Author: Gavin Alexander
Publisher:
ISBN: 0199591121
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
'Writing After Sidney' examines the literary response to Sir Philip Sidney, author of the 'Arcadia, Astrophil and Stella' and 'The Defence of Poesy', and the influential writer of the Elizabethan period.
Writing After Sidney
Author: Gavin Alexander
Publisher:
ISBN: 0199591121
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
'Writing After Sidney' examines the literary response to Sir Philip Sidney, author of the 'Arcadia, Astrophil and Stella' and 'The Defence of Poesy', and the influential writer of the Elizabethan period.
Publisher:
ISBN: 0199591121
Category : Literary Criticism
Languages : en
Pages : 426
Book Description
'Writing After Sidney' examines the literary response to Sir Philip Sidney, author of the 'Arcadia, Astrophil and Stella' and 'The Defence of Poesy', and the influential writer of the Elizabethan period.
The Other Side of Me
Author: Sidney Sheldon
Publisher: Grand Central Publishing
ISBN: 0759567328
Category : Biography & Autobiography
Languages : en
Pages : 247
Book Description
Author of over a dozen bestsellers, Academy Award-winning screenwriter, and creator of some of television's greatest hits, Sheldon has seen and done it all, and now in this candid memoir, he shares his story for the first time.
Publisher: Grand Central Publishing
ISBN: 0759567328
Category : Biography & Autobiography
Languages : en
Pages : 247
Book Description
Author of over a dozen bestsellers, Academy Award-winning screenwriter, and creator of some of television's greatest hits, Sheldon has seen and done it all, and now in this candid memoir, he shares his story for the first time.
Sidney Sheldon's After the Darkness LP
Author: Sidney Sheldon
Publisher: Harper Collins
ISBN: 0061992690
Category : Fiction
Languages : en
Pages : 548
Book Description
Following the success of the New York Times bestseller Sidney Sheldon's Mistress of the Game, this sweeping tale of love and betrayal, vengeance and redemption, will leave you racing to its shocking, triumphant end What happens when a woman who has everything loses everything? And when a woman who has nothing realizes she has nothing to lose? Blessed with the face of an angel and the guileless, trusting nature of a child, Grace Brookstein is the prized wife of the king of Wall Street, Lenny Brookstein. A billionaire many times over, with estates around the world, a fleet of yachts, and a life that is the stuff of fantasies, the revered financial wizard made his fortune tending the nest eggs of ordinary people—the elderly, blue-collar workers, small charities, and working families struggling to make a better life for themselves and their children. The embodiment of America itself—ambitious, hardworking, generous, and warmhearted—Lenny is a fixture of the business pages and the society columns, where he and Grace are celebrated for their philanthropic contributions and their lavish annual fund-raising ball. Despite the stock market's terrifying collapse, the Brooksteins' glamorous lifestyle of Palm Beach polo tournaments and G5 jets remains untouched—until the day Lenny goes sailing from their Nantucket beach estate and never comes home. When his abandoned yacht is found far out at sea, Grace is devastated. Lenny was her world. She has no idea that his disappearance is just the beginning of a dark, terrifying nightmare of murder, lies, greed, and betrayal that will shatter her life and destroy everything she has ever known. . . . Before she can begin to grieve, the shocking news breaks that the $75 billion invested in Quorum, Lenny's hedge fund, is gone—and everyone believes that Grace has stolen the money. Overnight, the delicate beauty who was once the toast of moneyed society has become a reviled modern-day Marie Antoinette, alone and power-less to stop her infamous fall. Grace is certain someone is framing her, and she'll do whatever it takes to prove it, even if it means taking the law into her own hands. Surrounded by enemies, with no one to turn to, Grace must learn to rely on herself—a bold, dangerous journey that will transform her in ways she never thought possible and lead her to a startling new life. Filled with the passion, glamour, twists, and driving suspense that made Sidney Sheldon a bestselling legend, Sidney Sheldon's After the Darkness is an entertaining thrill ride that continues the grand tradition set by the master himself.
