speaking analysts.
Author: Emma Piccioli
Publisher: Routledge
ISBN: 1134894813
Category : Psychology
Languages : en
Pages : 117
Get Book Here
Book Description
A beautiful and thoughtful collection of essays on reading, writing and learning, Writing and Psychoanalysis grows out of a colloquium. The results are wondrous and impact on the reader at many different levels. In the act of writing, we all discover something about what we know previously unknown to us, and we learn more about our inner world that we knew before we set pen to paper (or hand to computer). Patrick Mahony goes so far as to argue that Freud's self-analysis was essentially a "writing cure." Writing in Psychoanalysis is the first volume in the projected Monograph Series, Psychoanalytic Issues, the Rivista di Psicoanalisi (the Journal of the Italian Psychoanalytical Society) is undertaking in conjunction with Karnac Books. This series constitutes a major effort to bring about a dialogue among psychoanalysts who while ultimately bound together by a common psychoanalytic heritage nonetheless are separated in their thinking by different idioms, whether linguistic or theoretical. While featuring writers of very different idioms, this series will also present a venue to make some important Italian voices known to English speaking analysts.
Author: Shirley Zisser
Publisher: Routledge
ISBN: 1000422348
Category : Psychology
Languages : en
Pages : 196
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Book Description
This book explores the place of the flesh in the linguistically-inflected categories of Freudian and Lacanian psychoanalysis, drawing explicit attention to the organic as an inherent part of the linguistic categories that appear in the writings of Freud and Lacan. Lacan’s ‘return to Freud’ famously involves a ‘linguistic turn’ in psychoanalysis. The centering of language as a major operator in psychic life often leads to a dualistic or quasi-dualistic view in which language and the enjoyment of the body are polarized. Exploring the intricate connections of the linguistic and the organic in both Lacanian and Freudian psychoanalysis from its beginnings, Zisser shows that surprisingly, and not only in Lacan’s late teaching, psycho-linguistic categories turn out to be suffused with organicity. After unfolding the remnant of the flesh in the signifier as a major component of Lacan’s critique of Saussure, using visual artworks as objective correlatives as it does so, the book delineates two forms of psychic writing. These are aligned not only with two fundamental states of the psychic apparatus as described by Freud (pain and satisfaction), but with two ways of sculpting formulated by Alberti in the Renaissance but also referred to by Freud. Continuing in a Derridean vein, the book demonstrates the primacy of writing to speech in psychoanalysis, emphasizing how the relation between speech and writing is not binary but topological, as speech in its psychoanalytic conception is nothing but the folding inside-out of unconscious writing. Innovatively placing the flesh at the core of its approach, the text also incorporates the seminal work of psychoanalyst Michèle Montrelay to articulate the precise relation between the linguistic and the organic. Writing, Speech and Flesh in Lacanian Psychoanalysis will be indispensable to psychoanalysts, literary theorists, rhetoricians, deconstructionists, and those studying at the intersection of psychoanalysis, language, and the visual arts.
Author: Daniel Bristow
Publisher: Routledge
ISBN: 1317383397
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
What happens when the intellectual giant of twentieth-century literature, James Joyce, is made an object of consideration and cause of desire by the intellectual giant of modern psychoanalysis, Jacques Lacan? This is what Joyce and Lacan explores, in the three closely interrelated areas of reading, writing, and psychoanalysis, by delving into Joyce’s own relationship with psychoanalysis in his lifetime. The book concentrates primarily on his last text, Finnegans Wake, the notorious difficulty of which arises from its challenging the intellect itself, and our own processes of reading. As well as the centrality of the Wake, concepts of Joycean ontology, sanity, singularity, and sexuality are excavated from sustained analysis of his earliest writings onward. To be ‘post-Joycean’, as Lacan describes it, means then to be in the wake not only of Joyce, but also of Lacan’s interventions on the Irish writer made in the mid-70s. It was this encounter that gave rise to concepts that have gained currency in today’s psychoanalytic theory and practice, and importance in wider critical contexts. The notions of the sinthome, lalangue, and Lacan’s use of topology and knot theory are explored within, as well as new theories being launched. The book will be of interest to psychoanalysts, literary theorists, and students and teachers of literature, theory, or the works of Joyce and Lacan.
Author: Dan Gilhooley
Publisher: Routledge
ISBN: 1000586774
Category : Psychology
Languages : en
Pages : 509
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Book Description
In this in-depth and unique collaboration between a patient and his psychoanalyst, Psychoanalysis, Intersubjective Writing, and a Postmaterialist Model of Mind: I Woke Up Dead examines the unconscious mind by analysing the patient’s novel written during his treatment as the focus. Using the patient’s creative writing and their intersubjective relationship as evidence, Dan Gilhooley and Frank Toich show how psychoanalysis fits within a postmaterialist model of mind. In this ground-breaking exploration, Gilhooley and Toich together demonstrate how a nonlocal unconscious can reshape the psychoanalytic conception of the mind. Split into four parts, Intersubjective, Quantum, History and Collaboration, Dan introduces three themes in the first: recovery from death, the intersubjective nature of therapeutic work and the role of creative imagination, combining these themes with analysis of Frank’s work and short, related stories from his own life. Part II, Quantum, introduces the concept of nonlocality to describe the mind and draws on the appearance of quantum physics in Frank’s science fiction, before moving onto Part III, History, which examines the emergence of psychoanalysis out of animal magnetism, looking at rapport, telepathy and love in psychotherapy. Finally, Collaboration discusses their ongoing psychotherapeutic experiment, the role of imagination, dissociation and the cosmic mind in psychological growth. Interweaving creative writing, psychoanalytic theory and real-life stories, the book re-contextualizes the history and future of psychoanalysis. Due to its multidisciplinary nature, this book will appeal to psychotherapists and psychologists in practice and in training. It would also be a vital resource for academics and students of counseling, consciousness studies, psychoanalysis, psychotherapy and psychology.
