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Author: John Henderson
Publisher: OUP Oxford
ISBN: 0191584428
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
In a series of controversial essays, this book examines the Roman penchant for denigration, and in particular self-denigration, at the expense of Roman culture. Comedy in Republican Rome radically transformed both itself and the culture from which it sprang: in Poenulus, Plautus laughed at Roman depreciation of Carthage; in Adelphoe, Terence turned on his audience in provocation. The comic Roman poets played with self-mockery: in Eclogue III, Virgil tests his audience's security in judging peasant unpleasantness; in Odes III.22, Horace sends up his own pious rusticity down on the farm. In the second half of the book, Roman verse satire is the subject: the genre of male bragging mocks its own masculine aggression. The great Latin satirists make fun of making fun: Horace, Satires I.9, shows up the politics of humour, unmanned by his own good manners; Persius nails his own weaknesses in fortifying himself against the world; Juvenal, Satire 1, loathes the literary scene he bids to dominate. The book shows a vital ingredient of Roman poetry to be an energetic surge of urbane banter directed towards Roman culure.
Author: John Henderson
Publisher: OUP Oxford
ISBN: 0191584428
Category : Literary Criticism
Languages : en
Pages : 397
Get Book Here
Book Description
In a series of controversial essays, this book examines the Roman penchant for denigration, and in particular self-denigration, at the expense of Roman culture. Comedy in Republican Rome radically transformed both itself and the culture from which it sprang: in Poenulus, Plautus laughed at Roman depreciation of Carthage; in Adelphoe, Terence turned on his audience in provocation. The comic Roman poets played with self-mockery: in Eclogue III, Virgil tests his audience's security in judging peasant unpleasantness; in Odes III.22, Horace sends up his own pious rusticity down on the farm. In the second half of the book, Roman verse satire is the subject: the genre of male bragging mocks its own masculine aggression. The great Latin satirists make fun of making fun: Horace, Satires I.9, shows up the politics of humour, unmanned by his own good manners; Persius nails his own weaknesses in fortifying himself against the world; Juvenal, Satire 1, loathes the literary scene he bids to dominate. The book shows a vital ingredient of Roman poetry to be an energetic surge of urbane banter directed towards Roman culure.
Author: John Henderson
Publisher: Cambridge University Press
ISBN: 9780521580267
Category : History
Languages : en
Pages : 376
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Book Description
The essays in Fighting for Rome confront the traumatic disjunction between the militarist culture of classical Rome, with its heavy investment in valour, conquest and triumph, and the domination of its history by civil war, where Roman soldiers killed so many Romans for control of Rome. The essays gathered and rewritten here range across the literary forms (history, satire, lyric and epic) and work closely with the ancient texts (Appian and Julius Caesar; Horace; Lucan and Statius; Tacitus and Livy). Close reading and powerful translation communicate the ancient writers' efforts to grasp and respond to the Roman civil wars, and to their product, Roman terror under the Caesars. The book aims to bring to life strong reactions to a world order run by civil war.
Author: Jennifer L. Ferriss-Hill
Publisher: Cambridge University Press
ISBN: 1316240789
Category : History
Languages : en
Pages : 313
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Book Description
Quintilian famously claimed that satire was tota nostra, or totally ours, but this innovative volume demonstrates that many of Roman satire's most distinctive characteristics derived from ancient Greek Old Comedy. Jennifer L. Ferriss-Hill analyzes the writings of Lucilius, Horace, and Persius, highlighting the features that they crafted on the model of Aristophanes and his fellow poets: the authoritative yet compromised author; the self-referential discussions of poetics that vacillate between defensive and aggressive; the deployment of personal invective in the service of literary polemics; and the abiding interest in criticizing individuals, types, and language itself. The first book-length study in English on the relationship between Roman satire and Old Comedy, Roman Satire and the Old Comic Tradition will appeal to students and researchers in classics, comparative literature, and English.
Author: Henriette Anne Klauser
Publisher: Simon and Schuster
ISBN: 1471108406
Category : Body, Mind & Spirit
Languages : en
Pages : 194
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Book Description
Too often, people drift through life with a feeling of frustration, longing to find some adventure or purpose in life, envious of those whose lives seem exciting. In WRITE IT DOWN, MAKE IT HAPPEN, Henriette Anne Klauser shows you how to write your own lifescript. Simply writing down your goals in life is the first step towards achieving them. The 'writing it down' part is not about time management; it is not a 'to-do today' list that will make you feel guilty if you don't get everything done. Rather, writing it down is about clearing your head, identifying what you want and setting your intent. You can 'make it happen' purely by believing in the possibility. In WRITE IT DOWN, MAKE IT HAPPEN, there are stories from ordinary people who witnessed miracles large and small unfold in their lives after they performed the basic act of putting their goals on paper.