Publisher: Harper Collins
ISBN: 0061992690
Category : Fiction
Languages : en
Pages : 548
Book Description
Following the success of the New York Times bestseller Sidney Sheldon's Mistress of the Game, this sweeping tale of love and betrayal, vengeance and redemption, will leave you racing to its shocking, triumphant end What happens when a woman who has everything loses everything? And when a woman who has nothing realizes she has nothing to lose? Blessed with the face of an angel and the guileless, trusting nature of a child, Grace Brookstein is the prized wife of the king of Wall Street, Lenny Brookstein. A billionaire many times over, with estates around the world, a fleet of yachts, and a life that is the stuff of fantasies, the revered financial wizard made his fortune tending the nest eggs of ordinary people—the elderly, blue-collar workers, small charities, and working families struggling to make a better life for themselves and their children. The embodiment of America itself—ambitious, hardworking, generous, and warmhearted—Lenny is a fixture of the business pages and the society columns, where he and Grace are celebrated for their philanthropic contributions and their lavish annual fund-raising ball. Despite the stock market's terrifying collapse, the Brooksteins' glamorous lifestyle of Palm Beach polo tournaments and G5 jets remains untouched—until the day Lenny goes sailing from their Nantucket beach estate and never comes home. When his abandoned yacht is found far out at sea, Grace is devastated. Lenny was her world. She has no idea that his disappearance is just the beginning of a dark, terrifying nightmare of murder, lies, greed, and betrayal that will shatter her life and destroy everything she has ever known. . . . Before she can begin to grieve, the shocking news breaks that the $75 billion invested in Quorum, Lenny's hedge fund, is gone—and everyone believes that Grace has stolen the money. Overnight, the delicate beauty who was once the toast of moneyed society has become a reviled modern-day Marie Antoinette, alone and power-less to stop her infamous fall. Grace is certain someone is framing her, and she'll do whatever it takes to prove it, even if it means taking the law into her own hands. Surrounded by enemies, with no one to turn to, Grace must learn to rely on herself—a bold, dangerous journey that will transform her in ways she never thought possible and lead her to a startling new life. Filled with the passion, glamour, twists, and driving suspense that made Sidney Sheldon a bestselling legend, Sidney Sheldon's After the Darkness is an entertaining thrill ride that continues the grand tradition set by the master himself.
Outlaw Rhetoric
Author: Jenny C. Mann
Publisher: Cornell University Press
ISBN: 0801464102
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.
Publisher: Cornell University Press
ISBN: 0801464102
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
A central feature of English Renaissance humanism was its reverence for classical Latin as the one true form of eloquent expression. Yet sixteenth-century writers increasingly came to believe that England needed an equally distinguished vernacular language to serve its burgeoning national community. Thus, one of the main cultural projects of Renaissance rhetoricians was that of producing a "common" vernacular eloquence, mindful of its classical origins yet self-consciously English in character. The process of vernacularization began during Henry VIII's reign and continued, with fits and starts, late into the seventeenth century. However, as Jenny C. Mann shows in Outlaw Rhetoric, this project was beset with problems and conflicts from the start. Outlaw Rhetoric examines the substantial and largely unexplored archive of vernacular rhetorical guides produced in England between 1500 and 1700. Writers of these guides drew on classical training as they translated Greek and Latin figures of speech into an everyday English that could serve the ends of literary and national invention. In the process, however, they confronted aspects of rhetoric that run counter to its civilizing impulse. For instance, Mann finds repeated references to Robin Hood, indicating an ongoing concern that vernacular rhetoric is "outlaw" to the classical tradition because it is common, popular, and ephemeral. As this book shows, however, such allusions hint at a growing acceptance of the nonclassical along with a new esteem for literary production that can be identified as native to England. Working across a range of genres, Mann demonstrates the effects of this tension between classical rhetoric and English outlawry in works by Spenser, Shakespeare, Sidney, Jonson, and Cavendish. In so doing she reveals the political stakes of the vernacular rhetorical project in the age of Shakespeare.