Author: Stanley J. Coen
Publisher:
ISBN: 9780231073578
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Although deconstruction has become a popular catchword, as an intellectual movement it has never entirely caught on within the university. For some in the academy, deconstruction, and Jacques Derrida in particular, are responsible for the demise of accountability in the study of literature. Countering these facile dismissals of Derrida and deconstruction, Herman Rapaport explores the incoherence that has plagued critical theory since the 1960s and the resulting legitimacy crisis in the humanities. Against the backdrop of a rich, informed discussion of Derrida's writings -- and how they have been misconstrued by critics and admirers alike -- The Theory Mess investigates the vicissitudes of Anglo-American criticism over the past thirty years and proposes some possibilities for reform.
Author: Michael G. Levine
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 240
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Book Description
What does it mean to treat a dream as a censored text? Why does Freud turn to the realm of politics when attempting to describe dreams and the forces that shape them? What happens to the concept of censorship when it enters Freudian discourse? Is its political significance lost in translation or does Freud's borrowing somehow render enigmatic what we thought we understood under the name of censorship and under the name of borrowing? In Writing Through Repression, Michael Levine juxtaposes readings of psychoanalytic, literary, and critical texts to explore these questions. Rather than seeking to extract a particular notion of censorship from Freud in order to apply it elsewhere, he argues that it is more instructive to examine the difficulties Freud has in coming to terms with this notion. It is through such difficulties, he suggests, that Freud's text opens a different kind of dialogue with the writings of Heine, Benjamin, and Kafka - one that opens each to the challenge and solicitation of the other.
Author: Emma Lieber
Publisher: Bloomsbury Publishing USA
ISBN: 1501360183
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
In The Writing Cure, Emma Lieber tells the story of her decade-long analysis, and her becoming a psychoanalyst, by tracing dreams, scenes, and signifiers that emerged from her analysis while also undertaking critical explorations of works of psychoanalytic theory and literary texts. The Writing Cure thus articulates what psychoanalysis does for its patients by writing the moment of its termination in real time, performing the convergence of theory and life on which psychoanalysis itself balances. Throughout, Lieber considers what psychoanalysis--"the talking cure"--has to do with writing: the foundation of psychoanalysis on Freud's distinctive writing practice; what it means to write oneself as a psychoanalyst; the extent to which the cure involves a new kind of self-writing. Most broadly, The Writing Cure asks: What would it look like to write your way to the end of an analysis? Is it possible to write yourself into the position of psychoanalyst? Is it possible to write your cure?
Author: Shoshana Felman
Publisher: Stanford University Press
ISBN: 9780804744492
Category : Literary Criticism
Languages : en
Pages : 308
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Book Description
This is the author's most influential work of literary theory and criticism in which she explores the relations between literature, philosophy, and psychoanalysis.
Author: Elisabeth Young-Bruehl
Publisher: Harvard University Press
ISBN: 9780674853713
Category : Biography & Autobiography
Languages : en
Pages : 300
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Book Description
Elisabeth Young-Bruehl illuminates the psychological and intellectual demands writing biography makes on the biographer and explores the complex and frequently conflicted relationship between feminism and psychoanalysis. She considers what remains valuable in Sigmund Freud's work, and what areas - theory of character, for instance - must be rethought to be useful for current psychoanalytic work, for feminist studies, and for social theory. Psychoanalytic theory used for biography, she argues, can yield insights for psychoanalysis itself, particularly in the understanding of creativity.
Author: Paola Golinelli
Publisher: Routledge
ISBN: 1000283054
Category : Psychology
Languages : en
Pages : 201
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Book Description
"Why are we so fascinated by beauty?" is a question many of us have asked ourselves, as have many who came before us. This book investigates the moment of ecstatic solitude in which everyone can experience emotions through films, works of art or natural phenomenon, when, even if for a "magic" instant, we feel "alive" and masters of our own Self. Expanding from the author’s personal experience, this book is a series of applied psychoanalytic essays on film, literature, and aesthetic pleasure. It explores the complexity of loss and mourning, destructivity, perversion, and revenge, as well as an exploration of what can facilitate transformation and how to lead a blocked healing process back to motion. This fascinating and insightful book will be of interest to psychoanalysts, psychologists, teachers and students, and all those with an interest in psychoanalysis and the arts.