Author: Denis Feeney
Publisher: Harvard University Press
ISBN: 0674496043
Category : History
Languages : en
Pages : 392
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Book Description
A History Today Best Book of the Year A Choice Outstanding Academic Title of the Year Virgil, Ovid, Cicero, Horace, and other authors of ancient Rome are so firmly established in the Western canon today that the birth of Latin literature seems inevitable. Yet, Denis Feeney boldly argues, the beginnings of Latin literature were anything but inevitable. The cultural flourishing that in time produced the Aeneid, the Metamorphoses, and other Latin classics was one of the strangest events in history. “Feeney is to be congratulated on his willingness to put Roman literary history in a big comparative context...It is a powerful testimony to the importance of Denis Feeney’s work that the old chestnuts of classical literary history—how the Romans got themselves Hellenized, and whether those jack-booted thugs felt anxiously belated or smugly domineering in their appropriation of Greek culture for their own purposes—feel fresh and urgent again.” —Emily Wilson, Times Literary Supplement “[Feeney’s] bold theme and vigorous writing render Beyond Greek of interest to anyone intrigued by the history and literature of the classical world.” —The Economist
Author: Catherine Keane
Publisher: Oxford University Press
ISBN: 019026697X
Category : History
Languages : en
Pages : 265
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Book Description
In his sixteen verse Satires, Juvenal explores the emotional provocations and pleasures associated with social criticism and mockery. He makes use of traditional generic elements such as the first-person speaker, moral diatribe, narrative, and literary allusion to create this new satiric preoccupation and theme. Juvenal defines the satirist figure as an emotional agent who dramatizes his own response to human vices and faults, and he in turn aims to engage other people's feelings. Over the course of his career, he adopts a series of rhetorical personae that represent a spectrum of satiric emotions, encouraging his audience to ponder satire's proper emotional mode and function. Juvenal first offers his signature indignatio with its associated pleasures and discomforts, then tries on subtler personae that suggest dry detachment, callous amusement, anxiety, and other affective states. As Keane shows, the satiric emotions are not only found in the author's rhetorical performances, but they are also a major part of the human farrago that the Satires purport to treat. Juvenal's poems explore the dynamic operation of emotions in society, drawing on diverse ancient literary, rhetorical, and philosophical sources. Each poem uniquely engages with different texts and ideas to reveal the unsettling powers of its emotional mode. Keane also analyzes the "emotional plot" of each book of Satires and the structural logic of the entire series with its wide range of subjects and settings. From his famous angry tirades to his more puzzling later meditations, Juvenal demonstrates an enduring interest in the relationship between feelings and moral judgment.
Author: Walter Goffart
Publisher: A&C Black
ISBN: 9781852850012
Category : History
Languages : en
Pages : 400
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Book Description
This collection of articles displays Walter Goffart's ability both to illuminate the great events that reshaped Europe after the fall of Rome and to uncover new and significant details in texts ranging from tax records to tribal genealogies. Professor Goffart is especially concerned with the role of 'barbarian' neighbours who, he argues, weighed far less on the destiny of the Roman West than did Constantinople.
Author: Sebastian Matzner
Publisher: Oxford University Press, USA
ISBN: 0198814062
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
The deliberate adoption of a 'weaker' voice by a speaker not obliged to do so is a widespread phenomenon in Latin literature. This volume traces this strategy across a range of genres, periods, and authors, exploring how it establishes, perpetuates, and challenges hierarchies and values in very different literary and cultural-political contexts.
Author: Monica R. Gale
Publisher: Cambridge University Press
ISBN: 1107027144
Category : Drama
Languages : en
Pages : 401
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Book Description
A wide-ranging study of violence in Latin literature, across the spectrum of texts and genres from Plautus to Prudentius.
Author: W. Jeffrey Tatum
Publisher: Oxford University Press
ISBN: 019769490X
Category : Biography & Autobiography
Languages : en
Pages : 497
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Book Description
A complex and captivating portrait of Mark Antony that offers a fresh perspective on the fall of the Roman Republic In his lifetime, Mark Antony was a famous man. Ally and avenger of Julius Caesar, rhetorical target of Cicero, lover of Cleopatra, and mortal enemy of Octavian (the future emperor Augustus), Antony played a leading role in the transformation of the Roman world. Ever since his and Cleopatra's demise at the hands of Octavian, he has remained famous, or infamous, a figure of recurring fascination. His life--variegated, passionate, sensual, bold, and tragic--inspires vigorous reactions. Nearly everyone has a view on Antony. For Cicero, he was a distasteful though talented man. Octavian fashioned him a dangerous failure, a Roman noble corrupted by his appetites and his lust for Cleopatra. Later historians adopted and adapted these themes, delivering their readers an Antony who was irresistibly depraved, startlingly brave, sometimes cunning, but almost always constitutionally incapable of choosing the right side of history. From these, especially Plutarch's compelling portrait, Shakespeare gave us the chivalrous and unstudied Antony of Antony and Cleopatra. A Noble Ruin, the fullest biography of Antony in English, assimilates the various, often competing, ancient sources to provide a strong and much-needed dose of realism to the caricature we have of this major historical figure. The book gives ample attention to the varied cultural circumstances in which Antony operated, including the social and moral expectations of his republican heritage, as well as the exceptional challenges posed by the convulsion of civil war. In furnishing a complex and captivating portrait of Anthony, A Noble Ruin allows readers to freshly assess his conduct, ambitions, and attainments, as well as the turbulent age in which he lived.