A Study Guide for Sir Philip Sidney's "Ye Goatherd Gods"
Author: Gale, Cengage Learning
Publisher: Gale, Cengage Learning
ISBN: 141035220X
Category : Literary Criticism
Languages : en
Pages : 25
Book Description
A Study Guide for Sir Philip Sidney's "Ye Goatherd Gods," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
Publisher: Gale, Cengage Learning
ISBN: 141035220X
Category : Literary Criticism
Languages : en
Pages : 25
Book Description
A Study Guide for Sir Philip Sidney's "Ye Goatherd Gods," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
The Oxford Handbook of Philip Sidney
Author:
Publisher: Oxford University Press
ISBN: 0192603175
Category : Literary Criticism
Languages : en
Pages : 865
Book Description
The Oxford Handbook of Philip Sidney is the most comprehensive collection of essays on Sidney published to date. Written by an expert team of international specialists, its fifty chapters cover every aspect of Sidney's life, works, and the times in which he lived. It provides fresh interpretations of Sidney's career, texts, and legacy, drawing on the most recent historical and archival research and showcasing the range of critical approaches-historicist, formalist, postcolonial, post-humanist, presentist, materialist, economic, ecological, affective, queer, and zoocritical-which has opened up so many new perspectives in the study of Renaissance literature in recent years. Part I, 'Contexts', re-examines Sidney's life, family relations and friendship groups, his roles as courtier and patron, and the 'Sidney legend' which largely shaped these narratives round the political agendas of his day. Part II, 'Works', offers new, in-depth readings of Sidney's writings, including his poetry, prose, letters, and psalms. Part III, 'Literary Contexts', explores the pedagogic and practical contexts within which these writings were produced, including Sidney's own education, the humanist emphasis that literature teach and delight, newly evolving ideas of authorship, and the potentials presented by the circulation of his works in manuscript and print. Part IV, 'Sidney's Forms and Genres', drills down further into his literary texts, showing how they both drew from and contributed to new developments in the writing of sonnets, lyric, pastoral, romance, fiction, and drama within the larger sphere of the European literary Renaissance. Part V, 'Sidney's Poetic Craft', illuminates Sidney's distinctive skills as a poetic maker, revealing his attention to detail by providing minute analyses of his prosody, his interest in song, his sentence structure, and his unique conception of style. Part VI, 'Sidney and His Times', embeds Sidney within his period, providing individual chapters on his active engagement with its religion, philosophy, logic, rhetoric, politics, with Europe, the colonies, maps, money, class, gender, the passions, animals, visual culture, music, clothes, architecture, and gardens. Finally, Part VII, 'Reception', investigates Sidney's enduring legacy as his works continued to be read and re-written by later generations, shaping the course of the English literary tradition to come.
Publisher: Oxford University Press
ISBN: 0192603175
Category : Literary Criticism
Languages : en
Pages : 865
Book Description
The Oxford Handbook of Philip Sidney is the most comprehensive collection of essays on Sidney published to date. Written by an expert team of international specialists, its fifty chapters cover every aspect of Sidney's life, works, and the times in which he lived. It provides fresh interpretations of Sidney's career, texts, and legacy, drawing on the most recent historical and archival research and showcasing the range of critical approaches-historicist, formalist, postcolonial, post-humanist, presentist, materialist, economic, ecological, affective, queer, and zoocritical-which has opened up so many new perspectives in the study of Renaissance literature in recent years. Part I, 'Contexts', re-examines Sidney's life, family relations and friendship groups, his roles as courtier and patron, and the 'Sidney legend' which largely shaped these narratives round the political agendas of his day. Part II, 'Works', offers new, in-depth readings of Sidney's writings, including his poetry, prose, letters, and psalms. Part III, 'Literary Contexts', explores the pedagogic and practical contexts within which these writings were produced, including Sidney's own education, the humanist emphasis that literature teach and delight, newly evolving ideas of authorship, and the potentials presented by the circulation of his works in manuscript and print. Part IV, 'Sidney's Forms and Genres', drills down further into his literary texts, showing how they both drew from and contributed to new developments in the writing of sonnets, lyric, pastoral, romance, fiction, and drama within the larger sphere of the European literary Renaissance. Part V, 'Sidney's Poetic Craft', illuminates Sidney's distinctive skills as a poetic maker, revealing his attention to detail by providing minute analyses of his prosody, his interest in song, his sentence structure, and his unique conception of style. Part VI, 'Sidney and His Times', embeds Sidney within his period, providing individual chapters on his active engagement with its religion, philosophy, logic, rhetoric, politics, with Europe, the colonies, maps, money, class, gender, the passions, animals, visual culture, music, clothes, architecture, and gardens. Finally, Part VII, 'Reception', investigates Sidney's enduring legacy as his works continued to be read and re-written by later generations, shaping the course of the English literary tradition to come.
Women and Writing, C.1340-c.1650
Author: Anne Lawrence-Mathers
Publisher: Boydell & Brewer
ISBN: 1903153328
Category : History
Languages : en
Pages : 254
Book Description
Taking its cue from the advances made by recent work on manuscript culture and book history, this volume also includes studies of material evidence, looking at women's participation in the making of books, and the traces they left when they encountered actual volumes. Finally, studies of women's roles in relation to apparently ephemeral texts, such as letters, pamphlets and almanacs, challenge traditional divisions between public and private spheres as well as between manuscript and print --Book Jacket.
Publisher: Boydell & Brewer
ISBN: 1903153328
Category : History
Languages : en
Pages : 254
Book Description
Taking its cue from the advances made by recent work on manuscript culture and book history, this volume also includes studies of material evidence, looking at women's participation in the making of books, and the traces they left when they encountered actual volumes. Finally, studies of women's roles in relation to apparently ephemeral texts, such as letters, pamphlets and almanacs, challenge traditional divisions between public and private spheres as well as between manuscript and print --Book Jacket.
Paper Monsters
Author: Samuel Fallon
Publisher: University of Pennsylvania Press
ISBN: 0812251296
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception. In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."
Publisher: University of Pennsylvania Press
ISBN: 0812251296
Category : Literary Criticism
Languages : en
Pages : 240
Book Description
In Paper Monsters, Samuel Fallon charts the striking rise, at the turn to the seventeenth century, of a new species of textual being: the serial, semifictional persona. When Thomas Nashe introduced his charismatic alter ego Pierce Penilesse in a 1592 text, he described the figure as a "paper monster," not fashioned but "begotten" into something curiously like life. The next decade bore this description out, as Pierce took on a life of his own, inspiring other writers to insert him into their own works. And Pierce was hardly alone: such figures as the polemicist Martin Marprelate, the lovers Philisides and Astrophil, the shepherd-laureate Colin Clout, the prodigal wit Euphues, and, in an odd twist, the historical author Robert Greene all outgrew their fictional origins, moving from text to text and author to author, purporting to speak their own words, even surviving their creators' deaths, and installing themselves in the process as agents at large in the real world of writing, publication, and reception. In seeking to understand these "paper monsters" as a historically specific and rather short-lived phenomenon, Fallon looks to the rapid expansion of the London book trade in the years of their ascendancy. Personae were products of print, the medium that rendered them portable, free-floating figures. But they were also the central fictions of a burgeoning literary field: they embodied that field's negotiations between manuscript and print, and they forged a new form of public, textual selfhood. Sustained by the appropriative rewritings they inspired, personae came to seem like autonomous citizens of the literary public. Fallon argues that their status as collective fictions, passed among writers, publishers, and readers, positioned personae as the animating figures of what we have come to call "print culture."
Early modern women and the poem
Author: Susan Wiseman
Publisher: Manchester University Press
ISBN: 152611089X
Category : Literary Criticism
Languages : en
Pages : 386
Book Description
Viewing the poem as a social agent and product in women’s lives, the essays in this collection examine factors influencing the relationships between writers and readers of poetry in seventeenth-century England and Scotland. The archival and theoretical research on literary authorship, textual transmission and socio-literary networks invites a re-examination of the production and reception of poetry, and alters our understanding of the way poetry participated in social, literary and political life. The volume takes account of the expansion and changes to the canon of women’s poetry and emerging research on key aspects of literary production and reception. It builds on and responds to both recent critical emphasis on literary form and on archival scholarship in women’s writing, understanding the two emphases to be mutually informative. This book explores the way women understood the poem, examines how the poem was shared, circulated and rewritten, and traces its path through wider social relations. It will appeal to any scholar of literature and gender working in Renaissance and seventeenth century studies.
Publisher: Manchester University Press
ISBN: 152611089X
Category : Literary Criticism
Languages : en
Pages : 386
Book Description
Viewing the poem as a social agent and product in women’s lives, the essays in this collection examine factors influencing the relationships between writers and readers of poetry in seventeenth-century England and Scotland. The archival and theoretical research on literary authorship, textual transmission and socio-literary networks invites a re-examination of the production and reception of poetry, and alters our understanding of the way poetry participated in social, literary and political life. The volume takes account of the expansion and changes to the canon of women’s poetry and emerging research on key aspects of literary production and reception. It builds on and responds to both recent critical emphasis on literary form and on archival scholarship in women’s writing, understanding the two emphases to be mutually informative. This book explores the way women understood the poem, examines how the poem was shared, circulated and rewritten, and traces its path through wider social relations. It will appeal to any scholar of literature and gender working in Renaissance and seventeenth century studies.
Continuations to Sidney's Arcadia, 1607-1867, Volume 1
Author: Marea Mitchell
Publisher: Taylor & Francis
ISBN: 1040249264
Category : Literary Criticism
Languages : en
Pages : 737
Book Description
Sir Philip Sidney’s Arcadia has held a significant place in literary imagination since its inception over 430 years ago. Our four-volume set presents five re-imaginings of the text, as well as two short supplements that attempt to bridge the gap between Sidney’s original and revised versions of the work.
Publisher: Taylor & Francis
ISBN: 1040249264
Category : Literary Criticism
Languages : en
Pages : 737
Book Description
Sir Philip Sidney’s Arcadia has held a significant place in literary imagination since its inception over 430 years ago. Our four-volume set presents five re-imaginings of the text, as well as two short supplements that attempt to bridge the gap between Sidney’s original and revised versions of the work.